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Top 10 Romantic Movie Couples to Make You Believe In Love Again This Valentine’s Day

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Top 10 Romantic Movie Couples to Make You Believe In Love Again This Valentine’s Day

It’s easy to be disillusioned by the corny rom-coms that seem to be more and more popular in recent years, but there are still plenty of 2000s films that put a realistic, inspiring love story at the forefront. Whether you’re single, dating, or it’s complicated, here are 10 romantic movie couples to make you believe in love again.

Mary and Tim from About Time

In the beginning of About Time, Tim (Domhnall Gleeson) experiences repeated romantic blunders, until his father (Bill Nighy) tells him that the men in their family can travel through time, and he uses this gift to mend his awkward mistakes. It’s not until he moves to London from the rural British seaside that he meets Mary (Rachel McAdams), a bright-eyed American with a “perfect” fringe, who Tim falls head over heels for. When Tim messes with time and erases his first date with Mary, he spends all day at a Kate Moss exhibit hoping he will run into her. From there, the couple’s love blossoms into a beautiful marriage, as we see them buy their first house, have their first baby, and experience loss together. Mary and Tim’s humorous yet steadfast love story is sure to warm your February-chilled heart.

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Ally and Jackson from A Star Is Born

Though A Star Is Born is ultimately a tragic love story, the moments between Ally (Lady Gaga) and Jackson (Bradley Cooper) as they fall for each other and create music together are undeniably captivating. Songs like “Always Remember Us This Way” and “I Don’t Know What Love Is” will move you to your core, and even when the couple have their disagreements, you will root for them. Ally’s unwavering love for Jackson as he battles addiction, and the way his eyes light up when she performs, demonstrate a fervent devotion not seen in the kitschy rom-coms blazing their way through streaming services. If you’re looking for a heartbreak that’ll require tissues, A Star Is Born will surely deliver.

RELATED: 10 Best Historical Romance Films to Watch This Valentine’s Day

Tish and Fonny from If Beale Street Could Talk

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Based on the novel by James Baldwin, If Beale Street Could Talk centers around Tish (Kiki Layne) and Fonny (Stephan James): two lovers who have been best friends since childhood. Tish carries Fonny’s child while Fonny sits in jail for a crime he didn’t commit, and Tish’s family tries to get him out. But Tish and Fonny’s love for each other exceeds the bounds of the system that tries to keep them down, and that’s clear from the very first scene of the movie. With the help of poetic dialogue and a beautiful score by Nicholas Britell, If Beale Street Could Talk is a poignant reflection on the black experience in America, and how that affects two people who just want to love each other freely.

Elizabeth and Mr. Darcy from Pride & Prejudice (2005)

The love story between Elizabeth (Keira Knightley) and Mr. Darcy (Matthew Macfadyen) is a century-spanning, time-enduring classic, but that doesn’t make the 2005 adaptation any less affecting. Knightley’s Elizabeth is just as stubborn and independent-thinking as her literary counterpart, and Macfadyen’s Mr. Darcy is mysterious and foreboding in all the right ways. What makes their story so enthralling is the defying of their time’s expectations: a “disobedient” woman from a poor family wins the affections of one of the richest, most desired bachelors around through her sheer wit and fearlessness. Set amidst the breathtaking landscapes of the English countryside, this period piece will have you swooning in no time.

Héloise and Marianne from Portrait of a Lady on Fire

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Portrait of a Lady on Fire is a story of forbidden love and adoration. Marianne is a painter in 1700s France who is hired to paint the wedding portrait of Héloise, a reluctant bride-to-be who has repeatedly refused to pose for the painting. Héloise thinks that Marianne is there to be her companion, and Marianne must observe her throughout the day to paint her at night. Eventually, though, the two develop a fondness that goes beyond friendship. With beautiful cinematography and artful expressions of the women’s passionate connection, Portrait of a Lady on Fire will force you to ponder Héloise’s question to Marianne: “Do all lovers feel as though they’re inventing something?”

Mildred and Richard from Loving

Loving, based on the true story behind the 1967 U.S. Supreme Court decision Loving v Virginia, celebrates being able to love who you want to. When the state of Virginia forces Mildred (Ruth Negga) and Richard (Joel Edgerton) Loving to leave their home for being an interracial married couple, their world is turned upside down. The couple must stay in D.C., where they raise their three young children, until an ACLU lawyer (Nick Kroll) shows up willing to take their case to the supreme court. Loving illustrates a quiet kind of love: one that is displayed through acts of service and a need to protect one another. Despite their fears, Mildred and Richard end up winning their court case, and are able to live out the rest of their time together in the Virginia home that Richard built.

Ellis and Tony from Brooklyn

Ultimately a coming-of-age story for Ellis (Saoirse Ronan), a young Irish woman who moves to New York City, Brooklyn depicts young love in its purest form. Ellis meets Tony (Emory Cohen) at a dance, and from there —set against the poetic backdrop of New York in the ’50s — Tony shows Ellis parts of herself that she didn’t seem to know existed. As she struggles with the choice between Tony and those waiting for her in Ireland, Ellis learns the importance of trusting the new life she’s created for herself. With sincere performances from both Ronan and Cohen, the giddiness of Ellis and Tony’s first love bliss marks Brooklyn a must-watch before Valentine’s Day.

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Juliet and Dawsey from The Guernsey Literary and Potato Peel Pie Society

Set in 1946, The Guernsey Literary and Potato Peel Pie Society (a film which deserves far more attention than it’s gotten), focuses on Juliet (Lily James), a young writer from London who is blown away by the bravery and comradery of a group of friends from the island of Guernsey, which was German-occupied during WWII. A charming pig farmer and member of the society, Dawsey (Michiel Huisman), begins a letter correspondence with Juliet detailing the events that they experienced under German rule, enticing her to visit the island. Despite her engagement to a wealthy, fun-loving American, Juliet can’t help but fall in love with the members of the society — especially Dawsey. If the stories from the society’s lovable misfits don’t make you weak in the knees, the palpable chemistry between James and Huisman will.

Kumail and Emily from The Big Sick

Based on the true story of Kumail Nanjiani and his wife, Emily V. Gordon, The Big Sick combines humor and honesty to recount the health scare that brought the couple together. When Kumail and Emily (Zoe Kazan) have a falling out after only a few months of dating, it seems like things are done for good. But when Emily is put in a coma due to an illness, Kumail spends almost the entire time by her — and her parents’ — side. While Emily is unconscious, Kumail comes to realize that she means more to him than he thought. Despite Kumail’s family’s objections to an unarranged relationship with a non-Pakistani woman, the two make amends after Emily’s recovery. The Big Sick details a modern-day romance, with realistic obstacles and expectations, and a willingness to make things work even when family and dreams get in the way.

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Johnny and Ghoerghe from God’s Own Country

Johnny (Josh O’Connor), a despondent Yorkshire farmer living with his father and grandmother, drinks his troubles away and avoids meaningful connection until Romanian migrant Ghoerghe comes to work on his father’s farm. Johnny’s perspective on life changes and his fears of intimacy are overcome as the two spend time together in the vast Yorkshire countryside. A deeper, more refreshing take on gay love than Brokeback Mountain, God’s Own Country suggests that love between two men is just as natural as the nature and animals Johnny and Ghoerghe are surrounded by. Ghoerghe brings happiness into Johnny’s life, which ultimately makes him a better person, and makes for a love story that’ll certainly reignite the spark in your belly urging you to give love — and romantic movies — another shot.


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Review: SAMARITAN, A Sly Stallone Superhero Stumble

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Review: SAMARITAN, A Sly Stallone Superhero Stumble

Hitting the three-quarter-century mark usually means a retirement home, a nursing facility, or if you’re lucky to be blessed with relatively good health and savings to match, living in a gated community in Arizona or Florida.

For Sylvester Stallone, however, it means something else entirely: starring in the first superhero-centered film of his decades-long career in the much-delayed Samaritan. Unfortunately for Stallone and the audience on the other side of the screen, the derivative, turgid, forgettable results won’t get mentioned in a career retrospective, let alone among the ever-expanding list of must-see entries in a genre already well past its peak.

For Stallone, however, it’s better late than never when it involves the superhero genre. Maybe in getting a taste of the MCU (Marvel Cinematic Universe) with his walk-on role in the Guardians of the Galaxy sequel several years ago, Stallone thought anything Marvel can do, I can do even better (or just as good in the nebulous definition of the word).

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The property Stallone and his team found for him, Samaritan, a little-known graphic novel released by a small, almost negligible, publisher, certainly takes advantage of Stallone’s brute-force physicality and his often underrated talent for near-monosyllabic brooding (e.g., the Rambo series), but too often gives him to little do or say as the lone super-powered survivor, the so-called “Samaritan” of the title, of a lifelong rivalry with his brother, “Nemesis.” Two brothers entered a fire-ravaged building and while both were presumed dead, one brother did survive (Stallone’s Joe Smith, a garbageman by day, an appliance repairman by night).

In the Granite City of screenwriter Bragi F. Schut (Escape Room, Season of the Witch), the United States, and presumably the rest of the world, teeters on economic and political collapse, with a recession spiraling into a depression, steady gigs difficult, if not impossible, to obtain, and the city’s neighborhoods rocked by crime and violence. No one’s safe, not even 13-year-old Sam (Javon Walker), Joe’s neighbor.

When he’s not dodging bullies connected to a gang, he’s falling under the undue influence of Cyrus (Pilou Asbæk), a low-rent gang leader with an outsized ego and the conviction that he and only he can take on Nemesis’s mantle and along with that mantle, a hammer “forged in hate,” to orchestrate a Bane-like plan to plunge the city into chaos and become a wealthy power-broker in the process.

Schut’s woefully underwritten script takes a clumsy, haphazard approach to world-building, relying on a two-minute animated sequence to open Samaritan while a naive, worshipful Sam narrates Samaritan and Nemesis’s supposedly tragic, Cain and Abel-inspired backstory. Schut and director Julius Avery (Overlord) clumsily attempt to contrast Sam’s childish belief in messiah-like, superheroic saviors stepping in to save humanity from itself and its own worst excesses, but following that path leads to authoritarianism and fascism (ideas better, more thoroughly explored in Watchmen and The Boys).

While Sam continues to think otherwise, Stallone’s superhero, 25 years past his last, fatal encounter with his presumably deceased brother, obviously believes superheroes are the problem and not the solution (a somewhat reasonable position), but as Samaritan tracks Joe and Sam’s friendship, Sam giving Joe the son he never had, Joe giving Sam the father he lost to street violence well before the film’s opening scene, it gets closer and closer to embracing, if not outright endorsing Sam’s power fantasies, right through a literally and figuratively explosive ending. Might, as always, wins regardless of how righteous or justified the underlying action.

It’s what superhero audiences want, apparently, and what Samaritan uncritically delivers via a woefully under-rendered finale involving not just unconvincing CGI fire effects, but a videogame cut-scene quality Stallone in a late-film flashback sequence that’s meant to be subversively revelatory, but will instead lead to unintentional laughter for anyone who’s managed to sit the entirety of Samaritan’s one-hour and 40-minute running time.

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Samaritan is now streaming worldwide on Prime Video.

Samaritan

Cast
  • Sylvester Stallone
  • Javon ‘Wanna’ Walton
  • Pilou Asbæk

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Matt Shakman Is In Talks To Direct ‘Fantastic Four’

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According to a new report, Wandavision’s Matt Shakman is in talks to direct the upcoming MCU project, Fantastic Four. Marvel Studios has been very hush-hush regarding Fantastic Four to the point where no official announcements have been made other than the film’s release date. No casting news or literally anything other than rumors has been released regarding the project. We know that Fantastic Four is slated for release on November 8th, 2024, and will be a part of Marvel’s Phase 6. There are also rumors that the cast of the new Fantastic Four will be announced at the D23 Expo on September 9th.

Fantastic Four is still over two years from release, and we assume we will hear more news about the project in the coming months. However, the idea of the Fantastic Four has already been introduced into the MCU. John Krasinski played Reed Richards aka Mr. Fantastic in Doctor Strange in the Multiverse of Madness. The cameo was a huge deal for fans who have been waiting a long time for the Fantastic Four to enter the MCU. When Disney acquired Twenty Century Fox in 2019 we assumed that the Fox Marvel characters would eventually make their way into the MCU. It’s been 3 years and we already have had an X-Men and Fantastic Four cameo – even if they were from another universe.

Deadline is reporting that Wandavision’s Matt Shakman is in talks to direct Fantastic Four. Shakman served as the director for Wandavision and has had an extensive career. He directed two episodes of Game of Thrones and an episode of The Boys, and he had a long stint on It’s Always Sunny in Philadelphia. There is nothing official yet, but Deadline’s sources say that Shakman is currently in talks for the job and things are headed in the right direction.

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To be honest, I was a bit more excited when Jon Watts was set to direct. I’m sure Shakman is a good director, but Watts proved he could handle a tentpole superhero film with Spider-Man: Homecoming. Wandavision was good, but Watts’ style would have been perfect for Fantastic Four. The film is probably one of the most anticipated films in Marvel’s upcoming slate films and they need to find the best person they can to direct. Is that Matt Shakman? It could be, but whoever takes the job must realize that Marvel has a lot riding on this movie. The other Fantastic Four films were awful and fans deserve better. Hopefully, Marvel knocks it out of the park as they usually do. You can see for yourself when Fantastic Four hits theaters on November 8th, 2024.

Film Synopsis: One of Marvel’s most iconic families makes it to the big screen: the Fantastic Four.

Source: Deadline

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Dan Aykroyd, Chevy Chase Star in ‘Zombie Town’ Mystery Teen Romancer (Exclusive)

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Dan Aykroyd and Chevy Chase have entered Zombie Town, a mystery teen romancer based on author R.L. Stine’s book of the same name.

The indie, now shooting in Ontario, also stars Henry Czerny and co-teen leads Marlon Kazadi and Madi Monroe. The ensemble cast includes Scott Thompson and Bruce McCulloch of the Canadian comedy show Kids in the Hall.

Canadian animator Peter Lepeniotis will direct Zombie Town. Stine’s kid’s book sees a quiet town upended when 12-year-old Mike and his friend, Karen, see a horror movie called Zombie Town and unexpectedly see the title characters leap off the screen and chase them through the theater.

Zombie Town will premiere in U.S. theaters before streaming on Hulu and then ABC Australia in 2023.

“We are delighted to bring the pages of R.L. Stine’s Zombie Town to the screen and equally thrilled to be working with such an exceptional cast and crew on this production. A three-time Nickelodeon Kids Choice Award winner with book sales of over $500 million, R.L. Stine has a phenomenal track record of crafting stories that engage and entertain audiences,” John Gillespie, Trimuse Entertainment founder and executive producer, said in a statement.

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Executive producers are Trimuse Entertainment, Toonz Media Group, Lookout Entertainment, Viva Pictures and Sons of Anarchy actor Kim Coates.  

Paco Alvarez and Mark Holdom of Trimuse negotiated the deal to acquire the rights to Stine’s Zombie Town book.

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