Connect with us

TV News

Top 15 Sci-Fi & Fantasy Christmas Episodes to Watch for a Magical Holiday



Top 15 Sci-Fi & Fantasy Christmas Episodes to Watch for a Magical Holiday

As the holidays approach, it’s easy to get swept into our normal “Christmas movie routines” where we rewatch Home Alone, Elf, The Grinch, and all the other usual suspects. This year, maybe take your pick of some of the best Christmas-themed episodes of your favorite genre shows to celebrate your holiday cheer! From aliens, demons, and ghosts to superheroes, spies, and Santa Claus himself, there’s a little something here for everyone.

1. Smallville – “Lexmas” (Season 5, Episode 9)

With a spin on holiday classics such as It’s A Wonderful Life and A Christmas Carol, Smallville outdid itself with “Lexmas.” After Lex (Michael Rosenbaum) is shot, he experiences a “glimpse” of what his life could be: marital bliss with Lana (Kristen Kreuk). Though sadly, he doesn’t embrace it. But don’t let Lex’s Scroogish spirit damper yours, Clark (Tom Welling) spends the episode delivering presents to underprivileged children and saving Santa (Kenneth Welsh). If that doesn’t prove that the Christmas spirit is still alive and well, nothing will!


Best Christmas Moment: When Lex has to explain to Lana just why he had to get the biggest Christmas tree in the lot, their budget be damned. It may be the happiest we’ve ever seen Lex.

2. Supernatural – “A Very Supernatural Christmas” (Season 3, Episode 8)

Nothing says Christmas more than Sam (Jared Padalecki) and Dean (Jensen Ackles) taking on some pagan gods during the holiday season. As the Winchesters celebrate their possibly (though definitely not) last Christmas, the weight of Dean’s demon deal weighs heavy on them. As Dean tries to convince Sam to celebrate Christmas, the festivities take hold of them. While it’s certainly “A Very Supernatural Christmas,” that doesn’t mean there isn’t any holiday spirit to go around. Plus, hearing the Winchesters try to sing “Silent Night” is pretty hilarious.

Best Christmas Moment: The brother’s final moments together as they celebrate Christmas. It’s a very Sam and Dean way to celebrate the holidays and we love it.


3. The X-Files – “How the Ghosts Stole Christmas” (Season 6, Episode 6)

On Christmas Eve, Mulder (David Duchovny) and Scully (Gillian Anderson) decide to investigate a house in Maryland that is haunted by the ghosts of two lovers. These ghosts, played by Ed Asner and Lily Tomlin, have spent the past century tempting lovers to their deaths, and Mulder and Scully are no exception. As the specters manipulate the pair into trying to kill one another, their bond can break any ghostly illusion. These ghosts may try to steal Christmas from our favorite FBI agents, but Mulder and Scully prove stronger still.

Best Christmas Moment: The agents decide to exchange Christmas gifts after all, even after ruining all of Scully’s holiday plans.

4. Chuck – “Chuck Versus Santa Claus” (Season 2, Episode 11)

With Zachary Levi back in the limelight, it’s time to revisit Chuck’s first Christmas-themed episode, which saw the Buy More invaded by a Fulcrum in order to draw Chuck out. Between the employees’ hilarious attempt at a coup, Casey (Adam Baldwin) cutting his fingers, and that final scene where Chuck witnesses a murder, this holiday episode is intense. “Versus Santa Claus” is great though, and brings Chuck and his family closer together while also keeping him and Sarah (Yvonne Strahovski) apart, at least for a little while longer.


Best Christmas Moment: Chuck’s heartfelt gift to Sarah. It’s thoughtful and beautiful in the best of ways. There’s nothing like it.

5. Buffy the Vampire Slayer – “Amends” (Season 3, Episode 10)

“Amends” sees Angel (David Boreanaz) haunted by the ghosts of those he killed as Angelus as they attempt to convince him to kill himself. Buffy (Sarah Michelle Gellar) gets wind of the First Evil’s plan and does her best to stop him. As Angel struggles with his humanity, the First does its best to drive him mad, reminding him of each an every failure. But as Buffy fights for Angel’s life, she reminds him that everyone has the “power to do good” and “make amends.” It’s sweet in a very Christmas way.

Best Christmas Moment: Buffy and Angel walking through Sunnydale as it snows for the first time ever.

RELATED: 10 Best Christmas And Holiday Episodes on Netflix


6. Doctor Who – “A Christmas Carol” (Episode 213)

Of course, Doctor Who’s take on Charles DickensA Christmas Carol is a must-see. As the Eleventh Doctor (Matt Smith) tirelessly works to save Amy (Karen Gillan) and Rory (Arthur Darvill), the calloused heart of the miserable Scrooge stand-in Kazran Sardick (Michael Gambon) begins to thaw. While Dickens’ Carol is the clear basis for this episode, it takes its own wild creative liberties as the Doctor plays with Kazran’s history in real-time, attempting to change the man’s hardened heart by appealing directly to his younger self (Laurence Belcher).

Best Christmas Moment: When the Doctor introduces the young Kazran to his older self, warning him of the heartless old man he would become before reuniting him with his beloved Abigail (Katherine Jenkins). It’s chilling, heartwarming, and vital to the saving of Christmas.

7. Millennium – “Midnight of the Century” (Season 2, Episode 10)

Millennium’s version of a Christmas episode turns out to be a deeply personal look at Frank Black’s (Lance Henriksen) childhood, and one of the greatest character studies in the series. Another in the spirit of Dickens, “Midnight of the Century” sees Frank confront his past on a dark Christmas Eve. Visions of fetches, aka spirits of the soon-to-be-departed, and angels force Frank to reunite with his estranged father (Darren McGavin) during his quest to get his daughter Jordan (Brittney Tiplady) the right Christmas present.


Best Christmas Moment: When Frank shows his father Jordan’s angel drawing, only to learn that it matches his mother’s exactly. It’s emotional, but perfectly encapsulates the spirit of Christmas.

8. Roswell – “A Roswell Christmas Carol” (Season 2, Episode 10)

Another ghostly Christmas classic, “A Roswell Christmas Carol” plays heavily with the constant moral dilemmas that Max (Jason Behr) and the “Royal Four” face daily. After failing to save a man (John Littlefield) who died in front of him, Max is haunted by his ghost, who encourages Max to use his abilities to heal those around him. As Liz (Shiri Appleby) reminds Max that he isn’t God, she also convinces him to save the young children at a Pheonix hospital who desperately need a miracle. It’s a really great episode that perfectly encapsulates the season.

Best Christmas Moment: Max’s final moments with John’s ghost, who tells him that the best place to be on Christmas is with those who you love most. It’s sweet in every way.


9. Grimm – “The Grimm Who Stole Christmas” (Season 4, Episode 7)

Grimm isn’t exactly the easiest series to break into, but “The Grimm Who Stole Christmas” is a lot of fun. It follows Portland detective Nick Burkhardt (David Giuntoli) and his fellow Wesen-fighting friends as they battle three little goblins who wreak havoc on Christmas. Nick, Juliet (Bitsie Tulloch), Monroe (Silas Weir Mitchell), and the others do their best to balance the holiday season with their moral duty. There’s a lot of really fun Christmas-y moments here, but the choir boy goblins take the cake.

Best Christmas Moment: Monroe’s obsession with Christmas decorations is a recurring series gag, but his model train in this episode is probably the coolest part.

10. The Twilight Zone – “The Night of the Meek” (Season 2, Episode 11)

A Twilight Zone classic, “The Night of the Meek” tugs all the right holiday heartstrings just in time for Christmas. The episode follows a down-on-his-luck Santa named Henry Corwin (Art Carney) whose sole Christmas wish is to give to those in need. After stumbling upon a magic bag that gives the exact gift one desires, Corwin’s life is changed for the better as he steps into the role he’s wanted for years. This 25-minute delight will help renew both your Christmas spirit and faith in humanity as you see what goodwill towards all men can do to change one’s life.

Best Christmas Moment: When Corwin’s true wish comes to life at the episode’s end, turning him into the real Santa Claus himself. It’s both unexpected and entirely welcomed.


11. Warehouse 13 – “Secret Santa” (Season 2, Episode 13)

In the second season finale, Warehouse 13 manages to pull all the holiday heartstrings it can in under 40 minutes. Between the reconciliation between Artie (Saul Rubinek) and his father (Judd Hirsch) at the dubious hands of Claudia (Allison Scagliotti) and Pete (Eddie McClintock) and Myka’s (Joanne Kelly) own Christmas quest, there’s a lot going on here. As the artifact in question actually goes back to the Christmas Truce of 1914, the holiday spirit proves resilient as ever. A strange concept, it’s just another day at the Warehouse 13 office.

Best Christmas Moment: The reunion between Artie and his father is probably the most heartfelt as they both turn from their Grinchish ways to make up for their lost time.

12. The Librarians – “…And Santa’s Midnight Run” (Season 1, Episode 4)

A few episodes in and The Librarians dives head-first into Christmas. Here, Guardian Eve Baird (Rebecca Romijn) and the Librarians-in-training, Stone (Christian Kane), Cassandra (Lindy Booth), and Ezekiel (John Kim), must save Santa (Bruce Campbell) from sudden death. As Baird and Santa set off to find a mistletoe cure, Ezekiel is overcome with the holiday spirit. All the while, Santa shifts through his multiple incarnations (including a drunk Odin), it quickly becomes clear that the avatar of goodwill is a bit more important than Baird thought.

Best Christmas Moment: Baird having to put on Santa’s hat and spread the goodwill of Christmas all across the globe is a powerful moment for her that reminds us what Saint Nick is all about.


13. Arrow – “Year’s End” (Season 1, Episode 9)

Arrow might not be the series you’d expect to have a Christmas-themed episode, but after learning that his family refuses to celebrate the holidays, Oliver (Stephen Amell) decides to host a Christmas party, to mixed results. There’s a lot of drama here, between everybody, but if that isn’t an accurate representation of the holidays, then what is? As the party implodes, Oliver finds himself in a showdown with the Dark Archer (John Barrowman). Although he loses, it actually brings his family together, proving to be the Christmas miracle they all needed.

Best Christmas Moment: Oliver waking up in the hospital only to be surrounded by his family in their last time all together until the end of the season.

14. The Flash – “The Man in the Yellow Suit” (Season 1, Episode 9)

A superhero series to its core, The Flash’s Christmas episode manages to be pretty Christmas-y, no matter how much it ties into the over-arching narrative. Sweet holiday moments between Barry (Grant Gustin) and Iris (Candice Patton), including a confession of love, are its heartbeat while Barry’s quest to find his mother’s killer, the Reverse-Flash (Tom Cavanaugh), forces us to remember what and who are truly important. While the episode might not be entirely Christmas-focused, the holiday season shines through.


Best Christmas Moment: Barry’s return home to meet all his friends and family as they enjoy their “merry little Christmas” together.

15. Batman: The Animated Series – “Christmas with the Joker” (Season 1, Episode 2)

Batman: The Animated Series features one of the best Christmas episodes in television. “Christmas with the Joker” unites Kevin Conroy’s iconic Batman with Mark Hamill’s Joker as the Clown Prince of Crime escapes from Arkham to wreak havoc on Christmas Eve. But the real heart of this one is Robin (Loren Lester), whose countless attempts to get Batman to acknowledge Christmas go unnoticed until the Joker is captured and his hostages set free. After all that, Batman can finally recognize that even Christmas “has its moments.”

Best Christmas Moment: When Batman and Robin finally get to spend their evening watching It’s A Wonderful Life.


TV News

After Driving Again And More, Britney Spears Shares Her Latest Taste Of Post-Conservatorship Freedom




After Driving Again And More, Britney Spears Shares Her Latest Taste Of Post-Conservatorship Freedom

They say it’s the simple things in life that are the most extraordinary, and that’s likely particularly true if you’ve been denied access to those things for an extended period of time. After Britney Spears was released from the conservatorship she’d been under, the singer has been reintroducing herself to some of life’s simple pleasures. Last summer Spears was super pumped about regaining the freedom to drive, and in January the “Toxic” singer documented drinking her first glass of wine in over a decade. The newlywed continued to celebrate the post-conservatorship life by sharing her first trip to a bar.

Fans of the former pop singer are accustomed to seeing Britney Spears dancing and twirling and modeling different outfits at her and Sam Asghari’s new home. However, the “Toxic” singer took her followers on an exciting field trip, in which she and her assistant patronized a local drinking establishment. She shared her trip — and a sarcastic remark — on Instagram:

(Image credit: Instagram)

As she and her assistant Victoria Asher apparently enjoyed a drink and an app, Britney Spears couldn’t help but throw a little shade at her family, remarking that she was “so so grateful” for not being allowed to have a cocktail for the 13 years after her father Jamie Spears took control of her life. In fact, the 40-year-old said in her post this is her first time to partake in such an adventure. In the video, she shared:

This is my first time at a bar. First time. I feel so fancy, and I feel so sophisticated.

Continue Reading

TV News

How ‘Yellowjackets’ Stars Survived Hollywood




How ‘Yellowjackets’ Stars Survived Hollywood

Sure, they may have eaten a person back in the day. But there are some things the grown women of Yellowjackets just wouldn’t do. On this, the actresses who play them — Tawny Cypress, Juliette Lewis, Melanie Lynskey and Christina Ricci — agree, as they gather in a backyard in L.A.’s Topanga Canyon in late July, just a few weeks before they start filming the second season of their breakout show.

The Showtime survival thriller, created and executive produced by Ashley Lyle and Bart Nickerson, earned seven Emmy nominations, including outstanding drama series and acting nominations for Lynskey and Ricci. The Yellowjackets storyline alternates between 1996 and the present day as it follows members of a high school girls soccer team whose plane crashes and strands them for 19 months in the wilderness, where they resort to cannibalism to survive.

Part of the show’s nostalgic appeal relies on its casting of these actresses, three of whom audiences knew as young women for their slyly offbeat roles in films like The Addams Family (Ricci), Cape Fear (Lewis) and Heavenly Creatures (Lynskey), to play the crash survivors as adults. In this conversation with THR, Cypress, Lewis, Lynskey and Ricci disclose their ’90s regrets, share what it means when you call an actress “quirky” and reveal how survival bonds women — including in the trenches of Hollywood.

Who here knew each other before the show?

MELANIE LYNSKEY (Points to Christina Ricci.) We knew each other a little bit. I went to a Nick Cave concert by myself, and Christina came up and —


CHRISTINA RICCI I was very excited to see you.

LYNSKEY So excited. We were having a lovely chat, and then she’s like, “Are you here by yourself?” She’s the coolest person of all time, and I was intimidated. I just felt embarrassed to say, “I’ve come to a concert by myself.” I was like 24 or something.

RICCI I was impressed because I couldn’t go anywhere by myself.

LYNSKEY I also went to see Clay Aiken by myself because nobody would come with me.

It’s surprising that none of you had worked together over the years.

JULIETTE LEWIS It’s wild when you’ve been around so long, and you sort of have a kindred connection to people. There’s certain actors you’re like, “Mmm, we’re not of the same tree,” and then there’s other actors you’re like, “Oh, yeah. We have some roots.”


Juliette, Melanie and Christina, all three of your Wikipedia entries say some version of, “Often plays quirky or offbeat characters.” What do those words mean to you?

LEWIS Real people, specific and unpredictable.

LYNSKEY I remember I got cast in a movie when I was like 21, and the description of the character before I auditioned was “Blah, blah, blah, the beautiful girl who sits next to him in school.” Then, at the table read, it had been changed to “Blah, blah, blah, cute and quirky.” I was like, “You don’t need to change it. Just keep it …” They’re like, “We better change this description or people will be like, wrong actress.” So, sometimes it feels … I don’t know. I never liked that word, “quirky.”

RICCI When you say that all of us had this description, that to me speaks to a past time, when, if you weren’t the leading-lady ingenue then you were quirky and offbeat. All right, so there’s two groups for actresses? In a way, I’m fine with being in the category I’m in because what it means to me is that I have made an effort in my career to do things that I feel like I haven’t seen before. So, in some ways, I like it. In other ways, I’m like, “Ugh.” It’s a little dismissive. A little cute and dismissive.

LEWIS We come from the ’90s where, when I had blond hair, I was the pretty airhead, and then I dyed my hair dark, and I was the wisecracking, sarcastic girl. But yeah, I think it’s really neat that we’ve all carved this path of range and specificity.

Isn’t another term for that “character actor”?


RICCI But “character actress” used to be something they used to describe an ugly woman.


RICCI Back in the late ’90s, my agents were always like, “We have to be so careful you don’t become a character actress. If we’re not careful, you’re going to end up just like Jennifer Jason Leigh.” I was like, “I like her.” They were so afraid of me not being a leading lady, of me not being sexually attractive to people. It was really the last thing I ever wanted, was for anyone to be attracted to me.

LEWIS My dad was a character actor. So to me, it was something that was super noble. It was a world of adventure and not limiting. I rebelled against the system, the PR system of being in some bizarre idea of beauty. I really revolted against that, for better or for worse. Crying in a bathroom at a photo shoot, like, “I won’t come out.” They want these doe-eyed looks. That’s for sure what I didn’t do in pictures, so I always looked slightly insane, which I prefer over, like, “Do you want to fuck me?”

Tawny, what was your sense of what the expectations were for you when you were starting out?

CYPRESS I’ve had a different row to hoe. I’ve spent my whole career doing shitty roles of the sassy one on the side. Honestly, growing up as an actor, I wanted to be an ingenue.


LEWIS Isn’t that funny? And I wanted to be sassy and opinionated.

CYPRESS I couldn’t be an ingenue. I just couldn’t. It’s just not in me, you know? I was never presented with those roles, ever, and I was like, “Oh, OK. That’s not who I am.” I sort of, growing older, have embraced my Jersey side, and I am who I am, and this is what you get.

LYNSKEY I started calling myself a character actor in interviews when I was really young because I think it was reclaiming the term or something. I think I just was like, “That’s what I am.” My agents had all that kind of intensity around it, too. I remember when I did Coyote Ugly

RICCI Oh my God, you got a piece in that? I went up for that, and I didn’t get it.

CYPRESS I did too.

LYNSKEY I played the best friend from Jersey. But the scrutiny that was on Piper [Perabo], who’s one of the coolest, smartest women, just the way people were talking about her body, talking about her appearance, focusing on what she was eating. All the girls had this regimen they had to go on. It was ridiculous. I was already starving myself and as thin as I could possibly be for this body, and I was still a [size] four. That was already people putting a lot of Spanx on me in wardrobe fittings and being very disappointed when they saw me, the costume designer being like, “Nobody told me there would be girls like you.” Really intense feedback about my physicality, my body, people doing my makeup and being like, “I’m just going to help you out by giving you a bit more of a jawline and stuff.” Just the feedback was constantly like, “You’re not beautiful. You’re not beautiful.” In your early 20s, so much of it is about beauty, and how people respond to you, and do people want to fuck you? Do people think you’re their best friend? Even the best friend thing, I started to be like, “I don’t want to do that too many times.”


Did you have to unlearn anything that people tried to teach you when you were starting out?

LEWIS I had developed such a survival mechanism to protect my autonomy, sort of, “You don’t own me. You don’t tell me my value. Only I do.” I was extremely self-critical — it still happens — of my work. It’s almost like a defense mechanism that no one could talk shit about me more than I can. There’s all these things that are wrapped up in how to survive a system. That’s what I’m unlearning today — to be softer. This is a really remarkable industry to be a part of. I feel honored to be a part of it and what it gave me, but I do still hold on to what it took from me in my youth.

Given what you all experienced coming into the industry, do you feel at all protective of the younger actresses who play the younger versions of your characters?

LYNSKEY (Begins to cry.) So much. I feel very protective. At the beginning of production, I sent them all an email, and I just was like, “Whatever you need, if you need a voice, if you need someone to go to the producers for you, whatever you need,” and they were kind of like, “Cool. Thanks.” They’re fine.

CYPRESS Totally fine. Jas [Jasmin Savoy Brown] was a boss on set. She’s like, “This is how we’re doing my hair. This is what we’re doing.”

RICCI They’re very much of a different generation.


CYPRESS I am protective of Jas in the fact that she is so sexually positive, which I love. She has taught me so much, just knowing her as a person. But I’m like a mama bear to her, or a big sister. I’m like, “What are you putting online right now?” She’s like, “Whatever. Whatever. This is life, man. I love myself.” I’m protective, but I’m also in awe of her, you know?

LEWIS But there is a thing I always want to say to young people: Cultivate other interests deeply so that you’re not getting all your life’s blood from this industry, or your self-worth.

Is there anything you miss about the ’90s?

LYNSKEY I have a lot of love letters from the ’90s.

RICCI Someone used to fax me love letters when he was on tour. I did not save them. I throw everything out. I had a specific thing when I was a child, that we would be punished by the things that we loved being destroyed. My husband, who is a much healthier individual, has gone back and found all my old magazine covers on Etsy because he thinks it’s horrible that I never saved them. As a child, I learned that this is going to be taken from me, so why save it anyway?

LYNSKEY That’s heartbreaking. Well, I saved everything because I’m basically an emotional hoarder. I have this literal suitcase, an old-fashioned suitcase.


RICCI This is very dark, but I would just like to go back to that age and do it over again and not make so many fucking mistakes. Honestly, I regret so much.

CYPRESS Me too. One thousand percent.

LEWIS Me too.

RICCI I’d like to go back to 1996 and be like, “All right … we had a practice run. It went OK, but it wasn’t really as great as we wanted it to be. We’re going to do this again.” People who are like, “I have no regrets.” What fucking magic life did you live?

LEWIS Where they go, “I don’t regret anything because that led up to this moment.” Really? The thing that could’ve put my dad in an early grave, I fucking regret it. Yes. I was very scary as a young teenage person.

CYPRESS Yeah. I hurt a lot of people growing up, and I wish that I didn’t. I was going through my memory box. It was my great-great-grandmother’s she brought over from Hungary. It’s huge, and it’s filled to the brim with everything from my life. I came across a note from high school. It was my first gay friend, and it broke my heart because he was like, “I want to thank you for not talking to me anymore and just cutting me off the way that you did. It made it hurt less.” I literally was crying, and I had to call him and be like, “I just came across this note, and I’m so sorry that I was that person to you.” When I think back, I think how wonderful our relationship was, but I was a shit, you know? I would definitely do so many things differently.


LEWIS I’ve had those moments where I turned into … Because I’ve been bullied, but when I was 11 and got in a fight with a girl, I was mean [the same way] how a girl was mean to me. I was really vicious.

LYNSKEY I think people without regrets are narcissists. I think they’re lying to themselves.

RICCI Denial is the only way to get up that river.

What did you all feel when you learned that Roe v. Wade was overturned?

RICCI It’s really horrible to be told so plainly what your value is.

LEWIS I wish the two factions can talk, like, “Hey, what do you do with a bad situation, poverty and drug addiction, and rape?” You have to have an option that is salvageable or is sustainable for the survival of a person, a woman who’s living.


CYPRESS I don’t really give a shit what your reason to have an abortion is. It’s your fucking body. I don’t really fucking care. You don’t want to be a mom, right? That’s your fucking decision. Look, we can put morals on it and say, “Well, only when you’re raped, or only if it’s …” It’s like no, dude. It’s either in or out. We’re either telling women what to do with their bodies or we let them have their own choice. I am of the mind, choice. I’m not going to judge you for making that decision.

LYNSKEY And there seems to be this general lack of compassion and empathy that’s just growing and growing. There’s so much hatred, and people are unable to look at another person’s life and go, “Oh, you know, that’s an untenable situation,” or even, “That’s a difficult situation.” There’s no grace given to anybody else. There’s no empathy. You don’t get to make decisions for somebody else. You don’t know what’s right for them.

Is there a place for TV and film in that conversation?

CYPRESS I mean, that’s what TV and film do. That’s what art is. On Yellowjackets, let’s talk about Shauna’s baby in the woods, you know? Yeah. I think we have a lot of room to speak on this subject, and I hope we do.

Did anybody have their kids on set for season one?

LYNSKEY (Points to Ricci.) We did.


RICCI And I was pregnant. I didn’t tell anyone but these ladies that I was pregnant for six months. When we started, I was six weeks pregnant. It was difficult. There were so many times where I was like, “Ooh, when they find out I’m pregnant, and they made me sit in this smoky room all day. When they realize that they made me stand for eight hours, and I’m pregnant, and I have this horrible sciatica, and it’s 100 degrees, oh, they’re going to feel so bad.” They didn’t feel bad at all. But anyway, it was fine. In fact, it would’ve been helpful if I was playing a more emotional character because I can give a real good performance when I’m pregnant, real emo.

How would you finish the sentence, “Yellowjackets is really about …”?



CYPRESS Friendship.

RICCI Haunting, the way trauma haunts you. The way you can never escape. The way it twists people in different ways.


LEWIS Aberrant survival tactics.

We know that these characters have done a bunch of aberrant things, as you say, including cannibalism. But do you have in your mind an idea that, “OK, she may have eaten another human being, but she would never do this“?

RICCI I know when they confront me because I’m like, “OK, she wouldn’t do that.” Misty wouldn’t drink that drink. Originally, in the script, she was drinking a Brandy Alexander, and I said, “No, Misty would drink a chocolate martini.” I have rules and stuff for her in my head, and they do conflict with the writers sometimes. I don’t think she actually is interested in men, at all. I think she does it because she’s bored, or because she thinks that’s what she’s supposed to do. Then, she’s also realized that she can have a lot of fun trying to trick them into having sex with her when they don’t want to. It’s like men will kind of know that you don’t want to have sex with them, but if they can get you to have sex with them, they won.

LEWIS It’s a power thing.

RICCI Misty’s way of doing it is through this really horrible manipulation, making him feel guilty and having sex with her while feeling guilty, which would be a terrible experience.

When you have a different perspective on your character than the writers, what do you do?


RICCI That’s part of the thing with TV that I’ve learned now, being involved in a production but not being one of the EPs, so you aren’t a part of creating what people do. “OK, they wrote this scene. I have to play this scene. If she was in this situation, how the fuck would she be in this situation, and why would she be?” Then, you don’t have to tell other people what you come up with. They can find out about it later when you do press.

Does anybody else have a line in their mind that their character wouldn’t cross?

LYNSKEY I had one. There was something written into a script where I was going on a date with my lover, and they had me going into my daughter’s bedroom and taking her underwear, which was just not practical because I wouldn’t fit it. She’s little. But also, ew. I think there was something, apparently, somewhere, people liked the thing in the pilot where I’m masturbating in my daughter’s bedroom. I was like, “Can that just be an isolated incident? I don’t want it to be a theme.” So I just was like, “I don’t want to do that.” They were great about it.

LEWIS It comes, I think, with experience and respect, that they appreciate if you have a point of view. I have an “anything goes” stamp on me, which they all know. But I have strong ideas, especially about my trajectory in midlife. I’ve looked at Natural Born Killers recently, and I’m like, “Jesus.” Thank goodness I had a partner like Woody Harrelson, but it is so sexual. No one forced me into that. I was a young nihilist who didn’t give a fuck, and I felt comfortable with Woody, and I liked the material. But nowadays, I’m very particular. So, they had written a sex scene, and I was like, “I don’t know. I don’t know that she even gets off. I don’t know that she even can have orgasms.” That’s how deep I went. So it was more like, is she doing something to get something? At the end of the day, I just didn’t even think she fucks, sorry to be so graphic, at this juncture that you saw in season one. I think she might’ve had relationships with all of them in the wilderness. I don’t know if they’re going to write it, but that’s what I’d like to think of Natalie.

LYNSKEY That’s what I think too.

RICCI What? I never thought of that. Who would they be making out with? I guess each other.


The finale hints that there may be additional Yellowjackets who survived into adulthood. Have actors been cast for those roles?

LEWIS Wait, Melanie, didn’t you say that on our chain, that someone we like is cast to be … (At this point there is meaningful eye contact among the four women.)

RICCI We don’t know for sure. That’s what we’ve heard was close to happening.

LYNSKEY We don’t know anything.

On season one, you were making this show under the radar. Now there’s so much fan speculation. Does that change the way you approach the work?

RICCI There’s more pressure going into season two.


CYPRESS Have you guys also had that feeling of like, “Can I do this? Is it going to be good, the second season? Am I going to fuck this character up?”

LYNSKEY I have those fears.

RICCI Me too, but because TV is so fast, and you have so little time with the information, the process of talking about the show afterward helps you to evolve your take on your character. To understand things that were intended with the character that maybe weren’t clear originally because you get to hear the EPs talk about it. I’m going to make changes in the next season based on what I have come to realize through all this talking.

Like what?

RICCI Well, that’s a secret.

How much do you want to know about the path that your character is on?


CYPRESS Fuck, I want to know everything. I sit there, and when I think about the show, I think, “What the fuck are they going to do with this character?” There’s so many different parts to her right now. The dog thing. She’s now a senator. There may be an old love coming back, you know? I’m like, “How are they going to do this?” I just want to know.

LYNSKEY Now you’re a full-time dog killer.

RICCI I didn’t even know that you were supposed to be the one that killed the dog.


RICCI I thought, “Oh, well maybe somebody broke in.”

LYNSKEY That could still be, right?


CYPRESS Wait, give me more to think about.

So you don’t go to the writers and say, “To be clear, did I kill the dog?”

CYPRESS Oh, we do. They just say, “Mmm.”

RICCI “We don’t know.”

CYPRESS But they do know.

RICCI I don’t think they’re trying to control us with no information or anything. Sometimes, they don’t want to commit to something that hasn’t been necessarily set in stone. I do find it frustrating to not know, and we’re never able to know fully. I have decided to learn how to function with knowing nothing.


Interview edited for length and clarity.

This story first appeared in the Aug. 3 issue of The Hollywood Reporter magazine. Click here to subscribe.

Continue Reading

TV News

James Gunn Addresses Peacemaker Future Amid Batgirl Cancelation




James Gunn Addresses Peacemaker Future Amid Batgirl Cancelation

Shockwaves from Warner Bros.’s cancelation of Batgirl have had many fans questioning the possibility of other DC-connected projects following suit. Amid outcries from fans of Batgirl, Michael Keaton, Brendan Fraser, and even Snyderverse fans who are always eager to picket Warner Bros., Peacemaker fans started asking James Gunn whether there was any possibility that his DC work was going to suffer amid the company’s cost-cutting exercise. Ironically, considering the history that led James Gunn to work with DCEU characters, it seems that the director and his shows are the only ones who are “safe.”

What seems like a lifetime ago, James Gunn was all set to start work on Guardians of the Galaxy Vol. 3 for Disney and Marvel Studios when some old Twitter posts led to him being unceremoniously sacked. By the time Disney backtracked on their firing, Gunn was already committed to directing The Suicide Squad for Warner Bros., which is why Guardians of the Galaxy Vol. 3 has taken so long to arrive. Now, during all the chaos at Warner Bros., it appears that Gunn is not worried at all about the second season of Peacemaker getting the ax. When asked if the show was safe, Gunn simply replied:


“Yes, guys, calm down.”

That is a relief for fans of the small sub-universe Gunn is building inside the DCEU, which along with The Suicide Squad and Peacemaker, is set to include at least another unannounced project and be linked to the Amanda Waller series that is in development. At least that side of the franchise doesn’t appear to be going anywhere.

Related: Peacemaker: Will More Suicide Squad Members Appear in Season 2?

Is Warner Bros. Still Planning on Rebooting The DCEU?

There have been rumors of a “soft-reboot” coming to the DCEU for a long time, and while it seems at times like Warner Bros. is heading in that direction, they have constantly denied any such intention. During San Diego Comic-Con, the entire focus of the Warner Bros. live-action DC panel was on Black Adam and Shazam! Fury of the Gods. Both of these movies have their small links to the wider DCEU, and once again, Warner Bros. seemed to be causing confusion by including a Justice League montage within the Shazam sequel while at the same time professing that they are not revisiting that particular DCEU set up in any way.

One thing clear from Dwayne Johnson’s appearance at SDCC is that he believes that Black Adam is setting the tone for a new DCEU, and based on everything else that is happening, he could be right. While there is no way of telling exactly where the franchise will be heading beyond The Flash in 2023, with new additional entries like Wonder Woman 3 constantly being stuck in limbo, it has been made clear that some big changes are being made in regards to the DCEU and fans will be hoping that those changes bring some kind of consistency to the franchise before it ends up crashing down around itself.


Continue Reading