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Who Is Radagast? Your Guide To The Brown Wizard of Middle-Earth

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Who Is Radagast? Your Guide To The Brown Wizard of Middle-Earth

The highs and lows of The Hobbit trilogy were farther apart than in The Lord of the Rings, making for a more uneven movie experience, but any time that Sylvester McCoy was on screen as Radagast the Brown was a high. Between McCoy’s acting choices and the scripting of Peter Jackson, Fran Walsh, and Philippa Boyens, a character who merited only one mention in the book became the best addition to the cinematic legendarium. The Hobbit films gave Radagast more to say and do than in any of J.R.R. Tolkien’s writing, but they didn’t explain where he came from – or why he was nowhere to be seen in The Lord of the Rings. For the curious, here are the answers.

Radagast, and all the wizards of Middle-earth, is incarnated Ainu (singular of Ainur), angelic spirits. In Tolkien’s cosmology, the Elves named two orders of the Ainur: the Valar, roughly analogous to archangels, and the Maiar, lesser powers often attached in service to a particular Vala (singular of Valar). Many of the Ainur came to dwell within the world upon its creation, eventually settling in the Blessed Realm of Valinor. When the Vala Melkor fell and became Morgoth, the root of evil in Middle-earth, the Ainur of Valinor became embroiled in various conflicts with him and his servants, eventually intervening directly in a war between Morgoth and the Children of Ilúvatar (Elves and Men) at the end of the First Age. Morgoth was defeated, but at ruinous cost, and during the Second Age, Valinor passed beyond the reach of Men.

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When the power of Sauron, Morgoth’s chief lieutenant, persisted into the Third Age, the Ainur determined to send aid to the free peoples of Middle-earth. Rather than become directly involved in challenging Sauron and risk another destructive toll on the world, the Valar chose to send emissaries to aid and inspire those who resisted evil. The emissaries would be Maiar, clothed in the bodies of Men advanced in age but possessed of great physical and mental power. So embodied, they would lose a great deal of their natural power — they were not meant to exercise force nor to coerce anyone to act. They would also be subject to weariness, hunger, injury, and the risk of death. Possessed of free will, they could also be tempted away from their task.

RELATED: ‘The Hobbit’ Cast & Character Guide: Who’s Who In the Middle Earth Prequel Trilogy

In Unfinished Tales, a collection of essays and story fragments Tolkien left behind, it was the Maia (singular for Maiar) Aiwendil who became incarnated as Radagast. He had (according to the recently published The Nature of Middle-Earth) been involved with guarding Elves as far back as the First Age, but Aiwendil was not appointed an emissary. The Vala queen, Yavanna, queen of earth, sent him. Responsible for all growing things, including pleas to Eru Ilúvatar (God) that lead to the birth the Ents, Yavanna wanted someone to tend to the plants and animals of Middle-earth while Sauron endured, and she bid Curumo, later Saruman, the first Maia chosen, to bring Aiwendil with him (despite this, Unfinished Tales records one considered timeline where Curumo arrived first and alone to the shores of Middle-earth, with Aiwendil following at the same time as Olórin – later Gandalf).

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The incarnated Maiar were known as wizards by Men and as the Istari, “Wise Ones,” by the Elves. The name Radagast was originally intended to mean “tender of beasts,” but had no set meaning at the end of Tolkien’s life as he reconceived which language the name was meant to hail from. Described by Gandalf as “never a traveler, unless driven by great need,” Radagast settled in Rhosgobel, near the forest of Mirkwood.

There he practiced herblore, tended to birds and beasts, and employed them as scouts and spies against the forces of Sauron. Perhaps because he was obliged to bring him along, Saruman came to scorn Radagast, dismissing him as a simple fool. But Gandalf held the brown wizard in high esteem, naming him honest, worthy, and “master of shapes and changes of hue.” In The Hobbit (not yet part of Tolkien’s legendarium when first written), he even names Radagast his “cousin” to Beorn the Skin-changer, who lives near enough to Rhosgobel to have some grudging friendship with his neighborhood wizard.


That mention by Gandalf is the closest Radagast comes to appearing in The Hobbit book, made shortly before Gandalf is called away from the story on urgent business. The end of the book, and the Appendix to The Lord of the Rings, reveal that this business concerned the White Council, the loose collection of the Wise headed by Saruman to “unite and direct the forces of the West” against Sauron (as described in The Peoples of Middle-earth).

Thanks to Gandalf’s efforts, the Council came to learn that the Necromancer of Mirkwood was in fact Sauron, and they attacked the fortress of Dol Guldur to expel him. Radagast is never explicitly stated to be a member of the White Council, but Jackson and company rewrote the circumstances surrounding the discovery of Sauron at Dol Guldur so that it is Radagast who first discovers something amiss in the ruined fortress, and later brings the Council to Gandalf’s rescue. The changes made to get to that point don’t always add up if you stop to think about them. How are these Council members getting around so fast? And why would Galadriel reveal the power of her Ring before Sauron? But, they gave McCoy plenty to play with.

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This expanded role for Radagast in the films may lead a casual fan to wonder why he isn’t in The Lord of the Rings. Ironically, The Fellowship of the Ring gave Radagast his only actual appearance in the novels. Saruman, having fallen to evil and desirous of the One Ring himself, manipulated Radagast into summoning Gandalf to Orthanc in Isengard. Innocent of Saruman’s treachery, Radagast did as he was bid, inadvertently leading to Gandalf’s imprisonment. Before setting out for Orthanc, however, Gandalf urged Radagast to send any news there by bird, and the brown wizard remained unaware of any reason not to do so. It was he who sent Gwaihir of the Great Eagles to Orthanc, enabling Gandalf’s escape. The film replaced Radagast in these scenes with Gandalf’s own agency, he sends word to the Eagles through a moth.

Radagast’s final fate was never settled by Tolkien in his lifetime. In The Fellowship of the Ring, Elrond sent out scouts across Middle-earth, and some came to Rhosgobel, but they found no trace of the brown wizard. In Unfinished Tales, Tolkien claimed that all the Istari failed in their task, save Gandalf. Radagast, in this telling, “became enamored of the many beasts and birds…and forsook Elves and Men.” In a private letter, Tolkien wrote that Radagast “remained of good will (though he had not much courage)” and that “he did not become proud and domineering, but neglectful and easygoing, and he had very little to do with Elves or Men although obviously, resistance to Sauron had to be sought chiefly in their cooperation.”

As an emissary of Yavanna, tasked with caring for the birds and beasts of Middle-earth, Radagast’s becoming too attached to them may not have been so complete a fall as Saruman’s. But as a spirit sent to work against Sauron, his task was ended when the One Ring was destroyed, no matter how he met or failed it. And whether Radagast ever returned to Valinor, or dwindled into a shamanic tender of nature, Tolkien never left word.

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Review: SAMARITAN, A Sly Stallone Superhero Stumble

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Review: SAMARITAN, A Sly Stallone Superhero Stumble

Hitting the three-quarter-century mark usually means a retirement home, a nursing facility, or if you’re lucky to be blessed with relatively good health and savings to match, living in a gated community in Arizona or Florida.

For Sylvester Stallone, however, it means something else entirely: starring in the first superhero-centered film of his decades-long career in the much-delayed Samaritan. Unfortunately for Stallone and the audience on the other side of the screen, the derivative, turgid, forgettable results won’t get mentioned in a career retrospective, let alone among the ever-expanding list of must-see entries in a genre already well past its peak.

For Stallone, however, it’s better late than never when it involves the superhero genre. Maybe in getting a taste of the MCU (Marvel Cinematic Universe) with his walk-on role in the Guardians of the Galaxy sequel several years ago, Stallone thought anything Marvel can do, I can do even better (or just as good in the nebulous definition of the word).

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The property Stallone and his team found for him, Samaritan, a little-known graphic novel released by a small, almost negligible, publisher, certainly takes advantage of Stallone’s brute-force physicality and his often underrated talent for near-monosyllabic brooding (e.g., the Rambo series), but too often gives him to little do or say as the lone super-powered survivor, the so-called “Samaritan” of the title, of a lifelong rivalry with his brother, “Nemesis.” Two brothers entered a fire-ravaged building and while both were presumed dead, one brother did survive (Stallone’s Joe Smith, a garbageman by day, an appliance repairman by night).

In the Granite City of screenwriter Bragi F. Schut (Escape Room, Season of the Witch), the United States, and presumably the rest of the world, teeters on economic and political collapse, with a recession spiraling into a depression, steady gigs difficult, if not impossible, to obtain, and the city’s neighborhoods rocked by crime and violence. No one’s safe, not even 13-year-old Sam (Javon Walker), Joe’s neighbor.

When he’s not dodging bullies connected to a gang, he’s falling under the undue influence of Cyrus (Pilou Asbæk), a low-rent gang leader with an outsized ego and the conviction that he and only he can take on Nemesis’s mantle and along with that mantle, a hammer “forged in hate,” to orchestrate a Bane-like plan to plunge the city into chaos and become a wealthy power-broker in the process.

Schut’s woefully underwritten script takes a clumsy, haphazard approach to world-building, relying on a two-minute animated sequence to open Samaritan while a naive, worshipful Sam narrates Samaritan and Nemesis’s supposedly tragic, Cain and Abel-inspired backstory. Schut and director Julius Avery (Overlord) clumsily attempt to contrast Sam’s childish belief in messiah-like, superheroic saviors stepping in to save humanity from itself and its own worst excesses, but following that path leads to authoritarianism and fascism (ideas better, more thoroughly explored in Watchmen and The Boys).

While Sam continues to think otherwise, Stallone’s superhero, 25 years past his last, fatal encounter with his presumably deceased brother, obviously believes superheroes are the problem and not the solution (a somewhat reasonable position), but as Samaritan tracks Joe and Sam’s friendship, Sam giving Joe the son he never had, Joe giving Sam the father he lost to street violence well before the film’s opening scene, it gets closer and closer to embracing, if not outright endorsing Sam’s power fantasies, right through a literally and figuratively explosive ending. Might, as always, wins regardless of how righteous or justified the underlying action.

It’s what superhero audiences want, apparently, and what Samaritan uncritically delivers via a woefully under-rendered finale involving not just unconvincing CGI fire effects, but a videogame cut-scene quality Stallone in a late-film flashback sequence that’s meant to be subversively revelatory, but will instead lead to unintentional laughter for anyone who’s managed to sit the entirety of Samaritan’s one-hour and 40-minute running time.

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Samaritan is now streaming worldwide on Prime Video.

Samaritan

Cast
  • Sylvester Stallone
  • Javon ‘Wanna’ Walton
  • Pilou Asbæk

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Matt Shakman Is In Talks To Direct ‘Fantastic Four’

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According to a new report, Wandavision’s Matt Shakman is in talks to direct the upcoming MCU project, Fantastic Four. Marvel Studios has been very hush-hush regarding Fantastic Four to the point where no official announcements have been made other than the film’s release date. No casting news or literally anything other than rumors has been released regarding the project. We know that Fantastic Four is slated for release on November 8th, 2024, and will be a part of Marvel’s Phase 6. There are also rumors that the cast of the new Fantastic Four will be announced at the D23 Expo on September 9th.

Fantastic Four is still over two years from release, and we assume we will hear more news about the project in the coming months. However, the idea of the Fantastic Four has already been introduced into the MCU. John Krasinski played Reed Richards aka Mr. Fantastic in Doctor Strange in the Multiverse of Madness. The cameo was a huge deal for fans who have been waiting a long time for the Fantastic Four to enter the MCU. When Disney acquired Twenty Century Fox in 2019 we assumed that the Fox Marvel characters would eventually make their way into the MCU. It’s been 3 years and we already have had an X-Men and Fantastic Four cameo – even if they were from another universe.

Deadline is reporting that Wandavision’s Matt Shakman is in talks to direct Fantastic Four. Shakman served as the director for Wandavision and has had an extensive career. He directed two episodes of Game of Thrones and an episode of The Boys, and he had a long stint on It’s Always Sunny in Philadelphia. There is nothing official yet, but Deadline’s sources say that Shakman is currently in talks for the job and things are headed in the right direction.

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To be honest, I was a bit more excited when Jon Watts was set to direct. I’m sure Shakman is a good director, but Watts proved he could handle a tentpole superhero film with Spider-Man: Homecoming. Wandavision was good, but Watts’ style would have been perfect for Fantastic Four. The film is probably one of the most anticipated films in Marvel’s upcoming slate films and they need to find the best person they can to direct. Is that Matt Shakman? It could be, but whoever takes the job must realize that Marvel has a lot riding on this movie. The other Fantastic Four films were awful and fans deserve better. Hopefully, Marvel knocks it out of the park as they usually do. You can see for yourself when Fantastic Four hits theaters on November 8th, 2024.

Film Synopsis: One of Marvel’s most iconic families makes it to the big screen: the Fantastic Four.

Source: Deadline

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Dan Aykroyd, Chevy Chase Star in ‘Zombie Town’ Mystery Teen Romancer (Exclusive)

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Dan Aykroyd and Chevy Chase have entered Zombie Town, a mystery teen romancer based on author R.L. Stine’s book of the same name.

The indie, now shooting in Ontario, also stars Henry Czerny and co-teen leads Marlon Kazadi and Madi Monroe. The ensemble cast includes Scott Thompson and Bruce McCulloch of the Canadian comedy show Kids in the Hall.

Canadian animator Peter Lepeniotis will direct Zombie Town. Stine’s kid’s book sees a quiet town upended when 12-year-old Mike and his friend, Karen, see a horror movie called Zombie Town and unexpectedly see the title characters leap off the screen and chase them through the theater.

Zombie Town will premiere in U.S. theaters before streaming on Hulu and then ABC Australia in 2023.

“We are delighted to bring the pages of R.L. Stine’s Zombie Town to the screen and equally thrilled to be working with such an exceptional cast and crew on this production. A three-time Nickelodeon Kids Choice Award winner with book sales of over $500 million, R.L. Stine has a phenomenal track record of crafting stories that engage and entertain audiences,” John Gillespie, Trimuse Entertainment founder and executive producer, said in a statement.

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Executive producers are Trimuse Entertainment, Toonz Media Group, Lookout Entertainment, Viva Pictures and Sons of Anarchy actor Kim Coates.  

Paco Alvarez and Mark Holdom of Trimuse negotiated the deal to acquire the rights to Stine’s Zombie Town book.

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