Connect with us

Movies News

Who Exactly Is Doctor Michael Morbius, the Titular Anti-Hero of the Upcoming ‘Morbius’?

Published

on

Who Exactly Is Doctor Michael Morbius, the Titular Anti-Hero of the Upcoming ‘Morbius’?

Sony will be ringing in the new year with Morbius, an origin story film for the comic book character Doctor Michael Morbius, an on-purpose scientist and accidental vampire played by Oscar-winning actor Jared Leto. This movie has been a long-time coming, as it was originally supposed to be released in July of 2020 (but, you know, Covid). The trailers for Morbius tease a darker, more sinister world than comic book fans might be used to, with the titular anti-hero being torn between helping others and satisfying his newfound bloodlust. His conflictions are summed up perfectly when he says, “I’d do anything to save a life, but I don’t know what I’m capable of.” The trailer’s not-so-subtle anti-Spidey sentiment, such as the Spider-Man graffiti that reads “murderer” and an appearance by Spider-Man: Homecoming’s villain Vulture (Michael Keaton) suggests that the film will explore exactly why and how Morbius gets tangled in Spider-Man’s webs.

It’s about time this vampire saw the light of day. (Okay, maybe “light” was a poor choice of words here.) So let’s dig deep into the bloody backstory of this brilliant biochemist. Who is Dr. Michael Morbius in the comics and what can we expect from Morbius? And how the heck did a scientific vampire get involved with S.H.I.E.L.D.?

Advertisement

Who Is Morbius, The Living Vampire?

Ever since he swung into our lives (and hearts) in Amazing Fantasy #15 in 1962, Spider-Man has faced dozens of villains of all sorts of shapes, sizes, and abilities. Created by Roy Thomas and Gil Kane in 1971, Morbius, the Living Vampire (and quite the mouthful) made his debut in The Amazing Spider-Man #101 and is no exception. It’s important that we don’t take Morbius for granted, because the blood-sucker almost didn’t exist. Up until the early 1970s, classic monsters, like werewolves and vampires, were forbidden from comic books. German-American psychologist Fredric Wertham’s book Seduction of the Innocent blamed comic books for the rise in and encouragement of “severe juvenile delinquency.”


Wertham acted as witness in the comic books and juvenile delinquency hearings in 1954, which scared publishers into self-censoring before intense legal action could take place. As a result, the Comics Code Authority got out in front of any more criticism, and thus banned creatures from the pages (unless used for comedic purposes only.) Since Morbius is no laughing matter, he wouldn’t fly into Marvel comics until 1971, when the Comics Code Authority took a chill pill and eased up on monsters. Initially, there were talks for Dracula to enter Spider-Man’s orbit, but Spidey’s creator Stan Lee encouraged Kane and Thomas to create an original vampire character, which would become Morbius. Now let’s dive into the fictional backstory of this fanged fella.

Growing up in Greece with a single mother and absent artistic father, Michael Morbius was plagued with a rare, enervating blood disease. Worried for his safety and health, his mother kept him inside most of the time, which alienated him from the real world and his peers. He would occasionally manage to play with his one friend, Emil Nikos, but after an accident that hurt the already-weak Michael, Emil becomes extra protective of his compromised friend. They dedicate their college careers to finding a cure for Michael’s rare blood disease. Their research with vampire bat blood was successful and won them a Nobel Peace Prize, but as for a cure, still no dice. In a last-ditch effort to save himself from his worsening physical condition, Michael undergoes an intense experiment involving vampire bats and electroshocks. (Here’s where the whole “living vampire” thing comes in.)

Advertisement


The result of the experiment was a bit of a mixed bag, with the chemical alterations turning Michael into a pseudo-vampire. This means that his vampiric origins were purely scientific (unlike Dracula, who would also enter Marvel comics a year later in 1972). Adding to Michael’s already-superior intelligence was superhuman strength and speed, heightened senses and reflexes, and self-healing similar to—but not as strong as—Wolverine. When transformed into his vampiric state, he develops claws, fangs, a bat-like appearance and bat radar, and hollow bones that enable him to glide through the air. Because he isn’t a “supernatural” or “mystical” vampire, he’s not affected by garlic or religious relics, but does weaken slightly when exposed to the sun. And oh right, one other thing: The Living Vampire now has an intense appetite for blood, which he would have to ingest regularly in order to maintain his newfound powers.


RELATED: ‘Morbius’ Trailer Breakdown: Which Spider-Man Universe Are We In, Exactly?

As mentioned earlier, Morbius debuted in The Amazing Spider-Man #101, where he was introduced during “The Six Arms Saga” story arc as one of the many foes of Spider-Man. It was quite the memorable storyline for everyone involved. Fresh off of his experiment that gave him powers, Morbius now had an overwhelming desire for blood. To slake his thirst, he killed all the crewmen aboard the ship he was traveling on to the United States from Greece, including his best friend Emil. Morbius was immediately filled with guilt and fear that he would also kill his fiancée Martine Bancroft, and dove into the water to remove himself from temptation. Martine later finds a dead Emil and letters Michael left behind, and brings them to the Baxter building to show Reed Richards and the rest of The Fantastic Four. Morbius reaches the shore and makes himself comfortable at a nearby beach house, which happens to belong to Dr. Curt Connors, a scientist also known as the Lizard.

Advertisement

Oddly enough, Spider-Man is also chilling at Connors’ beach house, and to make things even stranger, he has four additional arms (hence the name of the story arc). While Spidey is busy using Connors’ lab to make a serum that will eliminate his extra limbs, he unknowingly wakes up Morbius and the two begin to fight (of course). Things get really messy once Connors gets involved and morphs into the Lizard. During the chaos, Morbius bites the reptilian foe, which turns the Lizard (somewhat) back to normal. After Morbius escapes, the arachnid and reptile team up, find Morbius, and get their hands on his blood, which they hope will heal Peter as it did Curt. Luckily, Peter’s arm count returns to two, but Morbius manages to escape, destined to return once again (and again).

Morbius continuously struggles with his new abilities, often feeling guilty for his irrational behavior that takes over when on the quest for blood. Over the years, he’s interacted with several famous characters, including The Fantastic Four, Ghost Rider, Doctor Strange, and a Frankenstein-Punisher. He has a love-hate relationship with Blade and the Werewolf, even working with S.H.I.E.L.D. at one point to capture Blade.

What Can We Expect From Morbius?

The Morbius trailers have given us a lot to get excited about and further cement the fact that Morbius is an anti-hero. Michael’s deadly blood disease in the movie doesn’t seem as rare as it is in the comic books, considering he says that, “people all over the world,” have it. That being said, there still isn’t a cure, which is where he and his biochemical excellence comes in handy. The film features three key characters: Martine Bancroft (Adria Arjona), Loxias Crown (Matt Smith), and Simon Stroud (Tyrese Gibson). Martine, as referenced above, is his fiancée and was aboard the ship when he slaughtered his crew. Loxias is poised to be the film’s antagonist, just as he was for Morbius in the comics. There, The Living Vampire bit and transformed Loxias, a Hydra agent, into the character later known as Hunger, who would fight everyone from Spider-Man and Blade to Kingpin. Simon Stroud is a CIA agent who has it out for Morbius, too. The closest character to Morbius’ best friend Emil seems to be that of his mentor played by Jared Harris. He asks a conflicted Morbius the question that the pseudo-vampire is also trying to find the answer to: “Are you here to heal the world, or to destroy it?”


Advertisement

We’ll find out when Morbius gets sucked into theaters on January 28th.


Advertisement

Movies News

Review: SAMARITAN, A Sly Stallone Superhero Stumble

Published

on

By

Review: SAMARITAN, A Sly Stallone Superhero Stumble

Hitting the three-quarter-century mark usually means a retirement home, a nursing facility, or if you’re lucky to be blessed with relatively good health and savings to match, living in a gated community in Arizona or Florida.

For Sylvester Stallone, however, it means something else entirely: starring in the first superhero-centered film of his decades-long career in the much-delayed Samaritan. Unfortunately for Stallone and the audience on the other side of the screen, the derivative, turgid, forgettable results won’t get mentioned in a career retrospective, let alone among the ever-expanding list of must-see entries in a genre already well past its peak.

For Stallone, however, it’s better late than never when it involves the superhero genre. Maybe in getting a taste of the MCU (Marvel Cinematic Universe) with his walk-on role in the Guardians of the Galaxy sequel several years ago, Stallone thought anything Marvel can do, I can do even better (or just as good in the nebulous definition of the word).

Advertisement

The property Stallone and his team found for him, Samaritan, a little-known graphic novel released by a small, almost negligible, publisher, certainly takes advantage of Stallone’s brute-force physicality and his often underrated talent for near-monosyllabic brooding (e.g., the Rambo series), but too often gives him to little do or say as the lone super-powered survivor, the so-called “Samaritan” of the title, of a lifelong rivalry with his brother, “Nemesis.” Two brothers entered a fire-ravaged building and while both were presumed dead, one brother did survive (Stallone’s Joe Smith, a garbageman by day, an appliance repairman by night).

In the Granite City of screenwriter Bragi F. Schut (Escape Room, Season of the Witch), the United States, and presumably the rest of the world, teeters on economic and political collapse, with a recession spiraling into a depression, steady gigs difficult, if not impossible, to obtain, and the city’s neighborhoods rocked by crime and violence. No one’s safe, not even 13-year-old Sam (Javon Walker), Joe’s neighbor.

When he’s not dodging bullies connected to a gang, he’s falling under the undue influence of Cyrus (Pilou Asbæk), a low-rent gang leader with an outsized ego and the conviction that he and only he can take on Nemesis’s mantle and along with that mantle, a hammer “forged in hate,” to orchestrate a Bane-like plan to plunge the city into chaos and become a wealthy power-broker in the process.

Schut’s woefully underwritten script takes a clumsy, haphazard approach to world-building, relying on a two-minute animated sequence to open Samaritan while a naive, worshipful Sam narrates Samaritan and Nemesis’s supposedly tragic, Cain and Abel-inspired backstory. Schut and director Julius Avery (Overlord) clumsily attempt to contrast Sam’s childish belief in messiah-like, superheroic saviors stepping in to save humanity from itself and its own worst excesses, but following that path leads to authoritarianism and fascism (ideas better, more thoroughly explored in Watchmen and The Boys).

While Sam continues to think otherwise, Stallone’s superhero, 25 years past his last, fatal encounter with his presumably deceased brother, obviously believes superheroes are the problem and not the solution (a somewhat reasonable position), but as Samaritan tracks Joe and Sam’s friendship, Sam giving Joe the son he never had, Joe giving Sam the father he lost to street violence well before the film’s opening scene, it gets closer and closer to embracing, if not outright endorsing Sam’s power fantasies, right through a literally and figuratively explosive ending. Might, as always, wins regardless of how righteous or justified the underlying action.

It’s what superhero audiences want, apparently, and what Samaritan uncritically delivers via a woefully under-rendered finale involving not just unconvincing CGI fire effects, but a videogame cut-scene quality Stallone in a late-film flashback sequence that’s meant to be subversively revelatory, but will instead lead to unintentional laughter for anyone who’s managed to sit the entirety of Samaritan’s one-hour and 40-minute running time.

Advertisement

Samaritan is now streaming worldwide on Prime Video.

Samaritan

Cast
  • Sylvester Stallone
  • Javon ‘Wanna’ Walton
  • Pilou Asbæk

Advertisement
Continue Reading

Movies News

Matt Shakman Is In Talks To Direct ‘Fantastic Four’

Published

on

By

According to a new report, Wandavision’s Matt Shakman is in talks to direct the upcoming MCU project, Fantastic Four. Marvel Studios has been very hush-hush regarding Fantastic Four to the point where no official announcements have been made other than the film’s release date. No casting news or literally anything other than rumors has been released regarding the project. We know that Fantastic Four is slated for release on November 8th, 2024, and will be a part of Marvel’s Phase 6. There are also rumors that the cast of the new Fantastic Four will be announced at the D23 Expo on September 9th.

Fantastic Four is still over two years from release, and we assume we will hear more news about the project in the coming months. However, the idea of the Fantastic Four has already been introduced into the MCU. John Krasinski played Reed Richards aka Mr. Fantastic in Doctor Strange in the Multiverse of Madness. The cameo was a huge deal for fans who have been waiting a long time for the Fantastic Four to enter the MCU. When Disney acquired Twenty Century Fox in 2019 we assumed that the Fox Marvel characters would eventually make their way into the MCU. It’s been 3 years and we already have had an X-Men and Fantastic Four cameo – even if they were from another universe.

Deadline is reporting that Wandavision’s Matt Shakman is in talks to direct Fantastic Four. Shakman served as the director for Wandavision and has had an extensive career. He directed two episodes of Game of Thrones and an episode of The Boys, and he had a long stint on It’s Always Sunny in Philadelphia. There is nothing official yet, but Deadline’s sources say that Shakman is currently in talks for the job and things are headed in the right direction.

Advertisement

To be honest, I was a bit more excited when Jon Watts was set to direct. I’m sure Shakman is a good director, but Watts proved he could handle a tentpole superhero film with Spider-Man: Homecoming. Wandavision was good, but Watts’ style would have been perfect for Fantastic Four. The film is probably one of the most anticipated films in Marvel’s upcoming slate films and they need to find the best person they can to direct. Is that Matt Shakman? It could be, but whoever takes the job must realize that Marvel has a lot riding on this movie. The other Fantastic Four films were awful and fans deserve better. Hopefully, Marvel knocks it out of the park as they usually do. You can see for yourself when Fantastic Four hits theaters on November 8th, 2024.

Film Synopsis: One of Marvel’s most iconic families makes it to the big screen: the Fantastic Four.

Source: Deadline

Continue Reading

Movies News

Dan Aykroyd, Chevy Chase Star in ‘Zombie Town’ Mystery Teen Romancer (Exclusive)

Published

on

By

Dan Aykroyd and Chevy Chase have entered Zombie Town, a mystery teen romancer based on author R.L. Stine’s book of the same name.

The indie, now shooting in Ontario, also stars Henry Czerny and co-teen leads Marlon Kazadi and Madi Monroe. The ensemble cast includes Scott Thompson and Bruce McCulloch of the Canadian comedy show Kids in the Hall.

Canadian animator Peter Lepeniotis will direct Zombie Town. Stine’s kid’s book sees a quiet town upended when 12-year-old Mike and his friend, Karen, see a horror movie called Zombie Town and unexpectedly see the title characters leap off the screen and chase them through the theater.

Zombie Town will premiere in U.S. theaters before streaming on Hulu and then ABC Australia in 2023.

“We are delighted to bring the pages of R.L. Stine’s Zombie Town to the screen and equally thrilled to be working with such an exceptional cast and crew on this production. A three-time Nickelodeon Kids Choice Award winner with book sales of over $500 million, R.L. Stine has a phenomenal track record of crafting stories that engage and entertain audiences,” John Gillespie, Trimuse Entertainment founder and executive producer, said in a statement.

Advertisement

Executive producers are Trimuse Entertainment, Toonz Media Group, Lookout Entertainment, Viva Pictures and Sons of Anarchy actor Kim Coates.  

Paco Alvarez and Mark Holdom of Trimuse negotiated the deal to acquire the rights to Stine’s Zombie Town book.

Continue Reading

Trending