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Chicago P.D.’s LaRoyce Hawkins Talks Atwater’s ‘Double Life’ And Choices In His Big Episode

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Chicago P.D.’s LaRoyce Hawkins Talks Atwater’s ‘Double Life’ And Choices In His Big Episode

Chicago P.D. has gone in some new directions with Kevin Atwater in Season 9, with the character getting a love interest who wasn’t gone by the end of her first hour and him exploring a new kind of investment in his community. Now, Atwater is poised to be front and center in the next episode, and it’ll be a complicated time for him as he navigates his double life and faces some big choices about which life he wants to live. Actor LaRoyce Hawkins chatted with CinemaBlend about what’s on the way. 

The January 12 episode of Chicago P.D. is called “Lies,” and that doesn’t necessarily bode well for Atwater considering where fans last saw him in his relationship with Celeste. Atwater will have to once again try to find a balance between his personal life and professional life as a cop, and he won’t be able to put off making a decision forever. When I spoke with LaRoyce Hawkins about “Lies,” he shared his perspective on playing the storyline with his love interest and Burnside arcs:

To be honest with you, what I’m grateful for, is [Chicago P.D. writer] Ike Smith, who kind of accepted these ideas, grateful for Gwen Sigan for allowing us to really take Atwater’s journey into an element that it feels good to really play with. The double life, so to speak, of being a cop during the day and like… a man by night is interesting. So as a storyteller, I’m excited about what we can learn from it.

Atwater originally passed up his chance to tell Celeste the truth that he’s actually a cop after he heard some of what she had to say about the police force. If the relationship has been going strong off-screen while P.D. handled the Upton/Voight/Halstead storyline, then Atwater has seemingly been handling the double life just fine. Will the show (now under the guidance of new showrunner Gwen Sigan) let Atwater keep balancing his work life with his personal life? 

Well, if history is any indication, the characters trying to maintain lies for long periods of time tends to not work, although it’s probably safe to say that Atwater won’t spiral quite like Upton did with her secret earlier in Season 9. Sadly, Atwater has experienced time and time again that finding a balance is going to be hard for him. The actor shared his thoughts on whether there’s a chance that it could work out for him this time around:

Do I think there’s a chance? I do, but I think it’s really up to Atwater and the choices that he makes. You know what I’m saying? And I think that’s what makes it interesting, is the fact that he does have a chance. I think we all kind of see it in him. I think we all kind of want it for him, but Atwater’s got to make the right decisions. Atwater has to navigate it a certain way in order for us to get what we want for him. You know, I think one of the things that I’m learning through Atwater, what I learned through these cases – and, you know, we always misdirect the case, when we take the case from where we want it to be, or where it was, and we have to meet it where it is.

Atwater finding the balance that has eluded him for so long isn’t impossible; there are simply choices that have to be made, and it remains to be seen how Celeste will (or won’t) be affected by whatever he decides in “Lies.”  He may run the risk of ruining everything if the truth comes out in the wrong way. Hawkins continued:

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So it’s like, Atwater’s starting to ask himself the question, you know, ‘Where are we?’ And if you live from where you are, and not from where you want to be, from where you thought you were, you live from an authentic place. I think he’s just being authentic to himself and doing his best, like we all are. It’s weird, man, it’s weird. But I can’t wait for the people to see ‘Lies.’ You know what I’m saying? Because we’re gonna see Atwater telling a very complicated story, and through the vision of Eif Rivera, who was a great director to work with. His vision and his style, I think, is going to add an element to the episode that everybody should truly enjoy.

Atwater is arguably the most morally upright cop in the Intelligence Unit, after Halstead crossed his biggest line yet in blackmailing an FBI agent into dropping the murder case against Upton and Voight. At the same time, his authenticity and morality are tempered by his skills of deception as an undercover cop, which have helped him in living his double life in Season 9. 

See what happens for Atwater in the “Lies” episode of Chicago P.D. on Wednesday, January 12 at 10 p.m. ET on NBC, following Chicago Fire at 9 p.m. and Chicago Med at 8 p.m. The previous episode delivered a major twist for Burgess; the focus on Atwater in “Lies” may mean that the Makayla issue might not be resolved for another couple of episodes. Only time will tell, however, and you can find some TV options for the coming weeks in our 2022 winter and spring premiere schedule

After the fall half of the 2021-2022 TV season, Chicago P.D. stands as one of the biggest ratings hits on network television, along with the other two One Chicago shows and others set in the same Dick Wolf TV universe. It is also soundly beating the new CBS show anchored by former P.D. leading lady Sophia Bush, although only time will tell if Good Sam narrows the gap or – like CSI: Vegas before it – settles into the #2 spot at 10 p.m. ET on Wednesday nights. 

Interviews

Quentin Tarantino Reveals His Pick For ‘The Greatest Movie Ever Made’

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Quentin Tarantino Reveals His Pick For ‘The Greatest Movie Ever Made’

It may not feel like it sometimes, but any upcoming movie has the chance to be named “the greatest movie ever made” by someone out there. However, that honor does have some specific caveats if you’re someone like filmmaker Quentin Tarantino. Not only has the Once Upon a Time in Hollywood director chosen a Steven Spielberg classic for that very distinction, Tarantino also explained just why that title is very specific. 

In an upcoming interview with our in-house podcast ReelBlend, Quentin Tarantino made his fourth appearance to talk about all things movies; the first since the big live show at the New Beverly Cinema. Promoting his new co-hosting gig on The Video Archives Podcast, Tarantino had yet another spirited discussion about cinema, which led to his pick of Steven Spielberg’s Jaws as  the greatest “movie” ever made. That distinction is important, as the Once Upon A Time…In Hollywood director made that perfectly clear through the following remarks: 

I think Jaws is the greatest movie ever made. Maybe not the greatest film. But it’s the greatest movie ever made. And then there are other movies that can get in its rarefied air. But as far as a movie, there’s no making it better than Jaws. There’s no ‘better’ than Jaws. It is the best movie ever made. And it shows how badly timed most movies made before Jaws were.

Leave it to Quentin Tarantino to separate his tastes in movies into those two separate, important camps: “movies” and “films.” In this case, the designation of a movie almost sounds like it’s shorthand for the blockbuster opuses that Steven Spielberg made a name for himself with. Which means that “films” are presumably more of the independent/art house titles that have higher pedigrees, and usually end up on the lists of best picture nominees every year.

Strangely enough, Jaws is one of six horror movies to have Best Picture nominations, so the line could blur just a bit in that respect. Putting aside the “movies” versus “films” debate, Quentin Tarantino isn’t using that separation to be a snob. Later on in the conversation, he explained how spectacles such as this are their own form of art, and how Steven Spielberg came to be someone who perfected it: 

What I meant by that, to one degree or another, is that Spielberg and a lot of his cohorts grew up seeing those kinds of movies in the theater. Henry Levin’s Journey to Center of the Earth, he’s gonna run to go and see that. Richard Fleischer’s Fantastic Voyage. He’s going to run and go see it. Gordon Douglas’s Them! He’s going to run and go see. Now… most of them weren’t directed that well. They were assignments given to journeyman directors who did their best with them. That was how we were used to seeing comic book — that kind of movie experience. As opposed to a Spielberg, who was like, ‘No, this is exactly the kind of movie he likes. This is exactly the kind of movies he was put on earth to make. And he’s going to make it, within an inch of his life, as effective as it possibly can be. And, you know, Michael Anderson, isn’t putting that kind of work in Logan’s Run.

Spielberg, and “cohorts” like George Lucas, Martin Scorsese, and Francis Ford Copolla all latched onto genres that were pulpier entertainments in their childhood, only to make them into something new. Through films like Jaws, Star Wars, Taxi Driver, and The Godfather, we saw a generation of directors taking movies they loved and reviving them through their own personal lenses. Which is exactly what Quentin Tarantino would do when he stepped onto the scene with Reservoir Dogs and Pulp Fiction; and it’s also why he’s such a staunch supporter of the cinematic experience. 

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If this conversation boils down to anything, it’s game recognizing game. Much as Steven Spielberg idolized the movies that helped make Jaws, Quentin Tarantino has reverence for the bearded director and his dedication to making the movies that sparked his love of cinema. Though considering the history his collaborator Samuel L. Jackson has had with sharks, you have to wonder if this has already sparked any sort of humorous conversations between the two?

You’ll be able to watch, and listen, to Quentin Tarantino’s latest appearance on ReelBlend, as it’s set to hit YouTube tomorrow. Meanwhile, Tarantino may not have his tenth and final film in the works just yet, but you can still enjoy the man’s gift for words in two very cool ways. 

Tarantino’s Video Archives podcast, which he co-hosts with friend and collaborator Roger Avery, is currently streaming wherever you find fine listening material. However, if you also want to read the man’s thoughts on ‘70s filmmaking in his upcoming book Cinema Speculation, which you can currently preorder on Amazon (opens in new tab); or any other fine bookseller.

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‘Prey’ Interviews With Amber Midthunder, Dan Trachtenberg And More!

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The stars of “Prey,” Amber Midthunder (“Naru”), Dakota Bevers (“Taabe”), Dane DiLiegro (“The Predator”), director Dan Trachtenberg and producer Jhane Myers discuss their new “Predator” movie in this interview with CinemaBlend at San Diego Comic-Con 2022. They discuss the “Prey” audition moment that landed Amber Midthunder her role and more!

You can stream “Prey” on Hulu on August 5.

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‘Guardians of the Galaxy Vol. 3’ | Marvel Comic-Con Interviews with Chris Pratt, Karen Gillan & More

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‘Guardians of the Galaxy Vol. 3’ | Marvel Comic-Con Interviews with Chris Pratt, Karen Gillan & More

“Guardians of the Galaxy Vol. 3” stars Chris Pratt (Peter Quill / Star-Lord), Karen Gillan (Nebula), Will Poulter (Adam Warlock), Pom Klementieff (Mantis), Sean Gunn (Kraglin / On-Set Rocket), Chukwudi Iwuji (The High Evolutionary) and writer Director James Gunn discuss their upcoming Marvel film and conclusion of the “Guardians of the Galaxy” trilogy in this post-Hall H interview with CinemaBlend at San Diego Comic-Con 2022.

Video Chapters

  • 00:00 – Chris Pratt on Finding “Your Side”
  • 00:35 – Chris Pratt Teases What’s Ahead For Star-Lord and Gamora In GOTG 3
  • 01:24 – Karen Gillan LOVES ‘Avengers: Endgame’ Fan Reactions
  • 02:00 – Karen Gillan Weighs In On Nebula Unaliving Nebula in ‘Endgame’
  • 02:32 – James Gunn Teases a “Darker” ‘Guardians of the Galaxy’ Movie
  • 03:20 – Sean Gunn on Baby Rocket’s Difficult Backstory
  • 04:30 –  Pom Klementieff on Welcoming New Marvel Actors to the ‘Guardians’ Family
  • 05:15 – Pom Klementieff Teases A More Badass Mantis In ‘Guardians 3’
  • 05:35 – Will Poulter Teases Adam Warlock Origins in ‘GOTG 3’ 
  • 06:32 – Chukwudi Iwuji on The High Evolutionary and His Motivations
  • 07:20 – Chukwudi Iwugi Praises James Gunn’s Dialogue
  • 08:15 – Chris Pratt Recalls His Last Day of Filming the ‘Guardians of the Galaxy’ Trilogy
  • 08:55 – James Gunn Is Literally Always Writing and Rewriting Scripts
  • 09:49 – Will Poulter Wants to Play Adam Warlock Again “If Marvel Will Have Me”

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