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‘Succession’ Characters Ranked by Intelligence

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‘Succession’ Characters Ranked by Intelligence

Unchecked egos and tenuous alliances dominate the corporate landscape of HBO’s Succession. Series creator Jesse Armstrong crafts a saga with characters as big and bold as its ambitions, thus cementing its place among the greatest television series of all time. The leaders of the fictional media conglomerate Waystar Royco will forever be burned into our brains.

Succession filters its characters through a dizzying prism of excess, avarice, and self-interest, transforming plausibly awful people into caricatures worthy of our fascination and pity. But which ones stand out as the best at what they do? Who’s the craftiest, most intelligent player in a world populated by master manipulators and cutthroat wannabes?

RELATED: ‘Succession’ Is An Honest Portrait of Power Because No Matter Who Wins, We All Lose

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9. Connor Roy

Connor Roy (Alan Ruck) is the black sheep of the Roy children. As Logan’s only child from his first marriage, Connor feels overlooked and undervalued. His pompousness rivals his brother Kendall’s, and his grandiloquence often renders his discourse incomprehensible. He insists that he’s smarter than everyone else in the room, which strongly suggests he’s not. Connor’s ramblings may hint at a dormant intelligence, but he’s neither humble nor curious, and he doesn’t display a willingness to grow or change.

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8. Roman Roy

Roman Roy is far from the most intelligent member of the Roy family, which is part of what makes him a blast to watch. Kieran Culkin‘s portrayal makes him feel lived-in and established. For most of the show, Roman skates around on tracks of his own grease, snidely remarking on the faults and slip-ups of others while providing little value of his own. General repulsiveness aside, the youngest Roy isn’t without ambition. Under Roman’s cavalier facade is a powerful desire to prove himself to his father. He knows that his family doesn’t hold him in particularly high regard, and he’s painfully aware that his reputation precedes him. This doesn’t lead to much, especially because he squanders every shot he gets through multiple instances of poor judgment and unchecked impulse (the most notable of these blunders being accidentally sending pictures of his junk to his father).


7. Kendall Roy

Kendall (Jeremy Strong) is the eldest child born from Logan’s second marriage, a twice-defeated mutineer who again finds himself in his father’s shadow, and one of Succession‘s most fascinating characters. Kendall isn’t the smartest Roy. Not even close. His self-destructive behavior sabotages his attempted takeover of Waystar, and he doesn’t seem remotely aware of the fact that he’s out of his league when battling his father. But hey, Kendall’s recklessness is a vital part of what makes the series so compelling and unpredictable. If he didn’t have such an out-of-control ego and holier-than-thou response to everything, Succession wouldn’t be nearly as much fun as it is.

6. Cousin Greg

Greg’s (Nicholas Braun) insistence that he’s of greater use is one of his most endearing qualities – it’s also what holds him back at first. Succession introduces an eager-to-please Greg who slowly evolves into someone far more sure of what he wants but only slightly more sure of how to get it. Greg’s trajectory within Waystar is difficult to predict, primarily because he doesn’t have the direct blood relation that Shiv, Roman, Kendall, and Connor frequently attempt to parlay. Greg can’t match his grandfather Ewan or his uncle Logan in the experience or intelligence department, but like Gerri, Tom, and the other high-placing people on this list, maybe his cognizance of that is his greatest asset.


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5. Shiv Roy

Shiv (Sarah Snook) isn’t nearly as smart as she thinks she is. Yes, Logan insists that she’s the smartest and promises her that she will lead Waystar after he’s gone. But consider his options. The recreant Roman is unable to have tough conversations, nor does he take himself or anyone else seriously. Kendall is a two-time traitor whose self-righteousness and a false sense of entitlement fuel his ill-fated attempts to wrestle control of Waystar from his father’s grip. Connor is the half-estranged eldest child who is far busier with his political ambitions than he is with Waystar affairs. Shiv is different. She’s charismatic, decisive, and somewhat honest with herself about what she does and doesn’t know. These qualities may initially seem desirable to her father, but the latter half of the second season finds Logan growing more hesitant to have her captain his ship.


4. Gerri Kellman

Gerri Kellman (J. Smith-Cameron) has survived Waystar for decades. As Logan’s General Counsel, she’s privy to his most sensitive secrets and his most compromising mistakes. She is pathologically private and noticeably cagey when confronted about anything personal, meaning we only get to see how she conducts herself professionally. Gerri hasn’t lasted this long at Logan’s side for nothing. She helps him through the cruise scandal and remains by his side regardless of who moves against him. Gerri is confident that staying aligned with Logan is the best way forward, and so far she has been right.

3. Tom Wambsgans

The closing minutes of Season 3 reveals Tom’s (Matthew Macfadyen) willingness to play hardball. Up until then, his sycophantic behavior reeked of a fool attempting to ingratiate himself with smarter, savvier people. He diminished his smarts so that he could endear himself to the Roys. But as Shiv, Kendall, and Roman attempt to thwart their father’s acquisition of streaming app GoJo, Tom warns Logan of the move and helps the flustered mogul retaliate. His betrayal hints at a deeper understanding of how to play the game. Season 4 will likely introduce us to an incongruously confident and unapologetic Tom, one who has embraced the game and is now playing to win.


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2. Logan Roy

Logan Roy (Brian Cox) is a titan with few equals. His calculated ruthlessness makes it nearly impossible for his children to overcome him, regardless of what they think they have on him. He rigs the Waystar hierarchy to expose the disloyal and the duplicitous, making the mere idea of moving against him a career-killing notion. He’s mean, explosive, and perpetually curt, and he’s not above launching psychological missiles at his children out of spite (Kendall’s birthday “gift,” anyone?).

Logan’s superior business sense is one of Succession‘s prevailing themes. He navigates tricky acquisitions and public scandals with a level of skill that his children just don’t possess. Most notably, he ends Kendall’s first mutiny by promising to divert suspicion following the manslaughter of the waiter at Shiv’s wedding. In return, he asks for Kendall’s help in taking down his former co-conspirators. The Roy patriarch handled this masterfully, further proving his brilliance, savviness, and deep comprehension of the game.


1. Ewan Roy

Ewan Roy (James Cromwell) is the smartest Roy for a simple but powerful reason: He stays out of it. It’s easy to dismiss Ewan as a fiercely opinionated old man with a grudge against his brother, but the character’s later appearances show us differently. Ewan doesn’t like Logan, nor does he respect Waystar’s ethics (or lack thereof). That said, he refuses to act against his brother in any way. In the first season, Kendall gathers Waystar board members to vote on Logan’s immediate removal as CEO. As Logan’s older brother, Ewan occupies a seat on the board. Kendall hopes to sway Ewan to his side, but is ultimately unsuccessful.

Ewan is Succession‘s most self-actualized character. His decisions very clearly reflect a solid set of values and beliefs, and his actions and attitudes remain consistent throughout the series. He’s gruff and unpleasant, but he remains loyal to his family and refuses to compromise them in any way.

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Review: SAMARITAN, A Sly Stallone Superhero Stumble

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Review: SAMARITAN, A Sly Stallone Superhero Stumble

Hitting the three-quarter-century mark usually means a retirement home, a nursing facility, or if you’re lucky to be blessed with relatively good health and savings to match, living in a gated community in Arizona or Florida.

For Sylvester Stallone, however, it means something else entirely: starring in the first superhero-centered film of his decades-long career in the much-delayed Samaritan. Unfortunately for Stallone and the audience on the other side of the screen, the derivative, turgid, forgettable results won’t get mentioned in a career retrospective, let alone among the ever-expanding list of must-see entries in a genre already well past its peak.

For Stallone, however, it’s better late than never when it involves the superhero genre. Maybe in getting a taste of the MCU (Marvel Cinematic Universe) with his walk-on role in the Guardians of the Galaxy sequel several years ago, Stallone thought anything Marvel can do, I can do even better (or just as good in the nebulous definition of the word).

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The property Stallone and his team found for him, Samaritan, a little-known graphic novel released by a small, almost negligible, publisher, certainly takes advantage of Stallone’s brute-force physicality and his often underrated talent for near-monosyllabic brooding (e.g., the Rambo series), but too often gives him to little do or say as the lone super-powered survivor, the so-called “Samaritan” of the title, of a lifelong rivalry with his brother, “Nemesis.” Two brothers entered a fire-ravaged building and while both were presumed dead, one brother did survive (Stallone’s Joe Smith, a garbageman by day, an appliance repairman by night).

In the Granite City of screenwriter Bragi F. Schut (Escape Room, Season of the Witch), the United States, and presumably the rest of the world, teeters on economic and political collapse, with a recession spiraling into a depression, steady gigs difficult, if not impossible, to obtain, and the city’s neighborhoods rocked by crime and violence. No one’s safe, not even 13-year-old Sam (Javon Walker), Joe’s neighbor.

When he’s not dodging bullies connected to a gang, he’s falling under the undue influence of Cyrus (Pilou Asbæk), a low-rent gang leader with an outsized ego and the conviction that he and only he can take on Nemesis’s mantle and along with that mantle, a hammer “forged in hate,” to orchestrate a Bane-like plan to plunge the city into chaos and become a wealthy power-broker in the process.

Schut’s woefully underwritten script takes a clumsy, haphazard approach to world-building, relying on a two-minute animated sequence to open Samaritan while a naive, worshipful Sam narrates Samaritan and Nemesis’s supposedly tragic, Cain and Abel-inspired backstory. Schut and director Julius Avery (Overlord) clumsily attempt to contrast Sam’s childish belief in messiah-like, superheroic saviors stepping in to save humanity from itself and its own worst excesses, but following that path leads to authoritarianism and fascism (ideas better, more thoroughly explored in Watchmen and The Boys).

While Sam continues to think otherwise, Stallone’s superhero, 25 years past his last, fatal encounter with his presumably deceased brother, obviously believes superheroes are the problem and not the solution (a somewhat reasonable position), but as Samaritan tracks Joe and Sam’s friendship, Sam giving Joe the son he never had, Joe giving Sam the father he lost to street violence well before the film’s opening scene, it gets closer and closer to embracing, if not outright endorsing Sam’s power fantasies, right through a literally and figuratively explosive ending. Might, as always, wins regardless of how righteous or justified the underlying action.

It’s what superhero audiences want, apparently, and what Samaritan uncritically delivers via a woefully under-rendered finale involving not just unconvincing CGI fire effects, but a videogame cut-scene quality Stallone in a late-film flashback sequence that’s meant to be subversively revelatory, but will instead lead to unintentional laughter for anyone who’s managed to sit the entirety of Samaritan’s one-hour and 40-minute running time.

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Samaritan is now streaming worldwide on Prime Video.

Samaritan

Cast
  • Sylvester Stallone
  • Javon ‘Wanna’ Walton
  • Pilou Asbæk

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Matt Shakman Is In Talks To Direct ‘Fantastic Four’

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According to a new report, Wandavision’s Matt Shakman is in talks to direct the upcoming MCU project, Fantastic Four. Marvel Studios has been very hush-hush regarding Fantastic Four to the point where no official announcements have been made other than the film’s release date. No casting news or literally anything other than rumors has been released regarding the project. We know that Fantastic Four is slated for release on November 8th, 2024, and will be a part of Marvel’s Phase 6. There are also rumors that the cast of the new Fantastic Four will be announced at the D23 Expo on September 9th.

Fantastic Four is still over two years from release, and we assume we will hear more news about the project in the coming months. However, the idea of the Fantastic Four has already been introduced into the MCU. John Krasinski played Reed Richards aka Mr. Fantastic in Doctor Strange in the Multiverse of Madness. The cameo was a huge deal for fans who have been waiting a long time for the Fantastic Four to enter the MCU. When Disney acquired Twenty Century Fox in 2019 we assumed that the Fox Marvel characters would eventually make their way into the MCU. It’s been 3 years and we already have had an X-Men and Fantastic Four cameo – even if they were from another universe.

Deadline is reporting that Wandavision’s Matt Shakman is in talks to direct Fantastic Four. Shakman served as the director for Wandavision and has had an extensive career. He directed two episodes of Game of Thrones and an episode of The Boys, and he had a long stint on It’s Always Sunny in Philadelphia. There is nothing official yet, but Deadline’s sources say that Shakman is currently in talks for the job and things are headed in the right direction.

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To be honest, I was a bit more excited when Jon Watts was set to direct. I’m sure Shakman is a good director, but Watts proved he could handle a tentpole superhero film with Spider-Man: Homecoming. Wandavision was good, but Watts’ style would have been perfect for Fantastic Four. The film is probably one of the most anticipated films in Marvel’s upcoming slate films and they need to find the best person they can to direct. Is that Matt Shakman? It could be, but whoever takes the job must realize that Marvel has a lot riding on this movie. The other Fantastic Four films were awful and fans deserve better. Hopefully, Marvel knocks it out of the park as they usually do. You can see for yourself when Fantastic Four hits theaters on November 8th, 2024.

Film Synopsis: One of Marvel’s most iconic families makes it to the big screen: the Fantastic Four.

Source: Deadline

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Dan Aykroyd, Chevy Chase Star in ‘Zombie Town’ Mystery Teen Romancer (Exclusive)

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Dan Aykroyd and Chevy Chase have entered Zombie Town, a mystery teen romancer based on author R.L. Stine’s book of the same name.

The indie, now shooting in Ontario, also stars Henry Czerny and co-teen leads Marlon Kazadi and Madi Monroe. The ensemble cast includes Scott Thompson and Bruce McCulloch of the Canadian comedy show Kids in the Hall.

Canadian animator Peter Lepeniotis will direct Zombie Town. Stine’s kid’s book sees a quiet town upended when 12-year-old Mike and his friend, Karen, see a horror movie called Zombie Town and unexpectedly see the title characters leap off the screen and chase them through the theater.

Zombie Town will premiere in U.S. theaters before streaming on Hulu and then ABC Australia in 2023.

“We are delighted to bring the pages of R.L. Stine’s Zombie Town to the screen and equally thrilled to be working with such an exceptional cast and crew on this production. A three-time Nickelodeon Kids Choice Award winner with book sales of over $500 million, R.L. Stine has a phenomenal track record of crafting stories that engage and entertain audiences,” John Gillespie, Trimuse Entertainment founder and executive producer, said in a statement.

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Executive producers are Trimuse Entertainment, Toonz Media Group, Lookout Entertainment, Viva Pictures and Sons of Anarchy actor Kim Coates.  

Paco Alvarez and Mark Holdom of Trimuse negotiated the deal to acquire the rights to Stine’s Zombie Town book.

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