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Ghostbusters: Afterlife Mini Stay-Puft Marshmallows Inspired By Gremlins

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Ghostbusters: Afterlife Mini Stay-Puft Marshmallows Inspired By Gremlins

VFX specialists from Jason Reitman’s Ghostbusters: Afterlife reveal that they based their creation of the film’s mini Stay-Pufts on Gremlins.

Ghostbusters: Afterlife‘s VFX team has revealed that the film’s mini-Stay Pufts sequence was inspired by the 1984 Joe Dante hit, Gremlins. It took over thirty years for a third installment of the beloved Ghostbusters franchise to finally arrive, and once it did, writer/director Jason Reitman made sure to include plenty of references to the first two films, while also connecting them to Afterlife in a way that felt grounded in the franchise’s legacy.

While the latest Ghostbusters film hasn’t necessarily found widespread acceptance among diehard fans of the franchise, there’s no denying that certain elements of it were hard to resist. Among these is the moment that audiences were able to see a return of one of the series’ most iconic villains, the Stay-Puft marshmallow man. The last time the sugary tyrant was seen facing off against the Ghostbusters was in the original 1984 film, as New York City quite became literally became Stay-Puft’s stomping grounds. Despite the fact that the character was undoubtedly a villain, fans took an immediate liking to him, and in the years since, the character became somewhat emblematic of the franchise – despite being blown to smithereens by multiple proton blasts from the Ghostbusters. In Afterlife, the character was reborn as a small army of tiny Stay-Pufts, who ran rampant in a local grocery store.

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Related: Ghostbusters 3’s Mini-Pufts Were Stay-Puft’s Poop In Original Canon

Recently, the VFX team from Ghostbusters: Afterlife spoke to Variety about their inspiration behind the mini Stay-Pufts’ rampage, revealing that the sequence took its cues from the chaotic nature of the choreography found in Gremlins. That film was released in the same year as the original Ghostbusters was, and the end goal with the mini Stay-Pufts was to imbue them with the same sort of “gruesome, evil, infantile, savage, unhinged and funny” qualities found in the troublesome green creatures that terrorized the small town of Kingston Falls. As Variety reports, VFX supervisor Pier Lefebvre explained the memorable Afterlife sequence, saying:


“In our dailies sessions with director Jason Reitman and production supervisor Alessandro Ongaro, our team was encouraged to bring their own ideas to the table. I think the choreography was the perfect combination of gruesome, evil, infantile, savage, unhinged and funny, all while bringing personality to each marshmallow. Our inspiration for the scene included the 1984 movie ‘Gremlins,’ released the same year as the original ‘Ghostbusters.’”

The VFX team was also very particular about not just creating an army of mini Stay-Pufts and then leaving it at that. The marshmallows were hand-animated, and much effort was put into the process to ensure that each marshmallow was given its own personality. In addition to using Gremlins as a point of reference for the Stay-Pufts’ behavior, the VFX team also looked at the movements and behavior of toddlers in order to borrow some of that for the movements of the marshmallows. The end result is something that very much does mirror toddler behavior, while also maintaining the uproarious personas of the Gremlins.


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All in all, Ghostbusters: Afterlife may not be a perfect film, and there’s no possible way it could ever have been expected to outdo the original, but there’s still plenty of reason for fans to be satisfied with this official third entry in the series. Exactly what the future holds for possible Ghostbusters sequels is hard to say. But seeing how carefully certain aspects of Ghostbusters: Afterlife were handled and how genuinely pleasing it was to have so many elements return, should provide fans with confidence that the franchise is headed in the right direction.

Next: Ghostbusters Learned From Force Awakens’ Mistakes (And It Worked Perfectly)


Source: Variety

  • Ghostbusters: Afterlife (2021)Release date: Nov 19, 2021

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Review: SAMARITAN, A Sly Stallone Superhero Stumble

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Review: SAMARITAN, A Sly Stallone Superhero Stumble

Hitting the three-quarter-century mark usually means a retirement home, a nursing facility, or if you’re lucky to be blessed with relatively good health and savings to match, living in a gated community in Arizona or Florida.

For Sylvester Stallone, however, it means something else entirely: starring in the first superhero-centered film of his decades-long career in the much-delayed Samaritan. Unfortunately for Stallone and the audience on the other side of the screen, the derivative, turgid, forgettable results won’t get mentioned in a career retrospective, let alone among the ever-expanding list of must-see entries in a genre already well past its peak.

For Stallone, however, it’s better late than never when it involves the superhero genre. Maybe in getting a taste of the MCU (Marvel Cinematic Universe) with his walk-on role in the Guardians of the Galaxy sequel several years ago, Stallone thought anything Marvel can do, I can do even better (or just as good in the nebulous definition of the word).

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The property Stallone and his team found for him, Samaritan, a little-known graphic novel released by a small, almost negligible, publisher, certainly takes advantage of Stallone’s brute-force physicality and his often underrated talent for near-monosyllabic brooding (e.g., the Rambo series), but too often gives him to little do or say as the lone super-powered survivor, the so-called “Samaritan” of the title, of a lifelong rivalry with his brother, “Nemesis.” Two brothers entered a fire-ravaged building and while both were presumed dead, one brother did survive (Stallone’s Joe Smith, a garbageman by day, an appliance repairman by night).

In the Granite City of screenwriter Bragi F. Schut (Escape Room, Season of the Witch), the United States, and presumably the rest of the world, teeters on economic and political collapse, with a recession spiraling into a depression, steady gigs difficult, if not impossible, to obtain, and the city’s neighborhoods rocked by crime and violence. No one’s safe, not even 13-year-old Sam (Javon Walker), Joe’s neighbor.

When he’s not dodging bullies connected to a gang, he’s falling under the undue influence of Cyrus (Pilou Asbæk), a low-rent gang leader with an outsized ego and the conviction that he and only he can take on Nemesis’s mantle and along with that mantle, a hammer “forged in hate,” to orchestrate a Bane-like plan to plunge the city into chaos and become a wealthy power-broker in the process.

Schut’s woefully underwritten script takes a clumsy, haphazard approach to world-building, relying on a two-minute animated sequence to open Samaritan while a naive, worshipful Sam narrates Samaritan and Nemesis’s supposedly tragic, Cain and Abel-inspired backstory. Schut and director Julius Avery (Overlord) clumsily attempt to contrast Sam’s childish belief in messiah-like, superheroic saviors stepping in to save humanity from itself and its own worst excesses, but following that path leads to authoritarianism and fascism (ideas better, more thoroughly explored in Watchmen and The Boys).

While Sam continues to think otherwise, Stallone’s superhero, 25 years past his last, fatal encounter with his presumably deceased brother, obviously believes superheroes are the problem and not the solution (a somewhat reasonable position), but as Samaritan tracks Joe and Sam’s friendship, Sam giving Joe the son he never had, Joe giving Sam the father he lost to street violence well before the film’s opening scene, it gets closer and closer to embracing, if not outright endorsing Sam’s power fantasies, right through a literally and figuratively explosive ending. Might, as always, wins regardless of how righteous or justified the underlying action.

It’s what superhero audiences want, apparently, and what Samaritan uncritically delivers via a woefully under-rendered finale involving not just unconvincing CGI fire effects, but a videogame cut-scene quality Stallone in a late-film flashback sequence that’s meant to be subversively revelatory, but will instead lead to unintentional laughter for anyone who’s managed to sit the entirety of Samaritan’s one-hour and 40-minute running time.

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Samaritan is now streaming worldwide on Prime Video.

Samaritan

Cast
  • Sylvester Stallone
  • Javon ‘Wanna’ Walton
  • Pilou Asbæk

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Matt Shakman Is In Talks To Direct ‘Fantastic Four’

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According to a new report, Wandavision’s Matt Shakman is in talks to direct the upcoming MCU project, Fantastic Four. Marvel Studios has been very hush-hush regarding Fantastic Four to the point where no official announcements have been made other than the film’s release date. No casting news or literally anything other than rumors has been released regarding the project. We know that Fantastic Four is slated for release on November 8th, 2024, and will be a part of Marvel’s Phase 6. There are also rumors that the cast of the new Fantastic Four will be announced at the D23 Expo on September 9th.

Fantastic Four is still over two years from release, and we assume we will hear more news about the project in the coming months. However, the idea of the Fantastic Four has already been introduced into the MCU. John Krasinski played Reed Richards aka Mr. Fantastic in Doctor Strange in the Multiverse of Madness. The cameo was a huge deal for fans who have been waiting a long time for the Fantastic Four to enter the MCU. When Disney acquired Twenty Century Fox in 2019 we assumed that the Fox Marvel characters would eventually make their way into the MCU. It’s been 3 years and we already have had an X-Men and Fantastic Four cameo – even if they were from another universe.

Deadline is reporting that Wandavision’s Matt Shakman is in talks to direct Fantastic Four. Shakman served as the director for Wandavision and has had an extensive career. He directed two episodes of Game of Thrones and an episode of The Boys, and he had a long stint on It’s Always Sunny in Philadelphia. There is nothing official yet, but Deadline’s sources say that Shakman is currently in talks for the job and things are headed in the right direction.

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To be honest, I was a bit more excited when Jon Watts was set to direct. I’m sure Shakman is a good director, but Watts proved he could handle a tentpole superhero film with Spider-Man: Homecoming. Wandavision was good, but Watts’ style would have been perfect for Fantastic Four. The film is probably one of the most anticipated films in Marvel’s upcoming slate films and they need to find the best person they can to direct. Is that Matt Shakman? It could be, but whoever takes the job must realize that Marvel has a lot riding on this movie. The other Fantastic Four films were awful and fans deserve better. Hopefully, Marvel knocks it out of the park as they usually do. You can see for yourself when Fantastic Four hits theaters on November 8th, 2024.

Film Synopsis: One of Marvel’s most iconic families makes it to the big screen: the Fantastic Four.

Source: Deadline

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Dan Aykroyd, Chevy Chase Star in ‘Zombie Town’ Mystery Teen Romancer (Exclusive)

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Dan Aykroyd and Chevy Chase have entered Zombie Town, a mystery teen romancer based on author R.L. Stine’s book of the same name.

The indie, now shooting in Ontario, also stars Henry Czerny and co-teen leads Marlon Kazadi and Madi Monroe. The ensemble cast includes Scott Thompson and Bruce McCulloch of the Canadian comedy show Kids in the Hall.

Canadian animator Peter Lepeniotis will direct Zombie Town. Stine’s kid’s book sees a quiet town upended when 12-year-old Mike and his friend, Karen, see a horror movie called Zombie Town and unexpectedly see the title characters leap off the screen and chase them through the theater.

Zombie Town will premiere in U.S. theaters before streaming on Hulu and then ABC Australia in 2023.

“We are delighted to bring the pages of R.L. Stine’s Zombie Town to the screen and equally thrilled to be working with such an exceptional cast and crew on this production. A three-time Nickelodeon Kids Choice Award winner with book sales of over $500 million, R.L. Stine has a phenomenal track record of crafting stories that engage and entertain audiences,” John Gillespie, Trimuse Entertainment founder and executive producer, said in a statement.

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Executive producers are Trimuse Entertainment, Toonz Media Group, Lookout Entertainment, Viva Pictures and Sons of Anarchy actor Kim Coates.  

Paco Alvarez and Mark Holdom of Trimuse negotiated the deal to acquire the rights to Stine’s Zombie Town book.

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