Connect with us

Movies News

Berlin Golden Bear Winner Mohammad Rasoulof Arrested in Iran Over Social Media Posts

Published

on

Filmmakers Mostafa Al-Ahmad and the Golden Bear-winning Mohammad Rasoulof were arrested by Iranian authorities Friday.

The directors were taken into custody over the posting of social media statements that urged Iranian security force members to lay down their weapons,  including clubs and tear gas, against civilian protests over the May 23 collapse at the Metropol Building in Abadan that killed at least 41 people, according to an Associated Press report citing a story from Iranian news agency IRNA.

Both artists’ social media statements — which were among at least 70 Iranian filmmakers and movie industry workers who had signed the same appeal — included the hashtag #put_your_gun_down, a reference to the government’s crackdown on the ongoing unrest in the Khuzestan province, which is southwest of the country’s capital, Tehran. The protests are being fueled by the government’s response to past natural disasters as well as the “shoddy construction practices, government corruption and negligence in Iran,” reports AP.

On Friday, Kaveh Farnam and Farzad Pak, Iranian producers who work with Rasoulof, released their own statement condemning the arrests of both “respected and dedicated Iranian filmmakers,” who they say “were arrested in their residences in a coordinated and brutal attack under false pretenses and transferred to an unknown location.” The producers go on to demand both be released and ask for the support of the larger artistic community.

“As we continue to strongly condemn the authorities for their disregard for basic human rights and civil liberties and the persistent repression and pressure inflicted on committed and independent Iranian filmmakers, we demand the immediate and unconditional release of our colleagues,” the statement continues.We ask for support from artists and cinematographers all over the world for the release of imprisoned artists.”

Advertisement

Calls for their release continued on Saturday, with the International Coalition for Filmmakers at Risk publishing a statement in support of both artists after they spoke “out against the unproportionate repression of civil protestors.” Their statement calls “on the Iranian authorities to immediately and unconditionally release Mohamad Rasoulof and Mostafa Al-Ahmad” and encourages “all film and culture institutions around the world to do the same.”

The organizers of the Berlin International Film Festival also released a statement expressing their dismay at the imprisonment of “the renowned Iranian directors,” and asserted the festival’s commitment to freedom of expression and freedom of the arts.

“We are deeply concerned about the arrest of Mohammad Rasoulof and Mostafa Al-Ahmad. It’s shocking that artists are taken into custody because of their peaceful endeavors against violence,” Berlinale directors Mariette Rissenbeek and Carlo Chatrian said in a statement. “We call on the Iranian authorities to release the two directors.”

In May, Rasoulf posted to his Instagram account a statement — co-signed by a number of Iranian film industry members — condemning Iranian security forces, which he says interrogated and arrested some industry members after raiding both their residencies and workplaces and seizing their personal and work equipment. That statement pointed to censorship and security forces as two entities interfering in the country’s cinema industry and artists’ freedom of expression.

Friday’s arrest was not the first for Rasoulof. The winner of the Berlin Film Festival’s top prize in 2020 for There Is No Evil was taken into custody after receiving the honor and sentenced to a year in prison for three of his films that were found by Iranian authorities to be “propaganda against the system,” with his lawyering appealing the sentence. During that time, he was also banned from making films and traveling abroad.

Earlier, in 2017, while returning to Iran from Colorado’s Telluride Film Festival, he had his passport confiscated and was ordered to appear at a “culture and media” court in Tehran.

Advertisement

He was also arrested in 2011 — the same year his film Goodbye won a prize at Cannes — alongside fellow director Jafar Panahi, for filming without a permit. The duo were sentenced to six years in prison and banned from filmmaking for 20 years, also for “making propaganda” against the ruling system, before his sentence was appealed and reduced to a year. In a review of the film, The Hollywood Reporter described it as a “dark tale” focused on a young female lawyer that “openly attacks the blind repression of Iranian civil society.”

Movies News

Review: SAMARITAN, A Sly Stallone Superhero Stumble

Published

on

By

Review: SAMARITAN, A Sly Stallone Superhero Stumble

Hitting the three-quarter-century mark usually means a retirement home, a nursing facility, or if you’re lucky to be blessed with relatively good health and savings to match, living in a gated community in Arizona or Florida.

For Sylvester Stallone, however, it means something else entirely: starring in the first superhero-centered film of his decades-long career in the much-delayed Samaritan. Unfortunately for Stallone and the audience on the other side of the screen, the derivative, turgid, forgettable results won’t get mentioned in a career retrospective, let alone among the ever-expanding list of must-see entries in a genre already well past its peak.

For Stallone, however, it’s better late than never when it involves the superhero genre. Maybe in getting a taste of the MCU (Marvel Cinematic Universe) with his walk-on role in the Guardians of the Galaxy sequel several years ago, Stallone thought anything Marvel can do, I can do even better (or just as good in the nebulous definition of the word).

Advertisement

The property Stallone and his team found for him, Samaritan, a little-known graphic novel released by a small, almost negligible, publisher, certainly takes advantage of Stallone’s brute-force physicality and his often underrated talent for near-monosyllabic brooding (e.g., the Rambo series), but too often gives him to little do or say as the lone super-powered survivor, the so-called “Samaritan” of the title, of a lifelong rivalry with his brother, “Nemesis.” Two brothers entered a fire-ravaged building and while both were presumed dead, one brother did survive (Stallone’s Joe Smith, a garbageman by day, an appliance repairman by night).

In the Granite City of screenwriter Bragi F. Schut (Escape Room, Season of the Witch), the United States, and presumably the rest of the world, teeters on economic and political collapse, with a recession spiraling into a depression, steady gigs difficult, if not impossible, to obtain, and the city’s neighborhoods rocked by crime and violence. No one’s safe, not even 13-year-old Sam (Javon Walker), Joe’s neighbor.

When he’s not dodging bullies connected to a gang, he’s falling under the undue influence of Cyrus (Pilou Asbæk), a low-rent gang leader with an outsized ego and the conviction that he and only he can take on Nemesis’s mantle and along with that mantle, a hammer “forged in hate,” to orchestrate a Bane-like plan to plunge the city into chaos and become a wealthy power-broker in the process.

Schut’s woefully underwritten script takes a clumsy, haphazard approach to world-building, relying on a two-minute animated sequence to open Samaritan while a naive, worshipful Sam narrates Samaritan and Nemesis’s supposedly tragic, Cain and Abel-inspired backstory. Schut and director Julius Avery (Overlord) clumsily attempt to contrast Sam’s childish belief in messiah-like, superheroic saviors stepping in to save humanity from itself and its own worst excesses, but following that path leads to authoritarianism and fascism (ideas better, more thoroughly explored in Watchmen and The Boys).

While Sam continues to think otherwise, Stallone’s superhero, 25 years past his last, fatal encounter with his presumably deceased brother, obviously believes superheroes are the problem and not the solution (a somewhat reasonable position), but as Samaritan tracks Joe and Sam’s friendship, Sam giving Joe the son he never had, Joe giving Sam the father he lost to street violence well before the film’s opening scene, it gets closer and closer to embracing, if not outright endorsing Sam’s power fantasies, right through a literally and figuratively explosive ending. Might, as always, wins regardless of how righteous or justified the underlying action.

It’s what superhero audiences want, apparently, and what Samaritan uncritically delivers via a woefully under-rendered finale involving not just unconvincing CGI fire effects, but a videogame cut-scene quality Stallone in a late-film flashback sequence that’s meant to be subversively revelatory, but will instead lead to unintentional laughter for anyone who’s managed to sit the entirety of Samaritan’s one-hour and 40-minute running time.

Advertisement

Samaritan is now streaming worldwide on Prime Video.

Samaritan

Cast
  • Sylvester Stallone
  • Javon ‘Wanna’ Walton
  • Pilou Asbæk

Advertisement
Continue Reading

Movies News

Matt Shakman Is In Talks To Direct ‘Fantastic Four’

Published

on

By

According to a new report, Wandavision’s Matt Shakman is in talks to direct the upcoming MCU project, Fantastic Four. Marvel Studios has been very hush-hush regarding Fantastic Four to the point where no official announcements have been made other than the film’s release date. No casting news or literally anything other than rumors has been released regarding the project. We know that Fantastic Four is slated for release on November 8th, 2024, and will be a part of Marvel’s Phase 6. There are also rumors that the cast of the new Fantastic Four will be announced at the D23 Expo on September 9th.

Fantastic Four is still over two years from release, and we assume we will hear more news about the project in the coming months. However, the idea of the Fantastic Four has already been introduced into the MCU. John Krasinski played Reed Richards aka Mr. Fantastic in Doctor Strange in the Multiverse of Madness. The cameo was a huge deal for fans who have been waiting a long time for the Fantastic Four to enter the MCU. When Disney acquired Twenty Century Fox in 2019 we assumed that the Fox Marvel characters would eventually make their way into the MCU. It’s been 3 years and we already have had an X-Men and Fantastic Four cameo – even if they were from another universe.

Deadline is reporting that Wandavision’s Matt Shakman is in talks to direct Fantastic Four. Shakman served as the director for Wandavision and has had an extensive career. He directed two episodes of Game of Thrones and an episode of The Boys, and he had a long stint on It’s Always Sunny in Philadelphia. There is nothing official yet, but Deadline’s sources say that Shakman is currently in talks for the job and things are headed in the right direction.

Advertisement

To be honest, I was a bit more excited when Jon Watts was set to direct. I’m sure Shakman is a good director, but Watts proved he could handle a tentpole superhero film with Spider-Man: Homecoming. Wandavision was good, but Watts’ style would have been perfect for Fantastic Four. The film is probably one of the most anticipated films in Marvel’s upcoming slate films and they need to find the best person they can to direct. Is that Matt Shakman? It could be, but whoever takes the job must realize that Marvel has a lot riding on this movie. The other Fantastic Four films were awful and fans deserve better. Hopefully, Marvel knocks it out of the park as they usually do. You can see for yourself when Fantastic Four hits theaters on November 8th, 2024.

Film Synopsis: One of Marvel’s most iconic families makes it to the big screen: the Fantastic Four.

Source: Deadline

Continue Reading

Movies News

Dan Aykroyd, Chevy Chase Star in ‘Zombie Town’ Mystery Teen Romancer (Exclusive)

Published

on

By

Dan Aykroyd and Chevy Chase have entered Zombie Town, a mystery teen romancer based on author R.L. Stine’s book of the same name.

The indie, now shooting in Ontario, also stars Henry Czerny and co-teen leads Marlon Kazadi and Madi Monroe. The ensemble cast includes Scott Thompson and Bruce McCulloch of the Canadian comedy show Kids in the Hall.

Canadian animator Peter Lepeniotis will direct Zombie Town. Stine’s kid’s book sees a quiet town upended when 12-year-old Mike and his friend, Karen, see a horror movie called Zombie Town and unexpectedly see the title characters leap off the screen and chase them through the theater.

Zombie Town will premiere in U.S. theaters before streaming on Hulu and then ABC Australia in 2023.

“We are delighted to bring the pages of R.L. Stine’s Zombie Town to the screen and equally thrilled to be working with such an exceptional cast and crew on this production. A three-time Nickelodeon Kids Choice Award winner with book sales of over $500 million, R.L. Stine has a phenomenal track record of crafting stories that engage and entertain audiences,” John Gillespie, Trimuse Entertainment founder and executive producer, said in a statement.

Advertisement

Executive producers are Trimuse Entertainment, Toonz Media Group, Lookout Entertainment, Viva Pictures and Sons of Anarchy actor Kim Coates.  

Paco Alvarez and Mark Holdom of Trimuse negotiated the deal to acquire the rights to Stine’s Zombie Town book.

Continue Reading

Trending