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Costume Designers Guild Awards: ‘House of Gucci,’ ‘Dune,’ ‘Squid Game’ Among Nominees

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Costume Designers Guild Awards: ‘House of Gucci,’ ‘Dune,’ ‘Squid Game’ Among Nominees

Set for an in-person ceremony this year — after last year’s virtual presentation — the Costume Designers Guild Awards announced its nominations Wednesday. The 24th annual awards honor excellence in film, television and short form costume design.

In the film categories — which recognize sci-fi/fantasy, contemporary and period projects — the nominees include Dune, The Green Knight, The Matrix Resurrections, Shang-Chi and the Legend of the Ten Rings, Spider-Man: No Way Home, The Suicide Squad, Coming 2 America, Don’t Look Up, In the Heights, No Time to Die, Zola, Cruella, Cyrano, House of Gucci, Nightmare Alley and West Side Story.

Scripted series receiving nominations in the categories of sci-fi/fantasy, contemporary and period television include The Book of Boba Fett, The Handmaid’s Tale, Loki, What We Do in the Shadows, The Witcher, Emily in Paris, Euphoria, Hacks, Mare of Easttown, Squid Game, The Great, Halston, The Underground Railroad and WandaVision. What We Do in the Shadows received a double nomination, for its episode “Gail” in the category of sci-fi/fantasy and for its episode “The Wellness Centre” for period television.

The awards, which will announce a host, presenters and nominees in coming weeks, will be held for the first time at the Broad Stage in Santa Monica on Wednesday, March 9, and are produced by NVE Experience Agency and sponsored by Westfield Century City.

“Throughout the pandemic, we’ve been reminded how important costume design is, not only to entertain — but to inspire,” said Salvador Perez, president of the Costume Designers Guild, in a statement. “We are thrilled to celebrate in person this year, with safety as our priority. We want to recognize our nominees and all of their phenomenal work as we take the CDGA into a new direction.”

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Last year’s CDGA winners were Bina Daigeler (Mulan), Nancy Steiner (Promising Young Woman), Ann Roth (Ma Rainey’s Black Bottom), Paul Tazewell (Hamilton), Gabriele Binder (The Queen’s Gambit), Debra Hanson (Schitt’s Creek), Shay Cunliffe (Westworld) and April Napier (The Stunt Double). Roth went on to win an Academy Award for Ma Rainey’s, while Binder won an Emmy in the period category for Queen’s Gambit.

A complete list of this year’s CDGA nominees follows.

Excellence in Sci-Fi / Fantasy Film

Dune – Jacqueline West & Robert Morgan
The Green Knight – Malgosia Turzanska
The Matrix Resurrections – Lindsay Pugh
Shang-Chi and the Legend of the Ten Rings – Kym Barrett
Spider-Man: No Way Home – Sanja M. Hays
The Suicide Squad – Judianna Makovsky

Excellence in Contemporary Film

Coming 2 America – Ruth E. Carter
Don’t Look Up – Susan Matheson
In the Heights – Mitchell Travers
No Time to Die – Suttirat Anne Larlarb
Zola – Derica Cole Washington

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Excellence in Period Film

Cruella – Jenny Beavan
Cyrano – Massimo Cantini Parrini & Jacqueline Durran
House of Gucci – Janty Yates
Nightmare Alley – Luis Sequeira
West Side Story – Paul Tazewell

Excellence in Sci-Fi / Fantasy Television

The Book of Boba Fett: “Chapter 1” – Shawna Trpcic
The Handmaid’s Tale: “Nightshade” – Debra Hanson
Loki: “Journey into Mystery” – Christine Wada
What We Do in the Shadows: “Gail” – Laura Montgomery
The Witcher: “Family” – Lucinda Wright

Excellence in Contemporary Television

Emily in Paris: “French Revolution” – Patricia Field & Marylin Fitoussi
Euphoria: “F*ck Anyone Who’s Not a Sea Blob” – Heidi Bivens
Hacks: “Pilot” – Kathleen Felix-Hager
Mare of Easttown: “Miss Ladyhawk Herself” – Meghan Kasperlik
Squid Game: “VIPS” – Cho Sang-kyung

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Excellence in Period Television

The Great: “Seven Days” – Sharon Long
Halston: “Becoming Halston” – Jeriana San Juan
The Underground Railroad: “Chapter 8: Indiana Autumn” – Caroline Eselin-Schaefer
WandaVision: “Filmed Before a Live Studio Audience” – Mayes C. Rubeo
What We Do in the Shadows: “The Wellness Centre” – Laura Montgomery

Excellence in Variety, Reality-Competition, Live Television

Annie Live! – Emilio Sosa
Dancing with the Stars: “Semi-Finals” – Daniela Gschwendtner & Steven Norman Lee
The Late Late Show with James Corden: “Crosswalk Cinderella” – Lauren Shapiro
The Masked Singer: “2 Night Season Premiere, Part 2: Back to School” – Marina Toybina & Gabrielle Letamendi
Saturday Night Live: “Rami Malek / Young Thug” – Tom Broecker & Eric Justian

Excellence in Short Form Design

The Bold Type: “Cruella” (Commercial) – Mandi Line
Cadillac: Edgar Scissorhands ft. Timothée Chalamet, “Hands Free” (Commercial) – Melissa DesRosiers
Ed Sheeran: “Shivers” (Music Video) – Ami Goodheart
Snoop Dogg’s Triller: Fight Club “We’re Bringing Boxing Back” (Commercial) – Dawn Ritz
Swarovski: “Welcome to Wonderlab” (Commercial) – B. Åkerlund

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Review: SAMARITAN, A Sly Stallone Superhero Stumble

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Review: SAMARITAN, A Sly Stallone Superhero Stumble

Hitting the three-quarter-century mark usually means a retirement home, a nursing facility, or if you’re lucky to be blessed with relatively good health and savings to match, living in a gated community in Arizona or Florida.

For Sylvester Stallone, however, it means something else entirely: starring in the first superhero-centered film of his decades-long career in the much-delayed Samaritan. Unfortunately for Stallone and the audience on the other side of the screen, the derivative, turgid, forgettable results won’t get mentioned in a career retrospective, let alone among the ever-expanding list of must-see entries in a genre already well past its peak.

For Stallone, however, it’s better late than never when it involves the superhero genre. Maybe in getting a taste of the MCU (Marvel Cinematic Universe) with his walk-on role in the Guardians of the Galaxy sequel several years ago, Stallone thought anything Marvel can do, I can do even better (or just as good in the nebulous definition of the word).

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The property Stallone and his team found for him, Samaritan, a little-known graphic novel released by a small, almost negligible, publisher, certainly takes advantage of Stallone’s brute-force physicality and his often underrated talent for near-monosyllabic brooding (e.g., the Rambo series), but too often gives him to little do or say as the lone super-powered survivor, the so-called “Samaritan” of the title, of a lifelong rivalry with his brother, “Nemesis.” Two brothers entered a fire-ravaged building and while both were presumed dead, one brother did survive (Stallone’s Joe Smith, a garbageman by day, an appliance repairman by night).

In the Granite City of screenwriter Bragi F. Schut (Escape Room, Season of the Witch), the United States, and presumably the rest of the world, teeters on economic and political collapse, with a recession spiraling into a depression, steady gigs difficult, if not impossible, to obtain, and the city’s neighborhoods rocked by crime and violence. No one’s safe, not even 13-year-old Sam (Javon Walker), Joe’s neighbor.

When he’s not dodging bullies connected to a gang, he’s falling under the undue influence of Cyrus (Pilou Asbæk), a low-rent gang leader with an outsized ego and the conviction that he and only he can take on Nemesis’s mantle and along with that mantle, a hammer “forged in hate,” to orchestrate a Bane-like plan to plunge the city into chaos and become a wealthy power-broker in the process.

Schut’s woefully underwritten script takes a clumsy, haphazard approach to world-building, relying on a two-minute animated sequence to open Samaritan while a naive, worshipful Sam narrates Samaritan and Nemesis’s supposedly tragic, Cain and Abel-inspired backstory. Schut and director Julius Avery (Overlord) clumsily attempt to contrast Sam’s childish belief in messiah-like, superheroic saviors stepping in to save humanity from itself and its own worst excesses, but following that path leads to authoritarianism and fascism (ideas better, more thoroughly explored in Watchmen and The Boys).

While Sam continues to think otherwise, Stallone’s superhero, 25 years past his last, fatal encounter with his presumably deceased brother, obviously believes superheroes are the problem and not the solution (a somewhat reasonable position), but as Samaritan tracks Joe and Sam’s friendship, Sam giving Joe the son he never had, Joe giving Sam the father he lost to street violence well before the film’s opening scene, it gets closer and closer to embracing, if not outright endorsing Sam’s power fantasies, right through a literally and figuratively explosive ending. Might, as always, wins regardless of how righteous or justified the underlying action.

It’s what superhero audiences want, apparently, and what Samaritan uncritically delivers via a woefully under-rendered finale involving not just unconvincing CGI fire effects, but a videogame cut-scene quality Stallone in a late-film flashback sequence that’s meant to be subversively revelatory, but will instead lead to unintentional laughter for anyone who’s managed to sit the entirety of Samaritan’s one-hour and 40-minute running time.

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Samaritan is now streaming worldwide on Prime Video.

Samaritan

Cast
  • Sylvester Stallone
  • Javon ‘Wanna’ Walton
  • Pilou Asbæk

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Matt Shakman Is In Talks To Direct ‘Fantastic Four’

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According to a new report, Wandavision’s Matt Shakman is in talks to direct the upcoming MCU project, Fantastic Four. Marvel Studios has been very hush-hush regarding Fantastic Four to the point where no official announcements have been made other than the film’s release date. No casting news or literally anything other than rumors has been released regarding the project. We know that Fantastic Four is slated for release on November 8th, 2024, and will be a part of Marvel’s Phase 6. There are also rumors that the cast of the new Fantastic Four will be announced at the D23 Expo on September 9th.

Fantastic Four is still over two years from release, and we assume we will hear more news about the project in the coming months. However, the idea of the Fantastic Four has already been introduced into the MCU. John Krasinski played Reed Richards aka Mr. Fantastic in Doctor Strange in the Multiverse of Madness. The cameo was a huge deal for fans who have been waiting a long time for the Fantastic Four to enter the MCU. When Disney acquired Twenty Century Fox in 2019 we assumed that the Fox Marvel characters would eventually make their way into the MCU. It’s been 3 years and we already have had an X-Men and Fantastic Four cameo – even if they were from another universe.

Deadline is reporting that Wandavision’s Matt Shakman is in talks to direct Fantastic Four. Shakman served as the director for Wandavision and has had an extensive career. He directed two episodes of Game of Thrones and an episode of The Boys, and he had a long stint on It’s Always Sunny in Philadelphia. There is nothing official yet, but Deadline’s sources say that Shakman is currently in talks for the job and things are headed in the right direction.

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To be honest, I was a bit more excited when Jon Watts was set to direct. I’m sure Shakman is a good director, but Watts proved he could handle a tentpole superhero film with Spider-Man: Homecoming. Wandavision was good, but Watts’ style would have been perfect for Fantastic Four. The film is probably one of the most anticipated films in Marvel’s upcoming slate films and they need to find the best person they can to direct. Is that Matt Shakman? It could be, but whoever takes the job must realize that Marvel has a lot riding on this movie. The other Fantastic Four films were awful and fans deserve better. Hopefully, Marvel knocks it out of the park as they usually do. You can see for yourself when Fantastic Four hits theaters on November 8th, 2024.

Film Synopsis: One of Marvel’s most iconic families makes it to the big screen: the Fantastic Four.

Source: Deadline

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Dan Aykroyd, Chevy Chase Star in ‘Zombie Town’ Mystery Teen Romancer (Exclusive)

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Dan Aykroyd and Chevy Chase have entered Zombie Town, a mystery teen romancer based on author R.L. Stine’s book of the same name.

The indie, now shooting in Ontario, also stars Henry Czerny and co-teen leads Marlon Kazadi and Madi Monroe. The ensemble cast includes Scott Thompson and Bruce McCulloch of the Canadian comedy show Kids in the Hall.

Canadian animator Peter Lepeniotis will direct Zombie Town. Stine’s kid’s book sees a quiet town upended when 12-year-old Mike and his friend, Karen, see a horror movie called Zombie Town and unexpectedly see the title characters leap off the screen and chase them through the theater.

Zombie Town will premiere in U.S. theaters before streaming on Hulu and then ABC Australia in 2023.

“We are delighted to bring the pages of R.L. Stine’s Zombie Town to the screen and equally thrilled to be working with such an exceptional cast and crew on this production. A three-time Nickelodeon Kids Choice Award winner with book sales of over $500 million, R.L. Stine has a phenomenal track record of crafting stories that engage and entertain audiences,” John Gillespie, Trimuse Entertainment founder and executive producer, said in a statement.

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Executive producers are Trimuse Entertainment, Toonz Media Group, Lookout Entertainment, Viva Pictures and Sons of Anarchy actor Kim Coates.  

Paco Alvarez and Mark Holdom of Trimuse negotiated the deal to acquire the rights to Stine’s Zombie Town book.

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