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The Secret Meanings Of Thor’s Loki Tattoos

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The Secret Meanings Of Thor’s Loki Tattoos

A Thor: Love and Thunder scene reveals Thor’s tattoo-covered back (and a lot more). His three prominent Loki tattoos may hold a secret meaning.

Warning: Contains SPOILERS for Thor: Love & Thunder.

In Thor: Love and Thunder, a glimpse of Thor’s back reveals a collection of tattoos, some of which are dedicated to Loki and hold two secret meanings. Taika Waititi’s Love and Thunder brings back Thor, Valkyrie, Korg, and Jane Foster as Mighty Thor. The team squares off against villain Gorr the God Butcher to stop him from reaching the entity known as Eternity and gaining the power to eliminate all gods.

In an effort to take down Gorr, Thor and his allies travel to Omnipotence City to recruit other gods to fight alongside them. They enter the city in disguise, but Russell Crowe’s Zeus demands Thor remove his disguise after he is found out. After being refused, Zeus “flicks” Thor’s disguise off by force, accidentally taking his clothes off in the process and revealing Thor’s tattoo-covered back. As Thor’s back was bare when it was last seen in Avengers: Endgame, it’s clear that the tattoos are both relatively new and meaningful.

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Related: Why Mjolnir Chose Jane As The New Thor

Thor’s most eye-catching tattoos are of Loki’s Helmet and the phrases “RIP Loki” and “brothers.” The secret meaning of Thor’s new ink seems to point in two directions. First, Thor is paying tribute to his late brother, the last living member of his immediate family after their parents died. Second, the tattoos serve to make Loki’s presence felt in Thor: Love and Thunder, despite the God of Mischief not returning in the flesh. There is, of course, the potential for Thor to someday reunite with Loki, as Loki’s alternate timeline version is alive in the MCU. While the two often fought, they cared deeply about one another. After Loki died and returned multiple times (as mentioned in Korg’s monologue at the beginning of the movie), Loki perished for good at the hands of Thanos in Avengers: Infinity War, right before Thor’s eyes. His death deeply impacted Thor, and it’s fitting that he got tattoos to honor his brother.


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What Thor’s Other Back Tattoos In Love & Thunder Mean

Thor also has a scroll tattoo on his back dedicated to lost loved ones, which honors his parents with “Mother” and “Father” written on it; Frigga and Odin died in Thor: The Dark World and Thor: Ragnarok, respectively. The scroll also has four other names on it: Heimdall, Loki, Tony, and Natasha. Like Loki, Heimdall faced an untimely death in Avengers: Infinity War. Furthermore, two of Thor’s allies from the original six Avengers, Iron Man and Black Widow, ultimately sacrificed themselves in Endgame to help defeat Thanos and bring back those he snapped away in Infinity War. Thor’s tattoos represent the devastating losses he has suffered, a sentiment only strengthened by his broken heart tattoo, which may also be a nod to Jane Foster, the ex-girlfriend he hasn’t gotten over. Though the two reunite in Thor: Love and Thunder, Jane unfortunately dies, also sacrificing herself to destroy Gorr’s Necrosword with Mjölnir.


While Thor may be adding a Jane tribute to his tattoos after Love and Thunder, it isn’t all bad news for him. Heimdall lives on through his son Axl, who fought alongside Thor in the battle against Gorr. Thor also adopted Gorr’s powerful daughter, Love, after the dying Gorr asked that Eternity restore the life of his daughter. The movie’s second post-credit scene also reveals Jane and Heimdall together in Valhalla, signaling they could still appear in future MCU projects in some capacity. The God of Thunder’s tattoos in Thor: Love and Thunder allow him to carry his loved ones with him everywhere he goes. Luckily, he may get the chance to reunite with some of them in the future.


Next: All 11 Marvel Movies Releasing After Thor: Love & Thunder (& When)

Want more Thor: Love & Thunder articles? Check out our essential content below…

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Review: SAMARITAN, A Sly Stallone Superhero Stumble

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Review: SAMARITAN, A Sly Stallone Superhero Stumble

Hitting the three-quarter-century mark usually means a retirement home, a nursing facility, or if you’re lucky to be blessed with relatively good health and savings to match, living in a gated community in Arizona or Florida.

For Sylvester Stallone, however, it means something else entirely: starring in the first superhero-centered film of his decades-long career in the much-delayed Samaritan. Unfortunately for Stallone and the audience on the other side of the screen, the derivative, turgid, forgettable results won’t get mentioned in a career retrospective, let alone among the ever-expanding list of must-see entries in a genre already well past its peak.

For Stallone, however, it’s better late than never when it involves the superhero genre. Maybe in getting a taste of the MCU (Marvel Cinematic Universe) with his walk-on role in the Guardians of the Galaxy sequel several years ago, Stallone thought anything Marvel can do, I can do even better (or just as good in the nebulous definition of the word).

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The property Stallone and his team found for him, Samaritan, a little-known graphic novel released by a small, almost negligible, publisher, certainly takes advantage of Stallone’s brute-force physicality and his often underrated talent for near-monosyllabic brooding (e.g., the Rambo series), but too often gives him to little do or say as the lone super-powered survivor, the so-called “Samaritan” of the title, of a lifelong rivalry with his brother, “Nemesis.” Two brothers entered a fire-ravaged building and while both were presumed dead, one brother did survive (Stallone’s Joe Smith, a garbageman by day, an appliance repairman by night).

In the Granite City of screenwriter Bragi F. Schut (Escape Room, Season of the Witch), the United States, and presumably the rest of the world, teeters on economic and political collapse, with a recession spiraling into a depression, steady gigs difficult, if not impossible, to obtain, and the city’s neighborhoods rocked by crime and violence. No one’s safe, not even 13-year-old Sam (Javon Walker), Joe’s neighbor.

When he’s not dodging bullies connected to a gang, he’s falling under the undue influence of Cyrus (Pilou Asbæk), a low-rent gang leader with an outsized ego and the conviction that he and only he can take on Nemesis’s mantle and along with that mantle, a hammer “forged in hate,” to orchestrate a Bane-like plan to plunge the city into chaos and become a wealthy power-broker in the process.

Schut’s woefully underwritten script takes a clumsy, haphazard approach to world-building, relying on a two-minute animated sequence to open Samaritan while a naive, worshipful Sam narrates Samaritan and Nemesis’s supposedly tragic, Cain and Abel-inspired backstory. Schut and director Julius Avery (Overlord) clumsily attempt to contrast Sam’s childish belief in messiah-like, superheroic saviors stepping in to save humanity from itself and its own worst excesses, but following that path leads to authoritarianism and fascism (ideas better, more thoroughly explored in Watchmen and The Boys).

While Sam continues to think otherwise, Stallone’s superhero, 25 years past his last, fatal encounter with his presumably deceased brother, obviously believes superheroes are the problem and not the solution (a somewhat reasonable position), but as Samaritan tracks Joe and Sam’s friendship, Sam giving Joe the son he never had, Joe giving Sam the father he lost to street violence well before the film’s opening scene, it gets closer and closer to embracing, if not outright endorsing Sam’s power fantasies, right through a literally and figuratively explosive ending. Might, as always, wins regardless of how righteous or justified the underlying action.

It’s what superhero audiences want, apparently, and what Samaritan uncritically delivers via a woefully under-rendered finale involving not just unconvincing CGI fire effects, but a videogame cut-scene quality Stallone in a late-film flashback sequence that’s meant to be subversively revelatory, but will instead lead to unintentional laughter for anyone who’s managed to sit the entirety of Samaritan’s one-hour and 40-minute running time.

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Samaritan is now streaming worldwide on Prime Video.

Samaritan

Cast
  • Sylvester Stallone
  • Javon ‘Wanna’ Walton
  • Pilou Asbæk

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Matt Shakman Is In Talks To Direct ‘Fantastic Four’

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According to a new report, Wandavision’s Matt Shakman is in talks to direct the upcoming MCU project, Fantastic Four. Marvel Studios has been very hush-hush regarding Fantastic Four to the point where no official announcements have been made other than the film’s release date. No casting news or literally anything other than rumors has been released regarding the project. We know that Fantastic Four is slated for release on November 8th, 2024, and will be a part of Marvel’s Phase 6. There are also rumors that the cast of the new Fantastic Four will be announced at the D23 Expo on September 9th.

Fantastic Four is still over two years from release, and we assume we will hear more news about the project in the coming months. However, the idea of the Fantastic Four has already been introduced into the MCU. John Krasinski played Reed Richards aka Mr. Fantastic in Doctor Strange in the Multiverse of Madness. The cameo was a huge deal for fans who have been waiting a long time for the Fantastic Four to enter the MCU. When Disney acquired Twenty Century Fox in 2019 we assumed that the Fox Marvel characters would eventually make their way into the MCU. It’s been 3 years and we already have had an X-Men and Fantastic Four cameo – even if they were from another universe.

Deadline is reporting that Wandavision’s Matt Shakman is in talks to direct Fantastic Four. Shakman served as the director for Wandavision and has had an extensive career. He directed two episodes of Game of Thrones and an episode of The Boys, and he had a long stint on It’s Always Sunny in Philadelphia. There is nothing official yet, but Deadline’s sources say that Shakman is currently in talks for the job and things are headed in the right direction.

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To be honest, I was a bit more excited when Jon Watts was set to direct. I’m sure Shakman is a good director, but Watts proved he could handle a tentpole superhero film with Spider-Man: Homecoming. Wandavision was good, but Watts’ style would have been perfect for Fantastic Four. The film is probably one of the most anticipated films in Marvel’s upcoming slate films and they need to find the best person they can to direct. Is that Matt Shakman? It could be, but whoever takes the job must realize that Marvel has a lot riding on this movie. The other Fantastic Four films were awful and fans deserve better. Hopefully, Marvel knocks it out of the park as they usually do. You can see for yourself when Fantastic Four hits theaters on November 8th, 2024.

Film Synopsis: One of Marvel’s most iconic families makes it to the big screen: the Fantastic Four.

Source: Deadline

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Dan Aykroyd, Chevy Chase Star in ‘Zombie Town’ Mystery Teen Romancer (Exclusive)

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Dan Aykroyd and Chevy Chase have entered Zombie Town, a mystery teen romancer based on author R.L. Stine’s book of the same name.

The indie, now shooting in Ontario, also stars Henry Czerny and co-teen leads Marlon Kazadi and Madi Monroe. The ensemble cast includes Scott Thompson and Bruce McCulloch of the Canadian comedy show Kids in the Hall.

Canadian animator Peter Lepeniotis will direct Zombie Town. Stine’s kid’s book sees a quiet town upended when 12-year-old Mike and his friend, Karen, see a horror movie called Zombie Town and unexpectedly see the title characters leap off the screen and chase them through the theater.

Zombie Town will premiere in U.S. theaters before streaming on Hulu and then ABC Australia in 2023.

“We are delighted to bring the pages of R.L. Stine’s Zombie Town to the screen and equally thrilled to be working with such an exceptional cast and crew on this production. A three-time Nickelodeon Kids Choice Award winner with book sales of over $500 million, R.L. Stine has a phenomenal track record of crafting stories that engage and entertain audiences,” John Gillespie, Trimuse Entertainment founder and executive producer, said in a statement.

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Executive producers are Trimuse Entertainment, Toonz Media Group, Lookout Entertainment, Viva Pictures and Sons of Anarchy actor Kim Coates.  

Paco Alvarez and Mark Holdom of Trimuse negotiated the deal to acquire the rights to Stine’s Zombie Town book.

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