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What ‘The Suicide Squad’ and ‘Peacemaker’ Teach About Found Families

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What ‘The Suicide Squad’ and ‘Peacemaker’ Teach About Found Families

There are certain things to expect when you sit down to watch a James Gunn film. There are perfectly placed needle drops. There’s a sense of humor that swings from wildly juvenile to genuinely clever. There’s a CGI and/or animal character that the audience will fall in love with. And you can almost always expect Gunn’s brother Sean Gunn and Michael Rooker to show up in some capacity. All three make an appearance in The Suicide Squad, his latest comic book blockbuster.

But the trope that best defines Gunn’s filmography is that of “found family” – where a group of characters who couldn’t have less in common band together for a common cause, forming a familial bond along the way. This trope has previously appeared in both Guardians of the Galaxy films and will no doubt be part of Gunn’s third and final film with the intergalactic a-holes. The Suicide Squad takes a new approach to this, exploring the fractured or toxic relationships between each member of Task Force X and their families and how the bonds they form with each other help them deal with their respective traumas.

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RELATED: ‘Peacemaker’: Jennifer Holland Explains How Her ‘The Suicide Squad’ Character Became Emilia Harcourt

Consider Idris Elba’s Bloodsport. Robert DuBois was trained from a very young age to be an assassin by his father, and as a result, became a hardened mercenary who has a fractured relationship with his daughter, Tyla (Storm Reid). Their first scene together consists of them screaming obscenities at each other. “I told you that any goodness I had in me was wrung out by my old man,” he growls. However, Amanda Waller (Viola Davis) is able to coerce Bloodsport into joining the Suicide Squad’s mission to Corto Maltese by threatening to send Tyla to Belle Reve, hinting that he’s not the total monster he claims to be.


More of Bloodsport’s hidden depth is revealed during his interactions with Cleo Cazo, aka Ratcatcher 2 (Daniela Melchior). At first, the two don’t get along: Cleo possesses a device that allows her to control rats, which ties into a lifelong phobia that Bloodsport holds. However, the two bond while talking about their fathers. Bloodsport reveals that his father once locked him in a crate full of rats to punish him for a perceived failure, while Cleo’s father, the original Ratcatcher (Taika Waititi) summoned rats to keep her warm at night and steal trinkets for them to live on. Bloodsport even says that Cleo reminds him of his daughter; Cleo, in turn, insists that her pet rat Sebastian senses “good” in the armored mercenary.

Both of them also promise to get each other out of Corto Maltese alive, and they hold true to that promise. Bloodsport has a shootout with Peacemaker (John Cena) when the patriotic-themed villain threatens Cleo’s life, then during Starro’s rampage in Corto Maltese, Bloodsport also stops her from being flattened by a truck. In turn, she summons a fleet of rats that end up chewing Starro from the inside out. Bloodsport also steps up to become the surrogate “father” of the Squad – first by directing them into battle against Starro and then threatening to leak the U.S. government’s connection to Starro in order to get Waller off their backs.

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Another character who’s struggling with family issues is Abner Krill, aka the Polka-Dot Man (David Dastmalchian). Krill’s mother, a scientist obsessed with creating superheroes, eventually infected him with an inter-dimensional virus that takes the form of floating polka-dots that eat through anything in their path. In addition to having to expel the virus twice a day in order to avoid death, Krill literally sees his mother everywhere he goes-even the other members of the Squad look like her. Krill eventually does fulfill the heroic destiny his mother envisioned for him, dealing Starro a critical wound at the cost of his own life.

The Squad comes together as a “family” during two critical moments. The first comes during a mission to abduct the Thinker (Peter Capaldi) in order to gain access to the prison known as Jotunheim; they decide to have a drink and loosen up. What follows is one of the most energetic, heartfelt scenes in a modern-day blockbuster: Ratcatcher 2, Peacemaker and Polka-Dot Man take to the dance floor while Bloodsport and Rick Flagg (Joel Kinnaman) exchange old war stories. Even Sebastian the rat has a drink.

Gunn continues to explore themes of family in The Suicide Squad spinoff series Peacemaker, which picks up after the events of the film. Christopher Smith’s juvenile bravado is revealed to conceal long-held trauma brought on by the death of his brother, and his toxic relationship with his father Auggie (Robert Patrick), who blames him for his brother’s death. Complicating matters, Auggie is also the white supremacist supervillain known as the White Dragon, and by the end of the latest episode, “Murn After Reading”, has resolved to kill his own son.

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Much like the members of the Squad, Smith even finds a surrogate family of sorts in the task force he’s been assigned to work with, which includes CIA agent Emilia Harcourt (Jennifer Holland), tech expert Steve Economos (Steve Agee), Leota Adebayo (Danielle Brooks), and his self-proclaimed “best friend” Adrian Chase/Vigilante (Freddie Stroma). Much like The Suicide Squad, it takes a while for the team to gel together; Harcourt calls Smith “a piece-of-shit murderer” and Smith holds anger toward Economos for framing his father for murder to cover the team’s tracks.

Things turn around in the fifth episode, “Monkey Dory” when the team raids a factory where the alien Butterflies are making their food supply, leading to Economos saving Smith’s life by using a chainsaw to kill a Butterfly-possessed gorilla. The two even connect over the music of Hanoi Rocks – specifically the song “11th Street Kids,” which ends up being the name of a group chat that Harcourt creates for the team.

Smith and Adebayo also forge a bond of sorts, as she can see the trauma that his father has inflicted on him. She even attempts to manipulate Vigilante into killing Auggie while he’s locked in prison. However, Adebayo’s interest turns out to be calculated as Waller – who is also her mother – placed her on the team to set up Smith for a fall after Project: Butterfly ends. It makes for a tragic note, as even Smith’s found family has let him down.


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Review: SAMARITAN, A Sly Stallone Superhero Stumble

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Review: SAMARITAN, A Sly Stallone Superhero Stumble

Hitting the three-quarter-century mark usually means a retirement home, a nursing facility, or if you’re lucky to be blessed with relatively good health and savings to match, living in a gated community in Arizona or Florida.

For Sylvester Stallone, however, it means something else entirely: starring in the first superhero-centered film of his decades-long career in the much-delayed Samaritan. Unfortunately for Stallone and the audience on the other side of the screen, the derivative, turgid, forgettable results won’t get mentioned in a career retrospective, let alone among the ever-expanding list of must-see entries in a genre already well past its peak.

For Stallone, however, it’s better late than never when it involves the superhero genre. Maybe in getting a taste of the MCU (Marvel Cinematic Universe) with his walk-on role in the Guardians of the Galaxy sequel several years ago, Stallone thought anything Marvel can do, I can do even better (or just as good in the nebulous definition of the word).

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The property Stallone and his team found for him, Samaritan, a little-known graphic novel released by a small, almost negligible, publisher, certainly takes advantage of Stallone’s brute-force physicality and his often underrated talent for near-monosyllabic brooding (e.g., the Rambo series), but too often gives him to little do or say as the lone super-powered survivor, the so-called “Samaritan” of the title, of a lifelong rivalry with his brother, “Nemesis.” Two brothers entered a fire-ravaged building and while both were presumed dead, one brother did survive (Stallone’s Joe Smith, a garbageman by day, an appliance repairman by night).

In the Granite City of screenwriter Bragi F. Schut (Escape Room, Season of the Witch), the United States, and presumably the rest of the world, teeters on economic and political collapse, with a recession spiraling into a depression, steady gigs difficult, if not impossible, to obtain, and the city’s neighborhoods rocked by crime and violence. No one’s safe, not even 13-year-old Sam (Javon Walker), Joe’s neighbor.

When he’s not dodging bullies connected to a gang, he’s falling under the undue influence of Cyrus (Pilou Asbæk), a low-rent gang leader with an outsized ego and the conviction that he and only he can take on Nemesis’s mantle and along with that mantle, a hammer “forged in hate,” to orchestrate a Bane-like plan to plunge the city into chaos and become a wealthy power-broker in the process.

Schut’s woefully underwritten script takes a clumsy, haphazard approach to world-building, relying on a two-minute animated sequence to open Samaritan while a naive, worshipful Sam narrates Samaritan and Nemesis’s supposedly tragic, Cain and Abel-inspired backstory. Schut and director Julius Avery (Overlord) clumsily attempt to contrast Sam’s childish belief in messiah-like, superheroic saviors stepping in to save humanity from itself and its own worst excesses, but following that path leads to authoritarianism and fascism (ideas better, more thoroughly explored in Watchmen and The Boys).

While Sam continues to think otherwise, Stallone’s superhero, 25 years past his last, fatal encounter with his presumably deceased brother, obviously believes superheroes are the problem and not the solution (a somewhat reasonable position), but as Samaritan tracks Joe and Sam’s friendship, Sam giving Joe the son he never had, Joe giving Sam the father he lost to street violence well before the film’s opening scene, it gets closer and closer to embracing, if not outright endorsing Sam’s power fantasies, right through a literally and figuratively explosive ending. Might, as always, wins regardless of how righteous or justified the underlying action.

It’s what superhero audiences want, apparently, and what Samaritan uncritically delivers via a woefully under-rendered finale involving not just unconvincing CGI fire effects, but a videogame cut-scene quality Stallone in a late-film flashback sequence that’s meant to be subversively revelatory, but will instead lead to unintentional laughter for anyone who’s managed to sit the entirety of Samaritan’s one-hour and 40-minute running time.

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Samaritan is now streaming worldwide on Prime Video.

Samaritan

Cast
  • Sylvester Stallone
  • Javon ‘Wanna’ Walton
  • Pilou Asbæk

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Matt Shakman Is In Talks To Direct ‘Fantastic Four’

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According to a new report, Wandavision’s Matt Shakman is in talks to direct the upcoming MCU project, Fantastic Four. Marvel Studios has been very hush-hush regarding Fantastic Four to the point where no official announcements have been made other than the film’s release date. No casting news or literally anything other than rumors has been released regarding the project. We know that Fantastic Four is slated for release on November 8th, 2024, and will be a part of Marvel’s Phase 6. There are also rumors that the cast of the new Fantastic Four will be announced at the D23 Expo on September 9th.

Fantastic Four is still over two years from release, and we assume we will hear more news about the project in the coming months. However, the idea of the Fantastic Four has already been introduced into the MCU. John Krasinski played Reed Richards aka Mr. Fantastic in Doctor Strange in the Multiverse of Madness. The cameo was a huge deal for fans who have been waiting a long time for the Fantastic Four to enter the MCU. When Disney acquired Twenty Century Fox in 2019 we assumed that the Fox Marvel characters would eventually make their way into the MCU. It’s been 3 years and we already have had an X-Men and Fantastic Four cameo – even if they were from another universe.

Deadline is reporting that Wandavision’s Matt Shakman is in talks to direct Fantastic Four. Shakman served as the director for Wandavision and has had an extensive career. He directed two episodes of Game of Thrones and an episode of The Boys, and he had a long stint on It’s Always Sunny in Philadelphia. There is nothing official yet, but Deadline’s sources say that Shakman is currently in talks for the job and things are headed in the right direction.

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To be honest, I was a bit more excited when Jon Watts was set to direct. I’m sure Shakman is a good director, but Watts proved he could handle a tentpole superhero film with Spider-Man: Homecoming. Wandavision was good, but Watts’ style would have been perfect for Fantastic Four. The film is probably one of the most anticipated films in Marvel’s upcoming slate films and they need to find the best person they can to direct. Is that Matt Shakman? It could be, but whoever takes the job must realize that Marvel has a lot riding on this movie. The other Fantastic Four films were awful and fans deserve better. Hopefully, Marvel knocks it out of the park as they usually do. You can see for yourself when Fantastic Four hits theaters on November 8th, 2024.

Film Synopsis: One of Marvel’s most iconic families makes it to the big screen: the Fantastic Four.

Source: Deadline

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Dan Aykroyd, Chevy Chase Star in ‘Zombie Town’ Mystery Teen Romancer (Exclusive)

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Dan Aykroyd and Chevy Chase have entered Zombie Town, a mystery teen romancer based on author R.L. Stine’s book of the same name.

The indie, now shooting in Ontario, also stars Henry Czerny and co-teen leads Marlon Kazadi and Madi Monroe. The ensemble cast includes Scott Thompson and Bruce McCulloch of the Canadian comedy show Kids in the Hall.

Canadian animator Peter Lepeniotis will direct Zombie Town. Stine’s kid’s book sees a quiet town upended when 12-year-old Mike and his friend, Karen, see a horror movie called Zombie Town and unexpectedly see the title characters leap off the screen and chase them through the theater.

Zombie Town will premiere in U.S. theaters before streaming on Hulu and then ABC Australia in 2023.

“We are delighted to bring the pages of R.L. Stine’s Zombie Town to the screen and equally thrilled to be working with such an exceptional cast and crew on this production. A three-time Nickelodeon Kids Choice Award winner with book sales of over $500 million, R.L. Stine has a phenomenal track record of crafting stories that engage and entertain audiences,” John Gillespie, Trimuse Entertainment founder and executive producer, said in a statement.

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Executive producers are Trimuse Entertainment, Toonz Media Group, Lookout Entertainment, Viva Pictures and Sons of Anarchy actor Kim Coates.  

Paco Alvarez and Mark Holdom of Trimuse negotiated the deal to acquire the rights to Stine’s Zombie Town book.

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