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Star Wars: 9 Best Finn and Poe Moments to Celebrate Their Bromance

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Star Wars: 9 Best Finn and Poe Moments to Celebrate Their Bromance

Star Wars has always had iconic duos, from Han Solo (Harrison Ford) and Chewbacca (Peter Mayhew) in the original trilogy to Anakin Skywalker (Hayden Christensen) and Obi-Wan Kenobi (Ewan McGregor) in the prequels, brotherly bonds have been integral in the franchise. The sequel trilogy continued that trend with the introduction of Finn (John Boyega) and Poe Dameron’s (Oscar Isaac) friendship. A First Order stormtrooper and Resistance pilot made for an odd couple, but they won hearts from their first scenes together.

The chemistry between Boyega and Isaac sold the pairing, so much so that many viewers were disappointed their relationship didn’t go further. Finn and Poe also had far less screen time together in the second installment, Star Wars: The Last Jedi, which seemingly brought their relationship to a halt. But that didn’t stop a fantastic bond from developing between the two characters in the sequel trilogy, as some of these best moments will demonstrate.

RELATED: Star Wars Eras, Ranked From High Republic to Age of Rebellion

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The Great Escape

Finn and Poe first meet when Poe has been captured by Kylo Ren (Adam Driver) in Star Wars: The Force Awakens. Following a crisis of conscience, Finn needs help to escape the First Order and his life as a Stormtrooper. His ticket to freedom? The captive pilot Poe Dameron. Finn helps Poe escape so that Poe can help Finn escape. It’s a mutual rescue!

This meet-cute is quick but makes its impact. Finn tries to hide his eagerness to get off the First Order ship under false pretenses, but Poe sees right through it. You can almost see the weight lifting off Finn’s shoulders when he comes clean to Poe and Poe readily agrees to fly them out on a TIE Fighter. And Poe’s assured confidence is the perfect foil to Finn’s jittery demeanor. Their brief banter also sells their introduction. And the sparks on screen? They aren’t just from blaster fire. As they say, opposites attract.

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FN-2187 No More

Taking off directly from the previous scene, Finn and Poe find a TIE Fighter and immediately attract a lot of unwanted attention. Their bond is literally forged in (blaster) fire as Poe gives Finn the world’s quickest masterclass in firing TIE Fighter weapons. Finn must trust everything Poe says and the two of them make quick work of their enemies.

The TIE Fighter scene is a throwback to Star Wars: A New Hope where Luke Skywalker (Mark Hamill) and Han Solo tag-teamed to escape the Death Star, but the best is yet to come. Poe, being the gentleman that he is, asks Finn his name and on hearing Finn was only ever given the designation FN-2187, dubs him Finn instead. Finn’s excitement at receiving his new name is guaranteed to bring a smile to anyone’s face. By the end of the sequence, unfortunately, Poe is presumed dead, but Finn has two souvenirs from his new friend—his name and Poe’s jacket!

The Reunion

Probably the most iconic moment between Finn and Poe is at the Resistance base on D’Qar. After being saved by the Resistance, Finn is desperate to find someone who can help him rescue Rey (Daisy Ridley).

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To his surprise, Finn discovers that Poe is alive and the two run to each other and embrace. The two are warmly reunited, and the scene is so beloved that this moment led to many people wanting more than just friendship from Finn and Poe. While the filmmakers chose not to make the scene a romantic one, it is memorable because Finn and Poe are openly affectionate and their joy at seeing each other is palpable. Despite its brevity, this was the moment that secured Finn and Poe as the next great duo of the franchise.


Staying By Finn’s Side

It’s the little things that count, and with Poe, those little things add up. In classic Star Wars fashion, the final act of The Force Awakens features a ground assault team, a duel, and a space battle. In the end, Starkiller base is destroyed, but Finn is grievously injured.

When the Resistance returns to D’Qar, a comatose Finn is placed on a gurney, and Poe, instead of joining in the celebrations with the rest of his team, runs after it to be with Finn. It’s a blink-and-you’ll-miss-it moment, but it says a lot about Poe. He earned this win and the right to celebrate, yet he put it all on the back burner for his new buddy. He has yet to meet Rey at this point, but his focus is on his friend.

Brothers in Arms

The first time we see Finn and Poe in the third film in the trilogy, Star Wars: The Rise of Skywalker, the two of them are losing to Chewie (Joonas Suotamo) at the space chess game, Dejarik. They both agree that Chewie is cheating and lie to Chewie about turning off the game. Losing to that big Wookie is truly a bonding experience.

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In a throwback to their initial meeting in The Force Awakens, Finn has now become an expert at the quad laser canons while Poe hollers instructions. The two of them instinctively know the best tactics to fight the First Order and work together well, a testament to the time that’s passed and how closely Finn and Poe have been working together in the Resistance. However, they’re still able to surprise each other, especially Poe, who whips out his lightspeed skipping skills, freaking Finn and Chewie out with several close calls.

Pasaana

When the Resistance learns that Emperor Palpatine (Ian McDiarmid) is alive, the main trio leave for Pasaana to find clues to his whereabouts. Of course, they arrive at the planet just as the Aki-Aki Festival is being celebrated. As evidenced in the Millennium Falcon, Finn and Poe are tactically of the same mind. They don’t have to tell each other what they’re doing. When the First Order troopers chase the good guys on Pasaana, Finn comes up with a novel way to dispose of one of them and Poe instinctively follows through on Finn’s unspoken instructions.

But the best part of this bromance is that it’s not perfect, which is obvious in the sand burrows. As the group is falling Finn tries to share a secret with Rey, but refuses to let Poe in on it. This understandably bothers Poe since he does not want to be left out of the connection that he shares with Finn. Poe is passive-aggressive about this, but Finn seems to love teasing Poe for his reaction, which is something best friends do.

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An Unlikely Saviour

Finn and Poe’s rescue of Chewie is more proof of how in sync the two are, but that’s not what cements their bromance. Poe gets shot near the end of the scene and Finn drops everything to be by his side (another throwback!). Of course, they’re captured by the First Order and sentenced to death.

There they are, Chewie, Finn, and Poe, waiting to be executed by Stormtroopers when Poe and Finn start to squabble like an old married couple as Poe prods Finn about what he wanted to share with Rey, while Finn correctly believes being at death’s door is hardly the time to bring this up. Their attempts to out-shout each other is an authentic moment of friendly banter during stressful times. However, the funniest moment is when General Hux (Domhnall Gleeson) saves them revealing himself as the spy. Poe exclaims that he knew Hux was the double agent and Finn calls him out on it – peak old-mates banter.


Co-Generals

The Emperor launches his attack on the galaxy, revealing he has a fleet of ships armed with planet-destroying weapons. With General Leia (Carrie Fisher) gone, Poe takes over as Acting General. But he is overwhelmed and unsure how to command on his own against such a massive threat. Just when he needs it, Poe gets a pep talk from Lando Calrissian (Billy Dee Williams), who reminds him that the original Rebels won because they had each other.

Poe immediately asks Finn to command with him and Finn accepts the honor with much grace and no drama. In fact, Finn hardly misses a beat as he responds to being called General. This could be a fleeting moment, but it carries a lot of character development. Poe was all bluster about being sidelined by Leia in The Last Jedi, him not thinking twice about sharing command shows that he’s matured. The pair’s mutual trust in each other throughout the series also culminates in them being co-generals.

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Saviors of the Galaxy

The end of The Rise of Skywalker sees the biggest battle yet—Poe Dameron is in his X-Wing leading a hopelessly outnumbered Resistance fleet. Finn is on the First Order command ship with Rose and Janna attempting to disable it. Rey is battling the Emperor on Exegol. All hope is lost when Lando brings the cavalry!

The tense final moments of the battle don’t see Finn and Poe together, but as soon as the Resistance is winning, Poe’s first thought is to check in with Finn. And, as soon as he hears that Finn is not safe, he abandons his celebrations to try and rescue him, but Lando gets there first.

Once the victorious Resistance arrives home, we see just how far Finn and Poe’s relationship has grown. Finn can’t celebrate until he and Poe are united, which is in the form of another tight embrace. But Finn isn’t complete without Rey and that’s obvious to Poe. Poe points Rey out to Finn and the three of them embrace. Finn hugging his friends and weeping with joy is such a touching moment! Who doesn’t love a happy ending?

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Review: SAMARITAN, A Sly Stallone Superhero Stumble

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Review: SAMARITAN, A Sly Stallone Superhero Stumble

Hitting the three-quarter-century mark usually means a retirement home, a nursing facility, or if you’re lucky to be blessed with relatively good health and savings to match, living in a gated community in Arizona or Florida.

For Sylvester Stallone, however, it means something else entirely: starring in the first superhero-centered film of his decades-long career in the much-delayed Samaritan. Unfortunately for Stallone and the audience on the other side of the screen, the derivative, turgid, forgettable results won’t get mentioned in a career retrospective, let alone among the ever-expanding list of must-see entries in a genre already well past its peak.

For Stallone, however, it’s better late than never when it involves the superhero genre. Maybe in getting a taste of the MCU (Marvel Cinematic Universe) with his walk-on role in the Guardians of the Galaxy sequel several years ago, Stallone thought anything Marvel can do, I can do even better (or just as good in the nebulous definition of the word).

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The property Stallone and his team found for him, Samaritan, a little-known graphic novel released by a small, almost negligible, publisher, certainly takes advantage of Stallone’s brute-force physicality and his often underrated talent for near-monosyllabic brooding (e.g., the Rambo series), but too often gives him to little do or say as the lone super-powered survivor, the so-called “Samaritan” of the title, of a lifelong rivalry with his brother, “Nemesis.” Two brothers entered a fire-ravaged building and while both were presumed dead, one brother did survive (Stallone’s Joe Smith, a garbageman by day, an appliance repairman by night).

In the Granite City of screenwriter Bragi F. Schut (Escape Room, Season of the Witch), the United States, and presumably the rest of the world, teeters on economic and political collapse, with a recession spiraling into a depression, steady gigs difficult, if not impossible, to obtain, and the city’s neighborhoods rocked by crime and violence. No one’s safe, not even 13-year-old Sam (Javon Walker), Joe’s neighbor.

When he’s not dodging bullies connected to a gang, he’s falling under the undue influence of Cyrus (Pilou Asbæk), a low-rent gang leader with an outsized ego and the conviction that he and only he can take on Nemesis’s mantle and along with that mantle, a hammer “forged in hate,” to orchestrate a Bane-like plan to plunge the city into chaos and become a wealthy power-broker in the process.

Schut’s woefully underwritten script takes a clumsy, haphazard approach to world-building, relying on a two-minute animated sequence to open Samaritan while a naive, worshipful Sam narrates Samaritan and Nemesis’s supposedly tragic, Cain and Abel-inspired backstory. Schut and director Julius Avery (Overlord) clumsily attempt to contrast Sam’s childish belief in messiah-like, superheroic saviors stepping in to save humanity from itself and its own worst excesses, but following that path leads to authoritarianism and fascism (ideas better, more thoroughly explored in Watchmen and The Boys).

While Sam continues to think otherwise, Stallone’s superhero, 25 years past his last, fatal encounter with his presumably deceased brother, obviously believes superheroes are the problem and not the solution (a somewhat reasonable position), but as Samaritan tracks Joe and Sam’s friendship, Sam giving Joe the son he never had, Joe giving Sam the father he lost to street violence well before the film’s opening scene, it gets closer and closer to embracing, if not outright endorsing Sam’s power fantasies, right through a literally and figuratively explosive ending. Might, as always, wins regardless of how righteous or justified the underlying action.

It’s what superhero audiences want, apparently, and what Samaritan uncritically delivers via a woefully under-rendered finale involving not just unconvincing CGI fire effects, but a videogame cut-scene quality Stallone in a late-film flashback sequence that’s meant to be subversively revelatory, but will instead lead to unintentional laughter for anyone who’s managed to sit the entirety of Samaritan’s one-hour and 40-minute running time.

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Samaritan is now streaming worldwide on Prime Video.

Samaritan

Cast
  • Sylvester Stallone
  • Javon ‘Wanna’ Walton
  • Pilou Asbæk

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Matt Shakman Is In Talks To Direct ‘Fantastic Four’

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According to a new report, Wandavision’s Matt Shakman is in talks to direct the upcoming MCU project, Fantastic Four. Marvel Studios has been very hush-hush regarding Fantastic Four to the point where no official announcements have been made other than the film’s release date. No casting news or literally anything other than rumors has been released regarding the project. We know that Fantastic Four is slated for release on November 8th, 2024, and will be a part of Marvel’s Phase 6. There are also rumors that the cast of the new Fantastic Four will be announced at the D23 Expo on September 9th.

Fantastic Four is still over two years from release, and we assume we will hear more news about the project in the coming months. However, the idea of the Fantastic Four has already been introduced into the MCU. John Krasinski played Reed Richards aka Mr. Fantastic in Doctor Strange in the Multiverse of Madness. The cameo was a huge deal for fans who have been waiting a long time for the Fantastic Four to enter the MCU. When Disney acquired Twenty Century Fox in 2019 we assumed that the Fox Marvel characters would eventually make their way into the MCU. It’s been 3 years and we already have had an X-Men and Fantastic Four cameo – even if they were from another universe.

Deadline is reporting that Wandavision’s Matt Shakman is in talks to direct Fantastic Four. Shakman served as the director for Wandavision and has had an extensive career. He directed two episodes of Game of Thrones and an episode of The Boys, and he had a long stint on It’s Always Sunny in Philadelphia. There is nothing official yet, but Deadline’s sources say that Shakman is currently in talks for the job and things are headed in the right direction.

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To be honest, I was a bit more excited when Jon Watts was set to direct. I’m sure Shakman is a good director, but Watts proved he could handle a tentpole superhero film with Spider-Man: Homecoming. Wandavision was good, but Watts’ style would have been perfect for Fantastic Four. The film is probably one of the most anticipated films in Marvel’s upcoming slate films and they need to find the best person they can to direct. Is that Matt Shakman? It could be, but whoever takes the job must realize that Marvel has a lot riding on this movie. The other Fantastic Four films were awful and fans deserve better. Hopefully, Marvel knocks it out of the park as they usually do. You can see for yourself when Fantastic Four hits theaters on November 8th, 2024.

Film Synopsis: One of Marvel’s most iconic families makes it to the big screen: the Fantastic Four.

Source: Deadline

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Dan Aykroyd, Chevy Chase Star in ‘Zombie Town’ Mystery Teen Romancer (Exclusive)

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Dan Aykroyd and Chevy Chase have entered Zombie Town, a mystery teen romancer based on author R.L. Stine’s book of the same name.

The indie, now shooting in Ontario, also stars Henry Czerny and co-teen leads Marlon Kazadi and Madi Monroe. The ensemble cast includes Scott Thompson and Bruce McCulloch of the Canadian comedy show Kids in the Hall.

Canadian animator Peter Lepeniotis will direct Zombie Town. Stine’s kid’s book sees a quiet town upended when 12-year-old Mike and his friend, Karen, see a horror movie called Zombie Town and unexpectedly see the title characters leap off the screen and chase them through the theater.

Zombie Town will premiere in U.S. theaters before streaming on Hulu and then ABC Australia in 2023.

“We are delighted to bring the pages of R.L. Stine’s Zombie Town to the screen and equally thrilled to be working with such an exceptional cast and crew on this production. A three-time Nickelodeon Kids Choice Award winner with book sales of over $500 million, R.L. Stine has a phenomenal track record of crafting stories that engage and entertain audiences,” John Gillespie, Trimuse Entertainment founder and executive producer, said in a statement.

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Executive producers are Trimuse Entertainment, Toonz Media Group, Lookout Entertainment, Viva Pictures and Sons of Anarchy actor Kim Coates.  

Paco Alvarez and Mark Holdom of Trimuse negotiated the deal to acquire the rights to Stine’s Zombie Town book.

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