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KVIFF 2022: Post-Apocalyptic Eco-Thriller Biohacking Sci-Fi ‘Vesper’

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KVIFF 2022: Post-Apocalyptic Eco-Thriller Biohacking Sci-Fi ‘Vesper’

KVIFF 2022: Post-Apocalyptic Eco-Thriller Biohacking Sci-Fi ‘Vesper’

by Alex Billington
July 6, 2022

In the growing subgenre of climate change-related science fiction cinema, filmmakers are trying to get more and more creative with ideas addressing the disastrous future Earth is headed towards (much sooner than later). One of the latest creations is Vesper, an indie post-apocalyptic sci-fi creation from Lithuania, also known as Vesper Chronicles or Vesper Seeds. The film premiered at the 2022 Karlovy Vary Film Festival in Czechia this summer after years of production & post-production work during the pandemic. The best part about Vesper is all that they pull off on a small scale, with limited resources, as it feels much bigger than it is and all of the practical FX and prosthetics are impressive. As for the film itself, it’s a somewhat compelling story of a smart young woman surviving in the woods all the while trying to develop and germinate special seeds that will help humanity escape & recover from oppressive forces that control the remaining survivors.

Vesper is both written and directed by Lithuanian filmmaker Kristina Buozyte and French filmmaker / designer Bruno Samper (both of the film Vanishing Waves previously), and features an international cast with Eddie Marsan as the highlight. Raffiella Chapman stars as Vesper, a precocious 13-year-old who lives with her paralyzed father in the woods. Everything is a bit strange in this post-apocalyptic world. Her father communicates with her through a hovering robot drone, which is connected to his brain as he lies in bed unable to move. Humanity attempted to use genetic engineering to solve climate change problems, but of course it went wrong, so now all the remaining plant life is glowy and weird and can sometimes be fatal or helpful, depending on the species. Vesper made her own fake skin to heal wounds super fast, and biohacks her way into organic, seemingly-sentient vegetation. She is clearly intelligent – but can she save the world?

That is the main idea behind Vesper: with a bit of ingenuity and creativity, can someone break the cycle and disrupt the oppressive forces that control us? Maybe, but the film also never really gets there… It bites off way more than it can chew, and the story seems to be leading somewhere but never gets that far. I certainly appreciate the ambition and visuals, and there is an immense amount of originality in the world-building. But I was most let down by the way it hints at some epic showdown with these evil forces living in special bubbles, but wraps up before she gets near them – similar to the way Robert Rodriguez’s Alita: Battle Angel ends. Of course, this is because they could only pull off so much with a limited budget, which it seems was hard to even put together in the first place. This was filmed mostly in Lithuania and everything about it seems so far from anything Hollywood would make, which is both a limitation and entirely refreshing to see.

As a big screen film, it is entertaining and engaging for the most part, and I’m glad I had the chance to see this one projected in a cinema. I expect most people will watch it at home or streaming on some device, and will miss out on the grandeur of the impressive small-scale VFX and world-building. The film’s storyline is stretched thin at a few points, mostly because all of it takes place in this post-apocalyptic forest and they have to figure out how to give her something to do and local baddies to confront before she ventures out. The performances by Raffiella Chapman, Eddie Marsan, and Rosy McEwen as a pale, genetically-modified humanoid, are all better than they should be and make the film worthwhile. At the very least it’s a vibrant science fiction thriller with some original ideas, a few good performances, and a more hopeful plot that will inspire young viewers to try and hack their own way to saving the planet. Or so I hope; we really need them.

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Alex’s KVIFF 2022 Rating: 7 out of 10
Follow Alex on Twitter – @firstshowing / Or Letterboxd – @firstshowing

Find more posts: Karlovy Vary, Review, Sci-Fi

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Review: SAMARITAN, A Sly Stallone Superhero Stumble

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Review: SAMARITAN, A Sly Stallone Superhero Stumble

Hitting the three-quarter-century mark usually means a retirement home, a nursing facility, or if you’re lucky to be blessed with relatively good health and savings to match, living in a gated community in Arizona or Florida.

For Sylvester Stallone, however, it means something else entirely: starring in the first superhero-centered film of his decades-long career in the much-delayed Samaritan. Unfortunately for Stallone and the audience on the other side of the screen, the derivative, turgid, forgettable results won’t get mentioned in a career retrospective, let alone among the ever-expanding list of must-see entries in a genre already well past its peak.

For Stallone, however, it’s better late than never when it involves the superhero genre. Maybe in getting a taste of the MCU (Marvel Cinematic Universe) with his walk-on role in the Guardians of the Galaxy sequel several years ago, Stallone thought anything Marvel can do, I can do even better (or just as good in the nebulous definition of the word).

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The property Stallone and his team found for him, Samaritan, a little-known graphic novel released by a small, almost negligible, publisher, certainly takes advantage of Stallone’s brute-force physicality and his often underrated talent for near-monosyllabic brooding (e.g., the Rambo series), but too often gives him to little do or say as the lone super-powered survivor, the so-called “Samaritan” of the title, of a lifelong rivalry with his brother, “Nemesis.” Two brothers entered a fire-ravaged building and while both were presumed dead, one brother did survive (Stallone’s Joe Smith, a garbageman by day, an appliance repairman by night).

In the Granite City of screenwriter Bragi F. Schut (Escape Room, Season of the Witch), the United States, and presumably the rest of the world, teeters on economic and political collapse, with a recession spiraling into a depression, steady gigs difficult, if not impossible, to obtain, and the city’s neighborhoods rocked by crime and violence. No one’s safe, not even 13-year-old Sam (Javon Walker), Joe’s neighbor.

When he’s not dodging bullies connected to a gang, he’s falling under the undue influence of Cyrus (Pilou Asbæk), a low-rent gang leader with an outsized ego and the conviction that he and only he can take on Nemesis’s mantle and along with that mantle, a hammer “forged in hate,” to orchestrate a Bane-like plan to plunge the city into chaos and become a wealthy power-broker in the process.

Schut’s woefully underwritten script takes a clumsy, haphazard approach to world-building, relying on a two-minute animated sequence to open Samaritan while a naive, worshipful Sam narrates Samaritan and Nemesis’s supposedly tragic, Cain and Abel-inspired backstory. Schut and director Julius Avery (Overlord) clumsily attempt to contrast Sam’s childish belief in messiah-like, superheroic saviors stepping in to save humanity from itself and its own worst excesses, but following that path leads to authoritarianism and fascism (ideas better, more thoroughly explored in Watchmen and The Boys).

While Sam continues to think otherwise, Stallone’s superhero, 25 years past his last, fatal encounter with his presumably deceased brother, obviously believes superheroes are the problem and not the solution (a somewhat reasonable position), but as Samaritan tracks Joe and Sam’s friendship, Sam giving Joe the son he never had, Joe giving Sam the father he lost to street violence well before the film’s opening scene, it gets closer and closer to embracing, if not outright endorsing Sam’s power fantasies, right through a literally and figuratively explosive ending. Might, as always, wins regardless of how righteous or justified the underlying action.

It’s what superhero audiences want, apparently, and what Samaritan uncritically delivers via a woefully under-rendered finale involving not just unconvincing CGI fire effects, but a videogame cut-scene quality Stallone in a late-film flashback sequence that’s meant to be subversively revelatory, but will instead lead to unintentional laughter for anyone who’s managed to sit the entirety of Samaritan’s one-hour and 40-minute running time.

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Samaritan is now streaming worldwide on Prime Video.

Samaritan

Cast
  • Sylvester Stallone
  • Javon ‘Wanna’ Walton
  • Pilou Asbæk

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Matt Shakman Is In Talks To Direct ‘Fantastic Four’

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According to a new report, Wandavision’s Matt Shakman is in talks to direct the upcoming MCU project, Fantastic Four. Marvel Studios has been very hush-hush regarding Fantastic Four to the point where no official announcements have been made other than the film’s release date. No casting news or literally anything other than rumors has been released regarding the project. We know that Fantastic Four is slated for release on November 8th, 2024, and will be a part of Marvel’s Phase 6. There are also rumors that the cast of the new Fantastic Four will be announced at the D23 Expo on September 9th.

Fantastic Four is still over two years from release, and we assume we will hear more news about the project in the coming months. However, the idea of the Fantastic Four has already been introduced into the MCU. John Krasinski played Reed Richards aka Mr. Fantastic in Doctor Strange in the Multiverse of Madness. The cameo was a huge deal for fans who have been waiting a long time for the Fantastic Four to enter the MCU. When Disney acquired Twenty Century Fox in 2019 we assumed that the Fox Marvel characters would eventually make their way into the MCU. It’s been 3 years and we already have had an X-Men and Fantastic Four cameo – even if they were from another universe.

Deadline is reporting that Wandavision’s Matt Shakman is in talks to direct Fantastic Four. Shakman served as the director for Wandavision and has had an extensive career. He directed two episodes of Game of Thrones and an episode of The Boys, and he had a long stint on It’s Always Sunny in Philadelphia. There is nothing official yet, but Deadline’s sources say that Shakman is currently in talks for the job and things are headed in the right direction.

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To be honest, I was a bit more excited when Jon Watts was set to direct. I’m sure Shakman is a good director, but Watts proved he could handle a tentpole superhero film with Spider-Man: Homecoming. Wandavision was good, but Watts’ style would have been perfect for Fantastic Four. The film is probably one of the most anticipated films in Marvel’s upcoming slate films and they need to find the best person they can to direct. Is that Matt Shakman? It could be, but whoever takes the job must realize that Marvel has a lot riding on this movie. The other Fantastic Four films were awful and fans deserve better. Hopefully, Marvel knocks it out of the park as they usually do. You can see for yourself when Fantastic Four hits theaters on November 8th, 2024.

Film Synopsis: One of Marvel’s most iconic families makes it to the big screen: the Fantastic Four.

Source: Deadline

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Dan Aykroyd, Chevy Chase Star in ‘Zombie Town’ Mystery Teen Romancer (Exclusive)

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Dan Aykroyd and Chevy Chase have entered Zombie Town, a mystery teen romancer based on author R.L. Stine’s book of the same name.

The indie, now shooting in Ontario, also stars Henry Czerny and co-teen leads Marlon Kazadi and Madi Monroe. The ensemble cast includes Scott Thompson and Bruce McCulloch of the Canadian comedy show Kids in the Hall.

Canadian animator Peter Lepeniotis will direct Zombie Town. Stine’s kid’s book sees a quiet town upended when 12-year-old Mike and his friend, Karen, see a horror movie called Zombie Town and unexpectedly see the title characters leap off the screen and chase them through the theater.

Zombie Town will premiere in U.S. theaters before streaming on Hulu and then ABC Australia in 2023.

“We are delighted to bring the pages of R.L. Stine’s Zombie Town to the screen and equally thrilled to be working with such an exceptional cast and crew on this production. A three-time Nickelodeon Kids Choice Award winner with book sales of over $500 million, R.L. Stine has a phenomenal track record of crafting stories that engage and entertain audiences,” John Gillespie, Trimuse Entertainment founder and executive producer, said in a statement.

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Executive producers are Trimuse Entertainment, Toonz Media Group, Lookout Entertainment, Viva Pictures and Sons of Anarchy actor Kim Coates.  

Paco Alvarez and Mark Holdom of Trimuse negotiated the deal to acquire the rights to Stine’s Zombie Town book.

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