*This article contains some spoilers for the build-up to Dark Crisis and Dark Crisis #0*
For the remainder of 2022, DC Comics will be dominated by the publisher’s most significant crossover for two years. That’s a big deal in anyone’s book, except the titans of the Justice League, whose books are conspicuously empty. The death of Earth’s mightiest superteam in Justice League #75 is the starting point for Dark Crisis.
DC has become famous for its crises — gigantic, reality-shattering events that deliver massive crossovers and even bigger surprises. Like any good one, Dark Crisis poses an existential threat to the DC multiverse. Only this time, it’s more than a sequel to what came before. Dark Crisis has roots that connect the dots back to 1985’s Crisis on Infinite Earths, as explained in the Free Comic Book Day preview, Dark Crisis #0.
Who doesn’t like a good crisis?
Crisis on Infinite Earths was an inspired and phenomenally ambitious idea. An epic event that wouldn’t just create compelling moments and jaw-dropping cliff-hangers but also reset the DC multiverse. In 1985, DC had amassed about 50 years of continuous storytelling. Huge mythology had built up around iconic characters like Superman, Batman, and Wonder Woman that posed challenges for writers and readers.
The answer was a gigantic event that crossed history, Earths, and titles to provide an end and a new beginning. Writer Marv Wolfman and penciler George Pérez tested the limits of the comic page across 12 packed issues that saw heroes and villains join forces to stop the Anti-Monitor’s destruction of every Earth in the Multiverse on its march toward us.
DC magically turned its continuity problem into a huge opportunity. It played a pivotal role in the rise of the great comic crossover and was a key indicator and symptom of the arrival of the Modern Age of comics. A multiverse of multicolored kryptonite and the Last Son of Krypton’s strangely extended family would be cleared away. The characters we knew would be redrawn and refined for modern sensibilities as some ominous clouds appeared on the horizon with names like Watchmen, The Dark Knight Returns,and Sandman.
DC isn’t alone in crossover events that boost sales and promote titles, but it’s returned to this particular template several times. Each crisis promises to refresh comic lines and introduce new characters. With Dark Crisis, DC has found a way to link them all together.
Fall of the Dark Crisis
Dark Crisis, DC’s largest crossover event since Dark Nights: Death Metal, is pitched as a crisis to end them all. They may have been Infinite and Final before, but Dark Crisis will pan out differently.
As it starts with the fall of the Justice League, Dark Crisis begins more like a typical aftermath story arc. We’ll discover which heroes on Earth-0 will fill in for more familiar faces as they protect the multiverse from the dark forces of the villain Pariah.
Pariah debuted in Crisis on Infinite Earths and has become a staple for multiverse-threatening events, although his villainous turn is new. He was a brilliant scientist from an alternate dimension called Kell Mossa — like the Greek titan Prometheus, a warning about the consequences of too much knowledge. His successful attempts to see the creation of the universe led Crisis on Infinite Earth’s big villain, Anti-Monitor, to destroy his Earth.
The cosmic foes’ opposite, the Monitor, saved Mossa, but with a catch. Renamed Pariah, he was doomed to travel the multiverse, witnessing the destruction of one Earth after another. Over the years, Pariah has left his guilt behind, endured death during Infinite Crisis, resurrection during the non-Crisis Blackest Night arc, and a twisted resurrection during Flashpoint. It led him down a dark path, although Pariah and his army of familiar villains have been revealed to be a mere puppets for a greater evil that’s even closer to previous crises.
The Great Darkness
The Great Darkness is undoubtedly the ultimate evil of the DC Universe. It first appeared in the pages of Swamp Thing Volume 2, in what looked like a speculative power grab during the culmination of Crisis on Infinite Earths. Dark Crisis confirms that this evil force was actually manipulating the Anti-Monitor behind the scenes and hasn’t stopped encouraging crises since.
Can the Great Darkness really be that bad? As the darkness that sprung into existence when the Presence said, “Let there be light,” yes it can. After so many failed attempts to shape the multiverse to its design, Dark Crisis is the Great Darkness’ attempt to deal with the main threat once and for all: superheroes. It’s been a big build-up.
A perpetual state of crisis
You can’t keep a good crisis down — there’s always room for one more, although the definition is strict. Not every DC crossover event or multiversal change is a crisis. Some emotional crises have concentrated on the morals of being a superhero, like Identity Crisis and Heroes in Crisis. The Convergence event that led to DC Rebirth and Doomsday Clock, which installed Watchmen into the DC Universe, are important DC milestones that looked like crises, but they only enhanced the particular crisis they were anchored in.
Confused? Don’t be. Here are seven key crises that have led up to the Dark Crisis and their effects on the DC Multiverse:
Crisis on Infinite Earths (1985)
The original epic, universe-changing event that reset 50 years of DC continuity. A busy, convoluted story where exposition is dotted with jaw-dropping moments, and the Silver Age and Modern Age of Comics collided.
The result was a reminted DC Universe without the Multiverse it had nourished for over two decades. Few characters remembered the old multiverse, as familiar heroes received refreshed origins on New Earth.
Zero Hour: Crisis in Time! (1994)
The event that set the template for heroes to become villains. In the fallout from The Reign of the Supermen, legendary Green Lantern Hal Jordan fell under the influence of the great nemesis of the Guardians of the Universe Parallax. Deranged and all-powerful, the fallen hero set to remake the universe and correct past mistakes.
The result was a new fluid timeline and revised alternate universes. A new scale kept DC history relevant to current events. The Legion of Superheroes was rebooted, and many characters received updated origins during the Zero Month that followed.
Infinite Crisis (2005)
After two decades and a soft reset, DC continuity had built up again. In-between crises, Superman had died, and Batman had been broken. In this sequel to the original crisis, creators Geoff Johns and Phil Jimenez turned the heroes of the initial crisis against reality as they set about remaking the multiverse to find the perfect Earth. At the center was another clash between the idyllic Golden and Silver Ages and the harsher Modern Age.
The result was an unstable new multiverse and the One Year Later time jump, filled in by the weekly series 52 as continuity was reshaped and a Countdown started to …
Final Crisis (2008)
Very much predicted by early reference to Infinite Crisis as the middle crisis, Final Crisis was masterminded by multiversal visionary Grant Morrison. Darkseid took a central role in this crisis as the New Gods fell and the God of Evil attempted to control reality.
The result was the end of the Monitors as New Earth’s place in the multiverse was reset.
Geoff Johns’ second crisis proved fundamental to Flash adaptations on the small and big screen. Barry Allen’s misadventure in the Speedforce and the history it distorts has become a catchword for alternate realities and time tampering in the DC multiverse.
The result was a radically and strictly drawn multiverse of 52 Earths and a continuity redefined through the launch of DC’s New 52.
Dark Nights: Metal (2017)
A fresh and metallic reset after the rapid Crisis as Scott Snyder and Greg Capullo masterminded the Batman Who Laughs assault on the Multiverse. This darkest of Batmen, a Bruce Wayne from the Dark Multiverse who succumbed to a vicious form of Joker toxin, brought other Dark Knights to consume the Multiverse on behalf of the bat god Barbatos.
The result was a tear in the protective Source Wall that had kept the multiverse safe from whatever darkness lay beyond.
Dark Nights: Death Metal (2020)
Snyder and Capullo returned to crossover epics after a brilliant stint on Justice League to complete the story. When an infected Earth falls to darkness and the Batman Who Laughs, the stage is set for the oddest crisis yet.
The result is New Earth removed from the center of the Multiverse and the hint of a mysterious balancing Elseworld that would herald the Infinite Frontier era.
With those crises out the way, you’re set for the Dark Crisis event that runs from May to December 2022. The question is whether the DC Multiverse is just as prepared.
Crunchyroll Movie! Here are options for downloading or watching One Piece Film: Red streaming the full movie online for free on 123movies & Reddit, including where to watch the anticipated Crunchyroll Movies at home. Is One Piece Film: Red available to stream? Is watching One Piece Film: Red on Disney Plus, HBO Max, Netflix, or Amazon Prime? Yes, we have found a faithful streaming option/service.
Watch Now – One Piece Film: Red Streaming Free
“One Piece Film: Red” is the fifteenth film connected to the massively popular Shonen franchise One Piece. Now that Dragon Ball Super: Super Hero is already out in Japan, anime fans are now gearing up to see whether Luffy’s new flick can match up with Dragon Ball.
A second trailer for One Piece Film Red has just been unveiled on One Piece Day. On Friday, a world premiere screening was held at Nippon Budokan, with director Goro Taniguchi and voice actors attending. The second trailer has English, French, Chinese and Russian subtitles.
The film takes place on the “Island of Music” Elegia and will center on a new character named Uta, who is known to be the world’s greatest singer and is the daughter of Shanks. Both trailers allude to Uta’s familial relationship with Shanks, with the second trailer revealing more scenes from the upcoming film. The trailer gives us a better idea on the friendship developed between Luffy and Uta. In addition, it gives us a glimpse of the performance from Uta at the music festival. The trailer also teases footage of Uta being taken away and the Straw Hat Pirates fighting to get her back.
The project will be supervised by One Piece creator Eiichiro Oda himself and directed by Goro Taniguchi who was the first person to animate the series’ main protagonist Luffy. One Piece Film: Red will premiere in Japanese theaters on August 6 before premiering in theatres this Fall worldwide.
One Piece Film: Red Release Date
The film will be released in Japanese theatres on August 6, 2022. Moreover, the film will be released globally in the fall of 2022 after the August release by Crunchyroll.
How to Watch One Piece Film: Red for Free?
As mentioned above, the dark fantasy is only released theatrically as of now. So, people who wish to watch the movie free of cost will have to wait for its release on a platform that offers a free trial. However, we encourage our readers to always pay for the content they wish to consume online and refrain from using illegal means.
Where to Watch One Piece Film: Red
There are currently no platforms that have the rights to Watch One Piece Film: Red Movie Online. MAPPA has decided to air the movie only in theaters because it has been a huge success. The studio, on the other hand, does not wish to divert revenue. Streaming the movie would only slash the profits, not increase them.
Watch Now – One Piece Film: Red Streaming Free
As a result, no streaming services are authorized to offer One Piece Film: Red Movie for free. The film would, however, very definitely be acquired by services like Funimation, Netflix, and Crunchyroll. As a last consideration, which of these outlets will likely distribute the film worldwide?
Is One Piece Film: Red on Netflix?
The streaming giant has a massive catalog of television shows and movies, but it does not include ‘One Piece Film: Red.’ We recommend our readers watch other dark fantasy films like ‘The Witcher: Nightmare of the Wolf.’
Is One Piece Film: Red on Crunchyroll?
Crunchyroll, along with Funimation, has acquired the rights to the film and will be responsible for its distribution in North America. Therefore, we recommend our readers to look for the movie on the streamer in the coming months. In the meantime, subscribers can also watch dark fantasy shows like ‘One Piece Film: Red.‘
Is One Piece Film: Red on Hulu?
No, ‘One Piece Film: Red’ is unavailable on Hulu. People who have a subscription to the platform can enjoy ‘Afro Samurai Resurrection‘ or ‘Ninja Scroll.’
Is One Piece Film: Red on Amazon Prime?
Amazon Prime’s current catalog does not include ‘One Piece Film: Red.’ However, the film may eventually release on the platform as video-on-demand in the coming months. Therefore, people must regularly look for the dark fantasy movie on Amazon Prime’s official website. Viewers who are looking for something similar can watch the original show ‘Dororo.’
Is One Piece Film: Red on Funimation?
Since Funimation has rights to the film like Crunchyroll, its official website may include the movie in its catalog in the near future. Meanwhile, people who wish to watch something similar can stream ‘Demon Slayer: Kimetsu no Yaiba – The Movie: Mugen Train.’
One Piece Film: Red Online In The U.S?
Most Viewed, Most Favorite, Top Rating, Top IMDb movies online. Here we can download and watch 123movies movies offline. 123Movies website is the best alternative to One Piece Film: Red (2022) free online. We will recommend 123Movies is the best Solarmovie alternatives.
There are a few ways to watch One Piece Film: Red online in the U.S. You can use a streaming service such as Netflix, Hulu, or Amazon Prime Video. You can also rent or buy the movie on iTunes or Google Play. You can also watch it on-demand or on a streaming app available on your TV or streaming device if you have cable.
What is One Piece Film: Red About?
Premise. Uta —the most beloved singer in the world. Renowned for concealing her own identity when performing, her voice has come to be described as “otherworldly.” Now, for the first time ever, Uta will reveal herself to the world at a live concert.
It began when the first teaser trailer appeared for Prey, which highlighted the terrifying technological imbalance between Naru and her brother Taabe (Dakota Beavers) and the Predator (Dane DiLiegro). In the original teaser, we see the pair hiding in tall grass while the latter draws a bowstring and arrow from his shoulder… and the Predator’s infamous three-pronged light that signifies death appears on Taabe’s head. By design, you are meant to experience a realization of dread by the contrast. However, many online influencers reacted with scorn at the very idea of a Predator movie focusing on Native American warriors taking on a pop culture icon from the Reagan Years… particularly since the main character among those warriors is a woman.
Based purely on the trailer, YouTubers were already reviewing Prey months ago with headlines like “How to Spoil a Good Idea,” and then lamenting that the fanbase “just wants a decent Predator movie instead of a fucking intersectional struggle session.” The same video, which we’re purposefully not linking to here, also snarks that unlike the muscular Arnold Schwarzenegger, Midthunder “has the size and build of a small child” and her facing off against the Predator will be “fucking ludicrous.”
Since the movie’s actual release, such criticism hasn’t gone away on social media apps like Twitter where memes have gone viral depicting images of the cast of Predator (1987) juxtaposed against Midthunder and text that reads, “A team of highly skilled badasses with years of experience had almost no chance versus a Predator. A girl with almost no experience beats a Predator alone.”
It is of course impossible to separate the misogyny and racist undertones of these “critiques” from any point they’re trying to make. A predisposed need to dismiss any film, particularly in genre and fanboy fare, as “ludicrous” or undeserving when it stars a woman is as common as mindless uses of the term “Mary Sue.” Writing off Prey because it stars a Comanche woman (who is played by a woman of Lakota, Nakoda, and Dakota heritage) as the ultimate survivor, as opposed to a 6’2” Austrian male bodybuilder, is the point.
Nonetheless, it’s still worth noting that such impotent attempts at fandom gatekeeping also fall limp because they reveal a complete and total misunderstanding of what director John McTiernan and screenwriters Jim and John Thomas were going for in the original 1987 picture. Yes, Predator had the most hyper-masculine cast in a decade where action movies were defined by big guns and bigger biceps—and the movie was mocking that image.
Generally recognized as one of the greatest action filmmakers of the last 40 years, McTiernan is still celebrated today for making one of the classic Schwarzenegger action movies in Predator, as well as more groundbreaking thrillers afterward like Die Hard (1988) and The Hunt for Red October (1990). But what do those latter two movies have in common? They’re intentional departures from the brawny, exaggerated masculinity of the previously most popular actioners of the 1980s. Even McTiernan’s other collaboration with Schwarzenegger, 1993’s Last Action Hero, is notable because it was such a satire and deconstruction of the star’s onscreen persona in the ‘80s.