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Ben Affleck’s Favorite Batman Scenes He Ever Filmed Are In The Flash Movie

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Ben Affleck’s Favorite Batman Scenes He Ever Filmed Are In The Flash Movie

Ben Affleck says the best scenes featuring his interpretation of Bruce Wayne/Batman were filmed for the upcoming DC Extended Universe film, The Flash.

Ben Affleck says the best scenes featuring his interpretation of Bruce Wayne/Batman were filmed for the upcoming DC Extended Universe film, The Flash. Following what has become known as “Josstice League,” and the announcement that Matt Reeves would be helming The Batman as a reboot starring Robert Pattinson, fans naturally assumed “Batfleck” was a thing of the past. However, last year brought the acclaimed Zack Snyder’s Justice League, which not only revitalized interest in Affleck’s Caped Crusader, but inadvertently geared audiences up for the long-awaited The Flash movie.

After appearing as the Scarlet Speedster in 2017’s Justice League and the Snyder Cut, Ezra Miller will reprise his role in Andy Muschietti’s The Flash. The film will follow Barry Allen after the events of Justice League and flesh out the idea of Speed Force/time manipulation teased in Snyder’s Justice LeagueThe Flash will crack open the DCEU’s multiverse, feature multiple versions of the Flash as well as both Affleck and Michael Keaton’s Batmen. It will also star Kiersey Clemon as Iris West, Ron Livingston as Henry Allen, Maribel Verdu as Nora Allen, Ian Loh as a young Barry Allen, and Sasha Calle as the Kryptonian cousin of Superman, Supergirl. Principal photography recently wrapped, and the film is set to release in theaters on November 4, 2022.

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Related: Batman’s 2022 Plans Prove How Wrong Schumacher’s Reboot Was

In a recent interview with The Herald Sun, Affleck spoke about his Batman scenes in The Flash. Specifically, the actor said that the material he shot for the film might be his best work as Batman in the DCEU. Affleck says he hopes the final cut “maintan[s] the integrity” of the Flash scenes he loved. Read his full quote below:

“I have never said this — this is hot off the presses — but maybe my favorite scenes in terms of Batman and the interpretation of Batman that I have done, were in the Flash movie … I hope they maintain the integrity of what we did because I thought it was great and really interesting — different, but not in a way that is incongruent with the character. Who knows? Maybe they will decide that it doesn’t work, but when I went and did it, it was really fun and really, really satisfying and encouraging and I thought, ‘Wow — I think I have finally figured it out.’”

Affleck went on to call additional photography for Snyder’s Justice League and filming The Flash movie “a really nice finish on my experience with that character.” It would appear Affleck’s time as the caped crusader is nearing its end. Like Henry Cavill’s Clark Kent/Superman, Affleck’s Batman is at the heart of the Snyder-Verse, and The Flash is might officially shelve that timeline. On top of introducing Supergirl, The Flash is rumored to use archive footage of Cavill to help close the door on his character. With HBO Max’s Batgirl movie on the horizon, rumors suggest that Calle’s Supergirl and Leslie Grace’s Batgirl will be replacing Cavill and Affleck, respectively, as members of a new Justice League in the DCEU.


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In The Flash, Barry’s time-travel antics will presumably create a brand new main DCEU timeline, benching Affleck and starting Keaton, who will likely serve as a mentor to Grace’s Batgirl. Hopefully, the film accomplishes all of this gracefully. Droves of fans wish Warner Bros/DC Films would #RestoreTheSnyderVerse, and the decision to abandon it is still scrutinized. If The Flash is the project to put the nail in its coffin, it will inevitably receive backlash as well. Its marketing campaign should pick up in the coming months, with an official trailer dropping sooner rather than later. Alongside The Batman, The Flash is easily the most-anticipated DC project of 2022, due in part to Affleck’s now very hyped return.


More: Keaton’s Batman In Batgirl Makes The Flash’s DCEU Reboot Theory Stronger

Source: The Herald Sun

  • The Batman (2022)Release date: Mar 04, 2022
  • DC League of Super-Pets (2022)Release date: May 20, 2022
  • Black Adam (2022)Release date: Jul 29, 2022
  • The Flash (2022)Release date: Nov 04, 2022
  • Aquaman and the Lost Kingdom (2022)Release date: Dec 16, 2022
  • Shazam! Fury of the Gods (2023)Release date: Jun 02, 2023

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Review: SAMARITAN, A Sly Stallone Superhero Stumble

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Review: SAMARITAN, A Sly Stallone Superhero Stumble

Hitting the three-quarter-century mark usually means a retirement home, a nursing facility, or if you’re lucky to be blessed with relatively good health and savings to match, living in a gated community in Arizona or Florida.

For Sylvester Stallone, however, it means something else entirely: starring in the first superhero-centered film of his decades-long career in the much-delayed Samaritan. Unfortunately for Stallone and the audience on the other side of the screen, the derivative, turgid, forgettable results won’t get mentioned in a career retrospective, let alone among the ever-expanding list of must-see entries in a genre already well past its peak.

For Stallone, however, it’s better late than never when it involves the superhero genre. Maybe in getting a taste of the MCU (Marvel Cinematic Universe) with his walk-on role in the Guardians of the Galaxy sequel several years ago, Stallone thought anything Marvel can do, I can do even better (or just as good in the nebulous definition of the word).

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The property Stallone and his team found for him, Samaritan, a little-known graphic novel released by a small, almost negligible, publisher, certainly takes advantage of Stallone’s brute-force physicality and his often underrated talent for near-monosyllabic brooding (e.g., the Rambo series), but too often gives him to little do or say as the lone super-powered survivor, the so-called “Samaritan” of the title, of a lifelong rivalry with his brother, “Nemesis.” Two brothers entered a fire-ravaged building and while both were presumed dead, one brother did survive (Stallone’s Joe Smith, a garbageman by day, an appliance repairman by night).

In the Granite City of screenwriter Bragi F. Schut (Escape Room, Season of the Witch), the United States, and presumably the rest of the world, teeters on economic and political collapse, with a recession spiraling into a depression, steady gigs difficult, if not impossible, to obtain, and the city’s neighborhoods rocked by crime and violence. No one’s safe, not even 13-year-old Sam (Javon Walker), Joe’s neighbor.

When he’s not dodging bullies connected to a gang, he’s falling under the undue influence of Cyrus (Pilou Asbæk), a low-rent gang leader with an outsized ego and the conviction that he and only he can take on Nemesis’s mantle and along with that mantle, a hammer “forged in hate,” to orchestrate a Bane-like plan to plunge the city into chaos and become a wealthy power-broker in the process.

Schut’s woefully underwritten script takes a clumsy, haphazard approach to world-building, relying on a two-minute animated sequence to open Samaritan while a naive, worshipful Sam narrates Samaritan and Nemesis’s supposedly tragic, Cain and Abel-inspired backstory. Schut and director Julius Avery (Overlord) clumsily attempt to contrast Sam’s childish belief in messiah-like, superheroic saviors stepping in to save humanity from itself and its own worst excesses, but following that path leads to authoritarianism and fascism (ideas better, more thoroughly explored in Watchmen and The Boys).

While Sam continues to think otherwise, Stallone’s superhero, 25 years past his last, fatal encounter with his presumably deceased brother, obviously believes superheroes are the problem and not the solution (a somewhat reasonable position), but as Samaritan tracks Joe and Sam’s friendship, Sam giving Joe the son he never had, Joe giving Sam the father he lost to street violence well before the film’s opening scene, it gets closer and closer to embracing, if not outright endorsing Sam’s power fantasies, right through a literally and figuratively explosive ending. Might, as always, wins regardless of how righteous or justified the underlying action.

It’s what superhero audiences want, apparently, and what Samaritan uncritically delivers via a woefully under-rendered finale involving not just unconvincing CGI fire effects, but a videogame cut-scene quality Stallone in a late-film flashback sequence that’s meant to be subversively revelatory, but will instead lead to unintentional laughter for anyone who’s managed to sit the entirety of Samaritan’s one-hour and 40-minute running time.

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Samaritan is now streaming worldwide on Prime Video.

Samaritan

Cast
  • Sylvester Stallone
  • Javon ‘Wanna’ Walton
  • Pilou Asbæk

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Matt Shakman Is In Talks To Direct ‘Fantastic Four’

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According to a new report, Wandavision’s Matt Shakman is in talks to direct the upcoming MCU project, Fantastic Four. Marvel Studios has been very hush-hush regarding Fantastic Four to the point where no official announcements have been made other than the film’s release date. No casting news or literally anything other than rumors has been released regarding the project. We know that Fantastic Four is slated for release on November 8th, 2024, and will be a part of Marvel’s Phase 6. There are also rumors that the cast of the new Fantastic Four will be announced at the D23 Expo on September 9th.

Fantastic Four is still over two years from release, and we assume we will hear more news about the project in the coming months. However, the idea of the Fantastic Four has already been introduced into the MCU. John Krasinski played Reed Richards aka Mr. Fantastic in Doctor Strange in the Multiverse of Madness. The cameo was a huge deal for fans who have been waiting a long time for the Fantastic Four to enter the MCU. When Disney acquired Twenty Century Fox in 2019 we assumed that the Fox Marvel characters would eventually make their way into the MCU. It’s been 3 years and we already have had an X-Men and Fantastic Four cameo – even if they were from another universe.

Deadline is reporting that Wandavision’s Matt Shakman is in talks to direct Fantastic Four. Shakman served as the director for Wandavision and has had an extensive career. He directed two episodes of Game of Thrones and an episode of The Boys, and he had a long stint on It’s Always Sunny in Philadelphia. There is nothing official yet, but Deadline’s sources say that Shakman is currently in talks for the job and things are headed in the right direction.

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To be honest, I was a bit more excited when Jon Watts was set to direct. I’m sure Shakman is a good director, but Watts proved he could handle a tentpole superhero film with Spider-Man: Homecoming. Wandavision was good, but Watts’ style would have been perfect for Fantastic Four. The film is probably one of the most anticipated films in Marvel’s upcoming slate films and they need to find the best person they can to direct. Is that Matt Shakman? It could be, but whoever takes the job must realize that Marvel has a lot riding on this movie. The other Fantastic Four films were awful and fans deserve better. Hopefully, Marvel knocks it out of the park as they usually do. You can see for yourself when Fantastic Four hits theaters on November 8th, 2024.

Film Synopsis: One of Marvel’s most iconic families makes it to the big screen: the Fantastic Four.

Source: Deadline

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Dan Aykroyd, Chevy Chase Star in ‘Zombie Town’ Mystery Teen Romancer (Exclusive)

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Dan Aykroyd and Chevy Chase have entered Zombie Town, a mystery teen romancer based on author R.L. Stine’s book of the same name.

The indie, now shooting in Ontario, also stars Henry Czerny and co-teen leads Marlon Kazadi and Madi Monroe. The ensemble cast includes Scott Thompson and Bruce McCulloch of the Canadian comedy show Kids in the Hall.

Canadian animator Peter Lepeniotis will direct Zombie Town. Stine’s kid’s book sees a quiet town upended when 12-year-old Mike and his friend, Karen, see a horror movie called Zombie Town and unexpectedly see the title characters leap off the screen and chase them through the theater.

Zombie Town will premiere in U.S. theaters before streaming on Hulu and then ABC Australia in 2023.

“We are delighted to bring the pages of R.L. Stine’s Zombie Town to the screen and equally thrilled to be working with such an exceptional cast and crew on this production. A three-time Nickelodeon Kids Choice Award winner with book sales of over $500 million, R.L. Stine has a phenomenal track record of crafting stories that engage and entertain audiences,” John Gillespie, Trimuse Entertainment founder and executive producer, said in a statement.

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Executive producers are Trimuse Entertainment, Toonz Media Group, Lookout Entertainment, Viva Pictures and Sons of Anarchy actor Kim Coates.  

Paco Alvarez and Mark Holdom of Trimuse negotiated the deal to acquire the rights to Stine’s Zombie Town book.

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