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Why FBI Killing Off [Spoiler] In That Way Was ‘Really Dangerous’ For Jubal, According To Jeremy Sisto

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Why FBI Killing Off [Spoiler] In That Way Was ‘Really Dangerous’ For Jubal, According To Jeremy Sisto

Spoilers ahead for the January 11 episode of FBI, called “Grief.”

FBI took a tragic turn in “Grief” with the resolution of the plot set in motion back in the midseason finale when Rina was shot. After she suffered some complications in the hospital, her parents made the decision to take her off life support… all without anybody telling Jubal that the woman he loved was going to die sooner than he thought, and he only found out when a hospital administrator had to break the news. Throw in the high-stakes case that required as much of Jubal’s focus as he could spare, and this was a rough episode for him. According to actor Jeremy Sisto, Jubal finding out about Rina’s death was dangerous for him.

The reveal that Rina had died came very early in the episode, and with so little ceremony that it’s hard to blame Jubal for being thrown off balance by what had happened. He’d known that she was going to be taken off life support, but was expecting it to happen later in the week. Speaking with CinemaBlend, Jeremy Sisto explained the impact of Jubal finding out so early in the episode the way that he did: 

I think there was a double impact kind of thing of, she’s gone. He said goodbye to her. Whether she was there or not, he’s had way more time with someone that was dying than most people get. So to some degree there was a gift there. But their relationship is new. They hadn’t been going to holidays together. Their relationship is new. And so to hear that her parents pulled the plug without letting him know is just a reminder of like, ‘Am I crazy? Was our relationship even that significant? I mean, did she think of me in that same way?’ It’s confusing, I think. And so, instead of taking the day off as perhaps he should have, he jumped right into a case and found another way to kind of work through these questions.

Although he had some extra time with her while she was in the hospital and kept alive by machines, being left entirely out of when she was taken off of life support was jarring for Jubal. They had a fair amount of history even if their romantic relationship was pretty new, and it seemed to be going well up until Vargas orchestrated her shooting. But Jubal had to face some unpleasant doubts after her death, and there was seemingly nobody alive who could have reassured him. 

The reassurance ultimately came from an unexpected source: Rina’s mother, who certainly wasn’t trying to make Jubal feel any better. When Jubal took her to see her daughter’s office and pick up her box of personal effects, she cast the blame at him as the reason why Rina was in New York and crossed Vargas’ path at all. When I noted that Rina’s mom both took him on a guilt trip and also provided him with some clarity, Jeremy Sisto weighed in: 

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Exactly, yeah! It was an interesting moment when she says ‘You’re the reason that she moved here.’ She says it with the intention of blaming him or at least with a feeling that she holds him responsible. And I’m not sure if it was in the script or not, I feel like it wasn’t, when I respond and say ‘I didn’t know that.’ That’s what hit me in the moment, was A) this is awful, and of course, if the mom wants to blame me, please, whatever helps her grieving easier. But also a clarification that we did have something really profound. I do deserve a space to heal and to mourn. And she loved me in the same way I loved her. I feel like there was a period there where he just started to question, and that would have been really dangerous for him, for somebody newly in a relationship, who’s had issues in the past, to have something he felt so sure about, and great about, taken away. And then the question of whether or not it was even as real as he thought is put out there. And so this was a really clarifying and healing moment, despite it being awkward and difficult.

According to the actor, it would have been “really dangerous” if Jubal had to keep questioning whether or not Rina actually loved him like he loved her, when Rina herself couldn’t tell him. Her mom may have been attempting to lay the blame on him and make him feel bad, but she actually may have spared him a lot of self-torture while trying to grieve and also stay on the wagon. While that’s not to say that he won’t mourn Rina, hopefully he can avoid spiraling. 

That said, Jeremy Sisto wouldn’t be too broken up if things got messy for Jubal again, although for a very good reason. He explained why it wouldn’t be the worst thing in the world if Jubal lost some control, saying:

Obviously, as an actor, I hope he falls off the rails. [laughs] Starts drinking vodka at work again. But as a fan of the show and a fan of the character, I hope that he is okay, and he’s able to move on with his life. And I think Dick [Wolf] and Rick [Eid], and Dick in particular has a really close [and] a really sensitive understanding of what the audience wants. So, if the audience wants to see more Jubal kind of struggling with the grief and his private life stuff, then the storyline will continue. But I also think there’s a possibility that people are ready to see Jubal kind of get back to not being such a mess.

Television producer extraordinaire Dick Wolf and FBI showrunner Rick Eid both clearly know what it takes to craft hit shows; the franchise was founded by Wolf all the way back in 1990 when he created the original Law & Order (which is coming back to TV), and Eid was showrunner on NBC’s Chicago P.D. for years on top of running FBI on CBS. If ever there was a recipe for a successful crime procedural, they would be it. So, if audiences want to see more of this storyline even after Rena has been killed, it’s possible that FBI will deliver. 

See what happens in the aftermath of Rina’s death with new episodes of FBI on CBS on Tuesdays at 8 p.m. ET, ahead of FBI: International at 9 p.m. and FBI: Most Wanted at 10 p.m. If you’re still in the market for a new TV show to check out, take a look at our 2022 winter and spring premiere schedule for some options!

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Quentin Tarantino Reveals His Pick For ‘The Greatest Movie Ever Made’

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Quentin Tarantino Reveals His Pick For ‘The Greatest Movie Ever Made’

It may not feel like it sometimes, but any upcoming movie has the chance to be named “the greatest movie ever made” by someone out there. However, that honor does have some specific caveats if you’re someone like filmmaker Quentin Tarantino. Not only has the Once Upon a Time in Hollywood director chosen a Steven Spielberg classic for that very distinction, Tarantino also explained just why that title is very specific. 

In an upcoming interview with our in-house podcast ReelBlend, Quentin Tarantino made his fourth appearance to talk about all things movies; the first since the big live show at the New Beverly Cinema. Promoting his new co-hosting gig on The Video Archives Podcast, Tarantino had yet another spirited discussion about cinema, which led to his pick of Steven Spielberg’s Jaws as  the greatest “movie” ever made. That distinction is important, as the Once Upon A Time…In Hollywood director made that perfectly clear through the following remarks: 

I think Jaws is the greatest movie ever made. Maybe not the greatest film. But it’s the greatest movie ever made. And then there are other movies that can get in its rarefied air. But as far as a movie, there’s no making it better than Jaws. There’s no ‘better’ than Jaws. It is the best movie ever made. And it shows how badly timed most movies made before Jaws were.

Leave it to Quentin Tarantino to separate his tastes in movies into those two separate, important camps: “movies” and “films.” In this case, the designation of a movie almost sounds like it’s shorthand for the blockbuster opuses that Steven Spielberg made a name for himself with. Which means that “films” are presumably more of the independent/art house titles that have higher pedigrees, and usually end up on the lists of best picture nominees every year.

Strangely enough, Jaws is one of six horror movies to have Best Picture nominations, so the line could blur just a bit in that respect. Putting aside the “movies” versus “films” debate, Quentin Tarantino isn’t using that separation to be a snob. Later on in the conversation, he explained how spectacles such as this are their own form of art, and how Steven Spielberg came to be someone who perfected it: 

What I meant by that, to one degree or another, is that Spielberg and a lot of his cohorts grew up seeing those kinds of movies in the theater. Henry Levin’s Journey to Center of the Earth, he’s gonna run to go and see that. Richard Fleischer’s Fantastic Voyage. He’s going to run and go see it. Gordon Douglas’s Them! He’s going to run and go see. Now… most of them weren’t directed that well. They were assignments given to journeyman directors who did their best with them. That was how we were used to seeing comic book — that kind of movie experience. As opposed to a Spielberg, who was like, ‘No, this is exactly the kind of movie he likes. This is exactly the kind of movies he was put on earth to make. And he’s going to make it, within an inch of his life, as effective as it possibly can be. And, you know, Michael Anderson, isn’t putting that kind of work in Logan’s Run.

Spielberg, and “cohorts” like George Lucas, Martin Scorsese, and Francis Ford Copolla all latched onto genres that were pulpier entertainments in their childhood, only to make them into something new. Through films like Jaws, Star Wars, Taxi Driver, and The Godfather, we saw a generation of directors taking movies they loved and reviving them through their own personal lenses. Which is exactly what Quentin Tarantino would do when he stepped onto the scene with Reservoir Dogs and Pulp Fiction; and it’s also why he’s such a staunch supporter of the cinematic experience. 

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If this conversation boils down to anything, it’s game recognizing game. Much as Steven Spielberg idolized the movies that helped make Jaws, Quentin Tarantino has reverence for the bearded director and his dedication to making the movies that sparked his love of cinema. Though considering the history his collaborator Samuel L. Jackson has had with sharks, you have to wonder if this has already sparked any sort of humorous conversations between the two?

You’ll be able to watch, and listen, to Quentin Tarantino’s latest appearance on ReelBlend, as it’s set to hit YouTube tomorrow. Meanwhile, Tarantino may not have his tenth and final film in the works just yet, but you can still enjoy the man’s gift for words in two very cool ways. 

Tarantino’s Video Archives podcast, which he co-hosts with friend and collaborator Roger Avery, is currently streaming wherever you find fine listening material. However, if you also want to read the man’s thoughts on ‘70s filmmaking in his upcoming book Cinema Speculation, which you can currently preorder on Amazon (opens in new tab); or any other fine bookseller.

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‘Prey’ Interviews With Amber Midthunder, Dan Trachtenberg And More!

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The stars of “Prey,” Amber Midthunder (“Naru”), Dakota Bevers (“Taabe”), Dane DiLiegro (“The Predator”), director Dan Trachtenberg and producer Jhane Myers discuss their new “Predator” movie in this interview with CinemaBlend at San Diego Comic-Con 2022. They discuss the “Prey” audition moment that landed Amber Midthunder her role and more!

You can stream “Prey” on Hulu on August 5.

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‘Guardians of the Galaxy Vol. 3’ | Marvel Comic-Con Interviews with Chris Pratt, Karen Gillan & More

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‘Guardians of the Galaxy Vol. 3’ | Marvel Comic-Con Interviews with Chris Pratt, Karen Gillan & More

“Guardians of the Galaxy Vol. 3” stars Chris Pratt (Peter Quill / Star-Lord), Karen Gillan (Nebula), Will Poulter (Adam Warlock), Pom Klementieff (Mantis), Sean Gunn (Kraglin / On-Set Rocket), Chukwudi Iwuji (The High Evolutionary) and writer Director James Gunn discuss their upcoming Marvel film and conclusion of the “Guardians of the Galaxy” trilogy in this post-Hall H interview with CinemaBlend at San Diego Comic-Con 2022.

Video Chapters

  • 00:00 – Chris Pratt on Finding “Your Side”
  • 00:35 – Chris Pratt Teases What’s Ahead For Star-Lord and Gamora In GOTG 3
  • 01:24 – Karen Gillan LOVES ‘Avengers: Endgame’ Fan Reactions
  • 02:00 – Karen Gillan Weighs In On Nebula Unaliving Nebula in ‘Endgame’
  • 02:32 – James Gunn Teases a “Darker” ‘Guardians of the Galaxy’ Movie
  • 03:20 – Sean Gunn on Baby Rocket’s Difficult Backstory
  • 04:30 –  Pom Klementieff on Welcoming New Marvel Actors to the ‘Guardians’ Family
  • 05:15 – Pom Klementieff Teases A More Badass Mantis In ‘Guardians 3’
  • 05:35 – Will Poulter Teases Adam Warlock Origins in ‘GOTG 3’ 
  • 06:32 – Chukwudi Iwuji on The High Evolutionary and His Motivations
  • 07:20 – Chukwudi Iwugi Praises James Gunn’s Dialogue
  • 08:15 – Chris Pratt Recalls His Last Day of Filming the ‘Guardians of the Galaxy’ Trilogy
  • 08:55 – James Gunn Is Literally Always Writing and Rewriting Scripts
  • 09:49 – Will Poulter Wants to Play Adam Warlock Again “If Marvel Will Have Me”

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