Connect with us

TV News

‘Cobra Kai’ Season 4 Ending Explained: Who Takes Home the All Valley Trophy?



‘Cobra Kai’ Season 4 Ending Explained: Who Takes Home the All Valley Trophy?

Fans of Netflix’s hit part teen, part midlife crisis dramedy Cobra Kai got the TV show equivalent of a double feature in 2021. After kicking off the year with Season 3 of the Karate Kid spin-off series, Netflix released ten new episodes of Cobra Kai just twenty-four hours before the beginning of 2022. Created by Josh Heald, John Hurwitz, and Hayden Schlossberg, the show started its fourth season with the first real look at former rivals Daniel LaRusso (Ralph Macchio) and Johnny Lawrence’s (William Zabka) new dojo, and the return of the franchise’s most maniacal, mustache-twirling villain: Terry Silver (Thomas Ian Griffith). At the end of Season 4, Episode 1, “Let’s Begin”, fans were left with numerous questions in their minds: will Daniel and Johnny finally see eye to eye? What is up with Terry? Will the Miyagi-Do/Eagle Fang joint-venture have what it takes to defeat Cobra Kai at the All Valley Karate Tournament?

Thanks to the gods of streaming and binge-watching, none of these questions remained unanswered for long. In the season’s tenth and final episode, “The Rise”, all pieces of the puzzle fell neatly into place. The picture they formed, however, wasn’t exactly what audiences expected. With a surprising turn of events and a departure from the films’ original order that the show had followed so far, “The Rise” was puzzling and intriguing in many ways. Let’s break down just what exactly happened in that finale and what it means for the show’s future.


RELATED: ‘Cobra Kai’ Creators Outline How That Surprise All-Valley Tournament Performance Happened

“The Rise” opens with a shot of various CT scans lined up on a hospital wall, hinting to the possibility of Miguel’s (Xolo Maridueña) spinal injury coming back to haunt him. After all, the previous episode ended with Johnny’s star pupil falling to the ground in pain after trying a roundhouse kick in his fight against Miyagi-Do’s Eli, a.k.a. Hawk (Jacob Bertrand). Thankfully, however, we soon discover that the scans show not Miguel’s, but Stingray’s (Paul Walter Hauser) insides. While the former Cobra Kai student and aspiring security guard wakes up from his Terry-induced coma, Miguel learns that he has only pulled a muscle and is perfectly fine to go back to the mat if he so wishes. The problem is he’s not so sure he wants to finish the fight anymore.

In Episode 8, “Party Time”, Miguel arrived at Johnny’s house after his junior prom only to find his sensei and quasi-stepdad drunk on the floor, physically and emotionally hurt from his encounter with Terry. Miguel helps Johnny to his bed and, after a heartfelt conversation, tells his sensei that he loves him. Johnny’s response? “I love you too, Robby.” Having your karate teacher/father figure mistake you for his biological son has got to hurt, and Miguel’s heart only breaks to even smaller pieces when he realizes Johnny just wants him to go back to the fight no matter what to prove the superiority of the Eagle Fang method. Without telling anyone where he’s going, Miguel walks out on the fight. It is only at the end of the episode that we learn that Miguel has left to look for his real father in Mexico – the problem is that his father doesn’t know about him.

Miguel keeps his feelings mostly to himself at the arena, but he lets some of them out in a goodbye to his mother and grandmother. Johnny, on the other hand, finally speaks his mind to his own former teacher and surrogate father. When Kreese (Martin Kove) approaches him, trying to make amends, Johnny vents about how he felt after the fight with LaRusso all those years ago and accuses Kreese of using him to promote Cobra Kai. The two split on the same terms as before, and Kreese’s expression doesn’t betray any sign of empathy or understanding. It’s only during the night’s final fight that we realize Johnny’s words had some effect on him.


With Miguel out of the picture, it’s up to Eli to fight for the trophy with none other than Robby Keene (Tanner Buchanan), who won his ticket to the final after defeating a now stronger and savvier Demetri (Gianni DeCenzo). Both Eli and Robby are karate extraordinaires, which makes the fight’s result impossible to predict. At first, Robby’s status as a protagonist suggested that he would be the one to emerge victorious, but something happens that gives Eli the upper-hand: after catching his young protegé, Kenny (Dallas Young), beating and threatening a defenseless Anthony LaRusso (Griffin Santopietro) in the locker room, Robby starts to question Cobra Kai’s philosophy and his own role in the karate world. He still puts up one hell of a fight, forcing Daniel to concede and allow Eli to use the techniques he learned at Cobra Kai, but loses in sudden death. The trophy goes to Miyagi-Do.

Unfortunately, this does not make Daniel’s dojo the night’s big winner. Earlier this season, after a series of endless debates, the All Valley Karate Tournament’s organization decided to implement a few changes to the championship. The dojos now have to compete in multiple categories – including Miyagi-Do’s greatest strength, kata – being awarded points for each win. Furthermore, the fights are now divided by gender, making Eli only the boys’ champion. And, with Cobra Kai leading the scoreboard, Miyagi-Do also needs to win the girls’ competition to reach first place. This means that it is up to Tory (Peyton List) and Sam (Mary Mouser) to determine which dojo will become the true karate king of the Valley. Given that Johnny and Daniel’s deal with Kreese, in Season 3, was that they would give up teaching altogether if Cobra Kai won the tournament, Sam’s shoulders are more than a little heavy with responsibility.

But things aren’t any easier for Tory. Before the fight, she is approached by Amanda LaRusso (Courtney Henggeler), who played a big role this season in helping Tory find the support system she needs to take care of her mother and younger brother. In return for her assistance, Amanda asks Tory to follow the rules during her fight with Sam. It’s a simple request that Tory has no problem heeding to, but Sensei Silver doesn’t agree. He asks Tory to fight dirty in order to defeat Sam, making her feel uneasy. Tory is then comforted by an unusually sympathetic Kreese, who, mollified by his conversation with Johnny, tells her to do as she feels right.

Meanwhile, on the opposite corner, Daniel remembers a talk he had with Mr. Miyagi (Pat Morita) in The Karate Kid Part III and finally recognizes that his daughter and his students have the right to choose their own paths. After witnessing Eli’s use of Cobra Kai karate, he reaches out to Johnny for help winning the tournament, and for one night and one night only – at least according to Daniel – Miyagi-Do and Eagle Fang become a single dojo: Miyagi Fang.


This seems to put an end to the rivalry that has been at the heart of the show since Season 1, but this is far from the first time showrunners have hinted at a LaRusso/Lawrence alliance. Let’s not forget that Season 4 started with Miyagi-Do and Eagle Fang briefly joining forces, after all. Whether or not Johnny and Daniel will finally see eye to eye for good this time is anyone’s guess. Right now, all that matters is that Sam is instructed to use everything she has learned from both her senseis to beat Tory.

Sadly, though, Sam’s moves aren’t enough, and Tory wins fair and square. Or, well… almost. Two of the referee’s rulings make both Johnny and Daniel raise an eyebrow. First, he lets Tory off with a warning after she accidentally elbows Sam in the eye. Then, he refuses to award a point for Sam arguing that Tory was already out of bounds when she scored. LaRusso and Lawrence complain but to no avail. Little did they know the ref had an agenda of his own. After the fight, Tory overhears the referee talking with Terry and finds out her victory had less to do with her karate skills than with the ancient art of bribery.

Terry Silver was first introduced to audiences as John Kreese’s long-time friend in The Karate Kid Part III. Feeling defeated after his star student lost the All Valley to LaRusso, Kreese asks Terry for help. A rich entrepreneur that dumps toxic waste on developing nations and has a weakness for ruining high school martial arts championships, Terry hires a “karate bad boy” to defeat LaRusso for good and return Cobra Kai to its former glory. His ultimate goal is to open various Cobra Kai dojos all over the Valley, but his plans are foiled by Daniel and Mr. Miyagi. Now, with Tory’s victory, he can finally expand his business empire to karate schools. He only needs to get rid of one more obstacle: Kreese.

And he does so via Stingray. Tired of having his war trauma rubbed in his face and being reminded of his life debt to Kreese, Terry has agreed to allow Stingray back into Cobra Kai if he blames the near-deadly injuries inflicted on him by Silver on his former sensei. While celebrating their victory over a glass of champagne at Terry’s mansion, Kreese is arrested for aggravated assault and attempted murder, leaving his friend-turned-foe in full control of Cobra Kai.


While Terry savors his first few moments free of Kreese, Johnny promises Carmen (Vanessa Rubio) that he will bring Miguel home safe, and Daniel goes to Mr. Miyagi’s grave for comfort and guidance. Seeing no value in honoring a promise made to men that have no honor, Daniel vows to bring back Miyagi-Do to wipe Cobra Kai off the map and asks for help. The camera pans out and we realize he isn’t talking to Mr. Miyagi’s spirit, but to another of his former rivals: Chozen (Yuji Okumoto), who he faced on The Karate Kid Part II.

Also a Miyagi-Do alumnus, Chozen had already made an appearance in Cobra Kai Season 3. He met up with Daniel in Okinawa and taught him about a whole different facet of Miyagi-Do karate. His return, as well as Kreese’s arrest, marks a turning point for the series. Up until Season 4, Cobra Kai has been following a structure that mirrored the franchise’s original films. Seasons 1 and 2 focused on Daniel’s rivalry with Johnny, with a little bit of Kreese thrown in, just like The Karate Kid. Season 3 saw Daniel returning to Okinawa, the place he visited with Mr. Miyagi in The Karate Kid Part II. Season 4, as previously mentioned, had The Karate Kid Part III’s big bad as its main villain.

The logical thing, considering the show’s adherence to the “Miyagiverse”, would be for Season 5 to feature Hilary Swank as The Next Karate Kid’s Julie Pierce. But, even though Ralph Macchio has suggested that Swank’s return might be in the show’s future plans, there is nothing indicating a Julie storyline in Season 5 so far. But who knows? We might be in for a surprise.

Cobra Kai Season 4 is streaming on Netflix.



TV News

After Driving Again And More, Britney Spears Shares Her Latest Taste Of Post-Conservatorship Freedom




After Driving Again And More, Britney Spears Shares Her Latest Taste Of Post-Conservatorship Freedom

They say it’s the simple things in life that are the most extraordinary, and that’s likely particularly true if you’ve been denied access to those things for an extended period of time. After Britney Spears was released from the conservatorship she’d been under, the singer has been reintroducing herself to some of life’s simple pleasures. Last summer Spears was super pumped about regaining the freedom to drive, and in January the “Toxic” singer documented drinking her first glass of wine in over a decade. The newlywed continued to celebrate the post-conservatorship life by sharing her first trip to a bar.

Fans of the former pop singer are accustomed to seeing Britney Spears dancing and twirling and modeling different outfits at her and Sam Asghari’s new home. However, the “Toxic” singer took her followers on an exciting field trip, in which she and her assistant patronized a local drinking establishment. She shared her trip — and a sarcastic remark — on Instagram:

(Image credit: Instagram)

As she and her assistant Victoria Asher apparently enjoyed a drink and an app, Britney Spears couldn’t help but throw a little shade at her family, remarking that she was “so so grateful” for not being allowed to have a cocktail for the 13 years after her father Jamie Spears took control of her life. In fact, the 40-year-old said in her post this is her first time to partake in such an adventure. In the video, she shared:

This is my first time at a bar. First time. I feel so fancy, and I feel so sophisticated.

Continue Reading

TV News

How ‘Yellowjackets’ Stars Survived Hollywood




How ‘Yellowjackets’ Stars Survived Hollywood

Sure, they may have eaten a person back in the day. But there are some things the grown women of Yellowjackets just wouldn’t do. On this, the actresses who play them — Tawny Cypress, Juliette Lewis, Melanie Lynskey and Christina Ricci — agree, as they gather in a backyard in L.A.’s Topanga Canyon in late July, just a few weeks before they start filming the second season of their breakout show.

The Showtime survival thriller, created and executive produced by Ashley Lyle and Bart Nickerson, earned seven Emmy nominations, including outstanding drama series and acting nominations for Lynskey and Ricci. The Yellowjackets storyline alternates between 1996 and the present day as it follows members of a high school girls soccer team whose plane crashes and strands them for 19 months in the wilderness, where they resort to cannibalism to survive.

Part of the show’s nostalgic appeal relies on its casting of these actresses, three of whom audiences knew as young women for their slyly offbeat roles in films like The Addams Family (Ricci), Cape Fear (Lewis) and Heavenly Creatures (Lynskey), to play the crash survivors as adults. In this conversation with THR, Cypress, Lewis, Lynskey and Ricci disclose their ’90s regrets, share what it means when you call an actress “quirky” and reveal how survival bonds women — including in the trenches of Hollywood.

Who here knew each other before the show?

MELANIE LYNSKEY (Points to Christina Ricci.) We knew each other a little bit. I went to a Nick Cave concert by myself, and Christina came up and —


CHRISTINA RICCI I was very excited to see you.

LYNSKEY So excited. We were having a lovely chat, and then she’s like, “Are you here by yourself?” She’s the coolest person of all time, and I was intimidated. I just felt embarrassed to say, “I’ve come to a concert by myself.” I was like 24 or something.

RICCI I was impressed because I couldn’t go anywhere by myself.

LYNSKEY I also went to see Clay Aiken by myself because nobody would come with me.

It’s surprising that none of you had worked together over the years.

JULIETTE LEWIS It’s wild when you’ve been around so long, and you sort of have a kindred connection to people. There’s certain actors you’re like, “Mmm, we’re not of the same tree,” and then there’s other actors you’re like, “Oh, yeah. We have some roots.”


Juliette, Melanie and Christina, all three of your Wikipedia entries say some version of, “Often plays quirky or offbeat characters.” What do those words mean to you?

LEWIS Real people, specific and unpredictable.

LYNSKEY I remember I got cast in a movie when I was like 21, and the description of the character before I auditioned was “Blah, blah, blah, the beautiful girl who sits next to him in school.” Then, at the table read, it had been changed to “Blah, blah, blah, cute and quirky.” I was like, “You don’t need to change it. Just keep it …” They’re like, “We better change this description or people will be like, wrong actress.” So, sometimes it feels … I don’t know. I never liked that word, “quirky.”

RICCI When you say that all of us had this description, that to me speaks to a past time, when, if you weren’t the leading-lady ingenue then you were quirky and offbeat. All right, so there’s two groups for actresses? In a way, I’m fine with being in the category I’m in because what it means to me is that I have made an effort in my career to do things that I feel like I haven’t seen before. So, in some ways, I like it. In other ways, I’m like, “Ugh.” It’s a little dismissive. A little cute and dismissive.

LEWIS We come from the ’90s where, when I had blond hair, I was the pretty airhead, and then I dyed my hair dark, and I was the wisecracking, sarcastic girl. But yeah, I think it’s really neat that we’ve all carved this path of range and specificity.

Isn’t another term for that “character actor”?


RICCI But “character actress” used to be something they used to describe an ugly woman.


RICCI Back in the late ’90s, my agents were always like, “We have to be so careful you don’t become a character actress. If we’re not careful, you’re going to end up just like Jennifer Jason Leigh.” I was like, “I like her.” They were so afraid of me not being a leading lady, of me not being sexually attractive to people. It was really the last thing I ever wanted, was for anyone to be attracted to me.

LEWIS My dad was a character actor. So to me, it was something that was super noble. It was a world of adventure and not limiting. I rebelled against the system, the PR system of being in some bizarre idea of beauty. I really revolted against that, for better or for worse. Crying in a bathroom at a photo shoot, like, “I won’t come out.” They want these doe-eyed looks. That’s for sure what I didn’t do in pictures, so I always looked slightly insane, which I prefer over, like, “Do you want to fuck me?”

Tawny, what was your sense of what the expectations were for you when you were starting out?

CYPRESS I’ve had a different row to hoe. I’ve spent my whole career doing shitty roles of the sassy one on the side. Honestly, growing up as an actor, I wanted to be an ingenue.


LEWIS Isn’t that funny? And I wanted to be sassy and opinionated.

CYPRESS I couldn’t be an ingenue. I just couldn’t. It’s just not in me, you know? I was never presented with those roles, ever, and I was like, “Oh, OK. That’s not who I am.” I sort of, growing older, have embraced my Jersey side, and I am who I am, and this is what you get.

LYNSKEY I started calling myself a character actor in interviews when I was really young because I think it was reclaiming the term or something. I think I just was like, “That’s what I am.” My agents had all that kind of intensity around it, too. I remember when I did Coyote Ugly

RICCI Oh my God, you got a piece in that? I went up for that, and I didn’t get it.

CYPRESS I did too.

LYNSKEY I played the best friend from Jersey. But the scrutiny that was on Piper [Perabo], who’s one of the coolest, smartest women, just the way people were talking about her body, talking about her appearance, focusing on what she was eating. All the girls had this regimen they had to go on. It was ridiculous. I was already starving myself and as thin as I could possibly be for this body, and I was still a [size] four. That was already people putting a lot of Spanx on me in wardrobe fittings and being very disappointed when they saw me, the costume designer being like, “Nobody told me there would be girls like you.” Really intense feedback about my physicality, my body, people doing my makeup and being like, “I’m just going to help you out by giving you a bit more of a jawline and stuff.” Just the feedback was constantly like, “You’re not beautiful. You’re not beautiful.” In your early 20s, so much of it is about beauty, and how people respond to you, and do people want to fuck you? Do people think you’re their best friend? Even the best friend thing, I started to be like, “I don’t want to do that too many times.”


Did you have to unlearn anything that people tried to teach you when you were starting out?

LEWIS I had developed such a survival mechanism to protect my autonomy, sort of, “You don’t own me. You don’t tell me my value. Only I do.” I was extremely self-critical — it still happens — of my work. It’s almost like a defense mechanism that no one could talk shit about me more than I can. There’s all these things that are wrapped up in how to survive a system. That’s what I’m unlearning today — to be softer. This is a really remarkable industry to be a part of. I feel honored to be a part of it and what it gave me, but I do still hold on to what it took from me in my youth.

Given what you all experienced coming into the industry, do you feel at all protective of the younger actresses who play the younger versions of your characters?

LYNSKEY (Begins to cry.) So much. I feel very protective. At the beginning of production, I sent them all an email, and I just was like, “Whatever you need, if you need a voice, if you need someone to go to the producers for you, whatever you need,” and they were kind of like, “Cool. Thanks.” They’re fine.

CYPRESS Totally fine. Jas [Jasmin Savoy Brown] was a boss on set. She’s like, “This is how we’re doing my hair. This is what we’re doing.”

RICCI They’re very much of a different generation.


CYPRESS I am protective of Jas in the fact that she is so sexually positive, which I love. She has taught me so much, just knowing her as a person. But I’m like a mama bear to her, or a big sister. I’m like, “What are you putting online right now?” She’s like, “Whatever. Whatever. This is life, man. I love myself.” I’m protective, but I’m also in awe of her, you know?

LEWIS But there is a thing I always want to say to young people: Cultivate other interests deeply so that you’re not getting all your life’s blood from this industry, or your self-worth.

Is there anything you miss about the ’90s?

LYNSKEY I have a lot of love letters from the ’90s.

RICCI Someone used to fax me love letters when he was on tour. I did not save them. I throw everything out. I had a specific thing when I was a child, that we would be punished by the things that we loved being destroyed. My husband, who is a much healthier individual, has gone back and found all my old magazine covers on Etsy because he thinks it’s horrible that I never saved them. As a child, I learned that this is going to be taken from me, so why save it anyway?

LYNSKEY That’s heartbreaking. Well, I saved everything because I’m basically an emotional hoarder. I have this literal suitcase, an old-fashioned suitcase.


RICCI This is very dark, but I would just like to go back to that age and do it over again and not make so many fucking mistakes. Honestly, I regret so much.

CYPRESS Me too. One thousand percent.

LEWIS Me too.

RICCI I’d like to go back to 1996 and be like, “All right … we had a practice run. It went OK, but it wasn’t really as great as we wanted it to be. We’re going to do this again.” People who are like, “I have no regrets.” What fucking magic life did you live?

LEWIS Where they go, “I don’t regret anything because that led up to this moment.” Really? The thing that could’ve put my dad in an early grave, I fucking regret it. Yes. I was very scary as a young teenage person.

CYPRESS Yeah. I hurt a lot of people growing up, and I wish that I didn’t. I was going through my memory box. It was my great-great-grandmother’s she brought over from Hungary. It’s huge, and it’s filled to the brim with everything from my life. I came across a note from high school. It was my first gay friend, and it broke my heart because he was like, “I want to thank you for not talking to me anymore and just cutting me off the way that you did. It made it hurt less.” I literally was crying, and I had to call him and be like, “I just came across this note, and I’m so sorry that I was that person to you.” When I think back, I think how wonderful our relationship was, but I was a shit, you know? I would definitely do so many things differently.


LEWIS I’ve had those moments where I turned into … Because I’ve been bullied, but when I was 11 and got in a fight with a girl, I was mean [the same way] how a girl was mean to me. I was really vicious.

LYNSKEY I think people without regrets are narcissists. I think they’re lying to themselves.

RICCI Denial is the only way to get up that river.

What did you all feel when you learned that Roe v. Wade was overturned?

RICCI It’s really horrible to be told so plainly what your value is.

LEWIS I wish the two factions can talk, like, “Hey, what do you do with a bad situation, poverty and drug addiction, and rape?” You have to have an option that is salvageable or is sustainable for the survival of a person, a woman who’s living.


CYPRESS I don’t really give a shit what your reason to have an abortion is. It’s your fucking body. I don’t really fucking care. You don’t want to be a mom, right? That’s your fucking decision. Look, we can put morals on it and say, “Well, only when you’re raped, or only if it’s …” It’s like no, dude. It’s either in or out. We’re either telling women what to do with their bodies or we let them have their own choice. I am of the mind, choice. I’m not going to judge you for making that decision.

LYNSKEY And there seems to be this general lack of compassion and empathy that’s just growing and growing. There’s so much hatred, and people are unable to look at another person’s life and go, “Oh, you know, that’s an untenable situation,” or even, “That’s a difficult situation.” There’s no grace given to anybody else. There’s no empathy. You don’t get to make decisions for somebody else. You don’t know what’s right for them.

Is there a place for TV and film in that conversation?

CYPRESS I mean, that’s what TV and film do. That’s what art is. On Yellowjackets, let’s talk about Shauna’s baby in the woods, you know? Yeah. I think we have a lot of room to speak on this subject, and I hope we do.

Did anybody have their kids on set for season one?

LYNSKEY (Points to Ricci.) We did.


RICCI And I was pregnant. I didn’t tell anyone but these ladies that I was pregnant for six months. When we started, I was six weeks pregnant. It was difficult. There were so many times where I was like, “Ooh, when they find out I’m pregnant, and they made me sit in this smoky room all day. When they realize that they made me stand for eight hours, and I’m pregnant, and I have this horrible sciatica, and it’s 100 degrees, oh, they’re going to feel so bad.” They didn’t feel bad at all. But anyway, it was fine. In fact, it would’ve been helpful if I was playing a more emotional character because I can give a real good performance when I’m pregnant, real emo.

How would you finish the sentence, “Yellowjackets is really about …”?



CYPRESS Friendship.

RICCI Haunting, the way trauma haunts you. The way you can never escape. The way it twists people in different ways.


LEWIS Aberrant survival tactics.

We know that these characters have done a bunch of aberrant things, as you say, including cannibalism. But do you have in your mind an idea that, “OK, she may have eaten another human being, but she would never do this“?

RICCI I know when they confront me because I’m like, “OK, she wouldn’t do that.” Misty wouldn’t drink that drink. Originally, in the script, she was drinking a Brandy Alexander, and I said, “No, Misty would drink a chocolate martini.” I have rules and stuff for her in my head, and they do conflict with the writers sometimes. I don’t think she actually is interested in men, at all. I think she does it because she’s bored, or because she thinks that’s what she’s supposed to do. Then, she’s also realized that she can have a lot of fun trying to trick them into having sex with her when they don’t want to. It’s like men will kind of know that you don’t want to have sex with them, but if they can get you to have sex with them, they won.

LEWIS It’s a power thing.

RICCI Misty’s way of doing it is through this really horrible manipulation, making him feel guilty and having sex with her while feeling guilty, which would be a terrible experience.

When you have a different perspective on your character than the writers, what do you do?


RICCI That’s part of the thing with TV that I’ve learned now, being involved in a production but not being one of the EPs, so you aren’t a part of creating what people do. “OK, they wrote this scene. I have to play this scene. If she was in this situation, how the fuck would she be in this situation, and why would she be?” Then, you don’t have to tell other people what you come up with. They can find out about it later when you do press.

Does anybody else have a line in their mind that their character wouldn’t cross?

LYNSKEY I had one. There was something written into a script where I was going on a date with my lover, and they had me going into my daughter’s bedroom and taking her underwear, which was just not practical because I wouldn’t fit it. She’s little. But also, ew. I think there was something, apparently, somewhere, people liked the thing in the pilot where I’m masturbating in my daughter’s bedroom. I was like, “Can that just be an isolated incident? I don’t want it to be a theme.” So I just was like, “I don’t want to do that.” They were great about it.

LEWIS It comes, I think, with experience and respect, that they appreciate if you have a point of view. I have an “anything goes” stamp on me, which they all know. But I have strong ideas, especially about my trajectory in midlife. I’ve looked at Natural Born Killers recently, and I’m like, “Jesus.” Thank goodness I had a partner like Woody Harrelson, but it is so sexual. No one forced me into that. I was a young nihilist who didn’t give a fuck, and I felt comfortable with Woody, and I liked the material. But nowadays, I’m very particular. So, they had written a sex scene, and I was like, “I don’t know. I don’t know that she even gets off. I don’t know that she even can have orgasms.” That’s how deep I went. So it was more like, is she doing something to get something? At the end of the day, I just didn’t even think she fucks, sorry to be so graphic, at this juncture that you saw in season one. I think she might’ve had relationships with all of them in the wilderness. I don’t know if they’re going to write it, but that’s what I’d like to think of Natalie.

LYNSKEY That’s what I think too.

RICCI What? I never thought of that. Who would they be making out with? I guess each other.


The finale hints that there may be additional Yellowjackets who survived into adulthood. Have actors been cast for those roles?

LEWIS Wait, Melanie, didn’t you say that on our chain, that someone we like is cast to be … (At this point there is meaningful eye contact among the four women.)

RICCI We don’t know for sure. That’s what we’ve heard was close to happening.

LYNSKEY We don’t know anything.

On season one, you were making this show under the radar. Now there’s so much fan speculation. Does that change the way you approach the work?

RICCI There’s more pressure going into season two.


CYPRESS Have you guys also had that feeling of like, “Can I do this? Is it going to be good, the second season? Am I going to fuck this character up?”

LYNSKEY I have those fears.

RICCI Me too, but because TV is so fast, and you have so little time with the information, the process of talking about the show afterward helps you to evolve your take on your character. To understand things that were intended with the character that maybe weren’t clear originally because you get to hear the EPs talk about it. I’m going to make changes in the next season based on what I have come to realize through all this talking.

Like what?

RICCI Well, that’s a secret.

How much do you want to know about the path that your character is on?


CYPRESS Fuck, I want to know everything. I sit there, and when I think about the show, I think, “What the fuck are they going to do with this character?” There’s so many different parts to her right now. The dog thing. She’s now a senator. There may be an old love coming back, you know? I’m like, “How are they going to do this?” I just want to know.

LYNSKEY Now you’re a full-time dog killer.

RICCI I didn’t even know that you were supposed to be the one that killed the dog.


RICCI I thought, “Oh, well maybe somebody broke in.”

LYNSKEY That could still be, right?


CYPRESS Wait, give me more to think about.

So you don’t go to the writers and say, “To be clear, did I kill the dog?”

CYPRESS Oh, we do. They just say, “Mmm.”

RICCI “We don’t know.”

CYPRESS But they do know.

RICCI I don’t think they’re trying to control us with no information or anything. Sometimes, they don’t want to commit to something that hasn’t been necessarily set in stone. I do find it frustrating to not know, and we’re never able to know fully. I have decided to learn how to function with knowing nothing.


Interview edited for length and clarity.

This story first appeared in the Aug. 3 issue of The Hollywood Reporter magazine. Click here to subscribe.

Continue Reading

TV News

James Gunn Addresses Peacemaker Future Amid Batgirl Cancelation




James Gunn Addresses Peacemaker Future Amid Batgirl Cancelation

Shockwaves from Warner Bros.’s cancelation of Batgirl have had many fans questioning the possibility of other DC-connected projects following suit. Amid outcries from fans of Batgirl, Michael Keaton, Brendan Fraser, and even Snyderverse fans who are always eager to picket Warner Bros., Peacemaker fans started asking James Gunn whether there was any possibility that his DC work was going to suffer amid the company’s cost-cutting exercise. Ironically, considering the history that led James Gunn to work with DCEU characters, it seems that the director and his shows are the only ones who are “safe.”

What seems like a lifetime ago, James Gunn was all set to start work on Guardians of the Galaxy Vol. 3 for Disney and Marvel Studios when some old Twitter posts led to him being unceremoniously sacked. By the time Disney backtracked on their firing, Gunn was already committed to directing The Suicide Squad for Warner Bros., which is why Guardians of the Galaxy Vol. 3 has taken so long to arrive. Now, during all the chaos at Warner Bros., it appears that Gunn is not worried at all about the second season of Peacemaker getting the ax. When asked if the show was safe, Gunn simply replied:


“Yes, guys, calm down.”

That is a relief for fans of the small sub-universe Gunn is building inside the DCEU, which along with The Suicide Squad and Peacemaker, is set to include at least another unannounced project and be linked to the Amanda Waller series that is in development. At least that side of the franchise doesn’t appear to be going anywhere.

Related: Peacemaker: Will More Suicide Squad Members Appear in Season 2?

Is Warner Bros. Still Planning on Rebooting The DCEU?

There have been rumors of a “soft-reboot” coming to the DCEU for a long time, and while it seems at times like Warner Bros. is heading in that direction, they have constantly denied any such intention. During San Diego Comic-Con, the entire focus of the Warner Bros. live-action DC panel was on Black Adam and Shazam! Fury of the Gods. Both of these movies have their small links to the wider DCEU, and once again, Warner Bros. seemed to be causing confusion by including a Justice League montage within the Shazam sequel while at the same time professing that they are not revisiting that particular DCEU set up in any way.

One thing clear from Dwayne Johnson’s appearance at SDCC is that he believes that Black Adam is setting the tone for a new DCEU, and based on everything else that is happening, he could be right. While there is no way of telling exactly where the franchise will be heading beyond The Flash in 2023, with new additional entries like Wonder Woman 3 constantly being stuck in limbo, it has been made clear that some big changes are being made in regards to the DCEU and fans will be hoping that those changes bring some kind of consistency to the franchise before it ends up crashing down around itself.


Continue Reading