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Every Daniel Radcliffe Movie After ‘Harry Potter,’ Ranked (So Far)

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Every Daniel Radcliffe Movie After ‘Harry Potter,’ Ranked (So Far)

Harry Potter gave Daniel Radcliffe worldwide fame, and like other all-consuming franchises such as The Lord of the Rings, Radcliffe (and Elijah Wood) have worked hard to be seen as more than just one character. During the filming of the fifth Harry Potter movie, Radcliffe appeared on London’s West End, in a play called Equus (where he appeared completely naked), that was critically well-received. This became a turning point in his career, and it showed that Radcliffe could do more than just wand-waving magic. No matter how influential the franchise was, it was clear Radcliffe wanted more of a challenge.

Here are twelve non-wizard performances of Daniel Radcliffe’s to enjoy.

RELATED: Daniel Radcliffe and Steve Buscemi on ‘Miracle Workers: Oregon Trail’, Directing, and ‘Deathly Hallows – Part 2’

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12. Beast of Burden

Starting off our list is Beast of Burden, Radcliffe’s weakest movie to date. Here he plays Sean Haggarty, an ex-Air Force pilot, and desperate drug mule. He has one hour to fly his Cessna to reach a drug cartel’s pickup. Apart from some flashbacks, rain, and a low fuel gauge, the most exciting moment of the film is when the USAF sends a drone to follow him.

The story is plausible enough, but unless an actor is given something to act with, (the majority of the movie was shot in a cockpit) it becomes an arduous trail through the skies. With very little tension created, the plausibility factor isn’t enough on its own and the storyline falls flat.

11. Now You See Me 2

The Four Horsemen are back to wow (and deceive) us once again. Building on the success of the first movie, we find our gang, forced by tech genius Walter Mabry (Radcliffe), to steal a chip that can control all the world’s computers. Loaded with tricks, twists, and an ending sequence that involves passing an obvious CGI playing card off as a real one, the movie fails to impress.

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Radcliffe plays a stock character that is easily forgotten and lacks any conviction. The whole premise is a movie full of amazing illusion, but it fails before any trick is completed with lackluster post CGI.

10. Victor Frankenstein

This adaptation of a classic story centers on the friendship between Victor (James McAvoy) and Igor (Radcliffe). After some good, old-fashioned pus lancing, (What are friends for?), Victor enlists Igor to help in his ongoing experiments, and in his noble quest to make life from death.

Radcliffe’s performance feels rushed, and his energy is sadly reflected in the movie’s needless action and explosions. Subsequently, the pace is uneven, and the horror movie is not grounded by fear. Radcliffe appears too eager to make the movie work, and at times looks so out of place that we can see the cracks in his character. The movie also tried too hard by distancing us from what we would expect from this classic story, veering too far from the source material.

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9. Horns

Horns is a dark and vengeful, man-on-a-mission comedy horror. Radcliffe plays Ignatius ‘Ig’ Perrish, an outsider whose girlfriend is the only thing that matters to him. Unbelievably, he is framed for her murder, and after getting drunk to ease the pain, he wakes to find that he has grown magical horns that allow him to read people’s minds. They can control snakes, and also force people to carry out their desires. With his newfound power, Ig sets off to track down the killer.

Radcliffe takes a risk with Horns. Not all good books make good movies, but this adaptation was one that he did seem to play with ease. Even if Radcliffe walked the line between success and failure, he made the movie what it was.

8. The F Word

Socially shy, and working in a dead-end job, Wallace (Radcliffe) is forced by his best friend Allan (Adam Driver) to attend a party where he meets Chantry (Zoe Kazan). This is the start of their endearing yet rather awkward relationship. The only problem is, Chantry isn’t single. Instead, she lives with her boyfriend, and Wallace soon realizes that he doesn’t just want to be friends.

While the premise might seem a bit predictable, it’s a romantic comedy that is adorable and funny, with dialogue that is exciting and engaging. Most romances fail to hit all those marks. Radcliffe plays awkward well, and his out-of-place English mannerisms lend themselves excellently to his characterization. He’s thoughtful, quirky, and by the end, we are rooting for him. It may be familiar, but it’s a perfect date night movie.

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7. Guns Akimbo

Cool, crazy, and completely mad, Guns Akimbo is all three of these things. In this video game-inspired “shoot ‘em up,” players are selected by an online criminal organization that streams live death matches, normally between psychopaths. So no one is more surprised than computer programmer and full-time chat-room troll, Miles (Radcliffe) to find that he has now been entered into the next real-world death match. The rules are simple: kill or be killed.

Radcliffe is loud, full of panic, and brilliantly pathetic as Miles, armed with twin pistols that have been bolted to each of his hands. He’s on the move from the start, giving action a different perspective with a bumbling, irreverent style. It’s great to see Radcliffe in something more challenging as he dives headfirst into the madness.

6. Swiss Army Man

In Swiss Army Man, Hank (Paul Dano) is stranded on a deserted island with only one way to escape: suicide. Just as he is about to hang himself he notices a corpse washed up on the beach. Hank is now saved by this corpse named Manny (Radcliffe) and soon realizes that he can manipulate him much like a Swiss Army Knife, including, of all things, his farts. Will they get home? Are we inside a dream or is Hank hallucinating? You decide.

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A bizarre and fascinating role, Radcliffe distances himself from everything that we usually associate with him. Both actors make the twisted, funny, and sad drama worth its weight through their talent of acting alone. It may have been a step too far for some, but not at the Sundance Film Festival, where it won the U.S. Dramatic Directing Award.

5. Jungle

Set in the Amazon rainforest, Jungle is a biographical survival story based on the accounts of Yossi Ghinsberg (Radcliffe). Looking for adventure, Ghinsberg and two friends meet Karl (Thomas Kretschmann) who promises them a once-in-a-lifetime trip to track down an indigenous tribe that knows him. How could they refuse?

Radcliffe outperforms the rest of the cast with his spiral into survival insanity. And that scene of self-operation with tweezers, Yossi’s forehead, and a worm, is one that is hard to forget, even for the non-squeamish. He even manages to pull off a convincing Israeli accent in the process.

4. Kill Your Darlings

The story follows a group of college students, set against the backdrop of 1940s New York City. It’s stylish, high-brow, and cool. Radcliffe plays Allen Ginsberg, a poet that gets mixed up in drugs, drink, term-paper plagiarism, and a fatal stabbing. Ginsberg’s entire future at college then turns bleak.

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A biographical movie, one that John Krokidas, in his feature directorial debut, does well by giving it a credible balance of realism without the need to overcook or sensationalize. This is an excellent wartime drama that hits every mark on the spectrum of emotions, and Radcliffe certainly uses the same spectrum in his portrayal of Ginsberg. Without a doubt, it deserves a spot in the top five.

3. Imperium

Imperium posits the subtitle of, ‘Defend your nation, become your enemy’. America is put under a spotlight and the enemy in question are white supremacists. FBI agent Nate Foster (Radcliffe) goes undercover to help bring down a terrorist organization while trying to fit in and not blow his cover. The trick is to do it all without going as far as to lose his morals in the process.

Bomber jacket, skinhead, and tattooed, Radcliffe looks the stereotypical Neo-Nazi. Thrilling, and suspenseful with edge-of-your-seat moments when Nate is challenged in his authenticity by the supremacists’ cause. Radcliffe plays the cat-and-mouse game of deception fittingly. It serves as a compelling and dramatic watch, and it is one that signifies Radcliffe could easily continue within the genre of crime thriller.

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2. Escape from Pretoria

Based on true events, Escape from Pretoria is the capture and arrest of two, white, South Africans, Tim Jenkins (Radcliffe) and Stephen Lee (Daniel Webber), for their anti-apartheid protests. After settling into prison life and making friends and political allies, the duo decides to escape with the help of another prisoner by making exact copies of prison keys from wood.

Only just missing out on the top spot because of too many periods of slow-burn scene-setting, Escape from Pretoria shows us again how Radcliffe is naturally inclined to any facet of the thriller genre. The suspense created in his final attempts to escape, armed with wooden keys that with every turn could break, is perfectly executed, and almost unbeatable. Radcliffe looks mature, comfortable, and convincing.


1. The Woman in Black

In The Woman in Black, Radcliffe plays Kipps, a lawyer who has been sent on the mundane mission to retrieve documents from the deceased owner of a considerably creepy, old house. Given the cold shoulder by locals and plagued by a terrifying, haunting, spectral entity (a certain woman in black) Kipps uncovers macabre secrets, and events spiral out of his control.

If you are looking for a period drama that is atmospheric, spine-chilling, and genuinely makes you wake up in the night and stare out your bedroom door because you feel something isn’t quite right, then The Woman in Black is for you. Radcliffe plays both serious and seriously scared adeptly. Although still fresh-faced from playing Mr. Potter, Radcliffe breaks out of his mold elegantly. And the climactic train station finale, pitted against the ghoulish antagonist, is every parent’s worst nightmare. Atmospherically terrifying, this film is Radcliffe’s best non-Harry Potter movie to date.

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Review: SAMARITAN, A Sly Stallone Superhero Stumble

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Review: SAMARITAN, A Sly Stallone Superhero Stumble

Hitting the three-quarter-century mark usually means a retirement home, a nursing facility, or if you’re lucky to be blessed with relatively good health and savings to match, living in a gated community in Arizona or Florida.

For Sylvester Stallone, however, it means something else entirely: starring in the first superhero-centered film of his decades-long career in the much-delayed Samaritan. Unfortunately for Stallone and the audience on the other side of the screen, the derivative, turgid, forgettable results won’t get mentioned in a career retrospective, let alone among the ever-expanding list of must-see entries in a genre already well past its peak.

For Stallone, however, it’s better late than never when it involves the superhero genre. Maybe in getting a taste of the MCU (Marvel Cinematic Universe) with his walk-on role in the Guardians of the Galaxy sequel several years ago, Stallone thought anything Marvel can do, I can do even better (or just as good in the nebulous definition of the word).

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The property Stallone and his team found for him, Samaritan, a little-known graphic novel released by a small, almost negligible, publisher, certainly takes advantage of Stallone’s brute-force physicality and his often underrated talent for near-monosyllabic brooding (e.g., the Rambo series), but too often gives him to little do or say as the lone super-powered survivor, the so-called “Samaritan” of the title, of a lifelong rivalry with his brother, “Nemesis.” Two brothers entered a fire-ravaged building and while both were presumed dead, one brother did survive (Stallone’s Joe Smith, a garbageman by day, an appliance repairman by night).

In the Granite City of screenwriter Bragi F. Schut (Escape Room, Season of the Witch), the United States, and presumably the rest of the world, teeters on economic and political collapse, with a recession spiraling into a depression, steady gigs difficult, if not impossible, to obtain, and the city’s neighborhoods rocked by crime and violence. No one’s safe, not even 13-year-old Sam (Javon Walker), Joe’s neighbor.

When he’s not dodging bullies connected to a gang, he’s falling under the undue influence of Cyrus (Pilou Asbæk), a low-rent gang leader with an outsized ego and the conviction that he and only he can take on Nemesis’s mantle and along with that mantle, a hammer “forged in hate,” to orchestrate a Bane-like plan to plunge the city into chaos and become a wealthy power-broker in the process.

Schut’s woefully underwritten script takes a clumsy, haphazard approach to world-building, relying on a two-minute animated sequence to open Samaritan while a naive, worshipful Sam narrates Samaritan and Nemesis’s supposedly tragic, Cain and Abel-inspired backstory. Schut and director Julius Avery (Overlord) clumsily attempt to contrast Sam’s childish belief in messiah-like, superheroic saviors stepping in to save humanity from itself and its own worst excesses, but following that path leads to authoritarianism and fascism (ideas better, more thoroughly explored in Watchmen and The Boys).

While Sam continues to think otherwise, Stallone’s superhero, 25 years past his last, fatal encounter with his presumably deceased brother, obviously believes superheroes are the problem and not the solution (a somewhat reasonable position), but as Samaritan tracks Joe and Sam’s friendship, Sam giving Joe the son he never had, Joe giving Sam the father he lost to street violence well before the film’s opening scene, it gets closer and closer to embracing, if not outright endorsing Sam’s power fantasies, right through a literally and figuratively explosive ending. Might, as always, wins regardless of how righteous or justified the underlying action.

It’s what superhero audiences want, apparently, and what Samaritan uncritically delivers via a woefully under-rendered finale involving not just unconvincing CGI fire effects, but a videogame cut-scene quality Stallone in a late-film flashback sequence that’s meant to be subversively revelatory, but will instead lead to unintentional laughter for anyone who’s managed to sit the entirety of Samaritan’s one-hour and 40-minute running time.

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Samaritan is now streaming worldwide on Prime Video.

Samaritan

Cast
  • Sylvester Stallone
  • Javon ‘Wanna’ Walton
  • Pilou Asbæk

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Matt Shakman Is In Talks To Direct ‘Fantastic Four’

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According to a new report, Wandavision’s Matt Shakman is in talks to direct the upcoming MCU project, Fantastic Four. Marvel Studios has been very hush-hush regarding Fantastic Four to the point where no official announcements have been made other than the film’s release date. No casting news or literally anything other than rumors has been released regarding the project. We know that Fantastic Four is slated for release on November 8th, 2024, and will be a part of Marvel’s Phase 6. There are also rumors that the cast of the new Fantastic Four will be announced at the D23 Expo on September 9th.

Fantastic Four is still over two years from release, and we assume we will hear more news about the project in the coming months. However, the idea of the Fantastic Four has already been introduced into the MCU. John Krasinski played Reed Richards aka Mr. Fantastic in Doctor Strange in the Multiverse of Madness. The cameo was a huge deal for fans who have been waiting a long time for the Fantastic Four to enter the MCU. When Disney acquired Twenty Century Fox in 2019 we assumed that the Fox Marvel characters would eventually make their way into the MCU. It’s been 3 years and we already have had an X-Men and Fantastic Four cameo – even if they were from another universe.

Deadline is reporting that Wandavision’s Matt Shakman is in talks to direct Fantastic Four. Shakman served as the director for Wandavision and has had an extensive career. He directed two episodes of Game of Thrones and an episode of The Boys, and he had a long stint on It’s Always Sunny in Philadelphia. There is nothing official yet, but Deadline’s sources say that Shakman is currently in talks for the job and things are headed in the right direction.

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To be honest, I was a bit more excited when Jon Watts was set to direct. I’m sure Shakman is a good director, but Watts proved he could handle a tentpole superhero film with Spider-Man: Homecoming. Wandavision was good, but Watts’ style would have been perfect for Fantastic Four. The film is probably one of the most anticipated films in Marvel’s upcoming slate films and they need to find the best person they can to direct. Is that Matt Shakman? It could be, but whoever takes the job must realize that Marvel has a lot riding on this movie. The other Fantastic Four films were awful and fans deserve better. Hopefully, Marvel knocks it out of the park as they usually do. You can see for yourself when Fantastic Four hits theaters on November 8th, 2024.

Film Synopsis: One of Marvel’s most iconic families makes it to the big screen: the Fantastic Four.

Source: Deadline

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Dan Aykroyd, Chevy Chase Star in ‘Zombie Town’ Mystery Teen Romancer (Exclusive)

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Dan Aykroyd and Chevy Chase have entered Zombie Town, a mystery teen romancer based on author R.L. Stine’s book of the same name.

The indie, now shooting in Ontario, also stars Henry Czerny and co-teen leads Marlon Kazadi and Madi Monroe. The ensemble cast includes Scott Thompson and Bruce McCulloch of the Canadian comedy show Kids in the Hall.

Canadian animator Peter Lepeniotis will direct Zombie Town. Stine’s kid’s book sees a quiet town upended when 12-year-old Mike and his friend, Karen, see a horror movie called Zombie Town and unexpectedly see the title characters leap off the screen and chase them through the theater.

Zombie Town will premiere in U.S. theaters before streaming on Hulu and then ABC Australia in 2023.

“We are delighted to bring the pages of R.L. Stine’s Zombie Town to the screen and equally thrilled to be working with such an exceptional cast and crew on this production. A three-time Nickelodeon Kids Choice Award winner with book sales of over $500 million, R.L. Stine has a phenomenal track record of crafting stories that engage and entertain audiences,” John Gillespie, Trimuse Entertainment founder and executive producer, said in a statement.

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Executive producers are Trimuse Entertainment, Toonz Media Group, Lookout Entertainment, Viva Pictures and Sons of Anarchy actor Kim Coates.  

Paco Alvarez and Mark Holdom of Trimuse negotiated the deal to acquire the rights to Stine’s Zombie Town book.

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