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Chicago Fire Actress Miranda Rae Mayo Breaks Down Stella’s Decision To Return To Severide

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Chicago Fire Actress Miranda Rae Mayo Breaks Down Stella’s Decision To Return To Severide

Miranda Rae Mayo is back in action as Stella Kidd in Chicago Fire for the second half of Season 10, after being missing for several episodes at the end of 2021. Stella made an appearance at the end of the midseason finale, surprising Severide with a reunion after spending days not answering his calls and texts during her Girls on Fire trip. Mayo spoke with CinemaBlend and broke down Stella’s decision to return home and reunite with Severide rather than just pick up the phone, and what she’s excited to see in Season 10.

Severide was more than a little worried about Stella after she went silent on him just when a prime opportunity had opened up for her at Firehouse 51 with the lieutenant vacancy on Truck 81, but he didn’t jump for joy when she surprised him by showing up in the loft for a midseason finale cliffhanger. When I asked Miranda Rae Mayo what she could share about why Stella went silent on him before just showing up again, the actress shared: 

I think honestly, he was talking about how the lieutenant’s position was open, and she was like, ‘Oh my god, okay. I have to choose right now.’ And she froze. She didn’t have an answer, and rather than communicating to him, like ‘This is what’s going on.’ All the while, she’s in the midst of running the [Girls on Fire] program, and her days are packed. I think she just wasn’t sure. She wasn’t sure what she was going to do and she just needed to take a step back and really look at everything before moving forward. And then it’s just – have you ever had it where it’s like, you haven’t texted someone back but you know that everything’s okay, even though they don’t, and then it gets to the point where it’s like, ‘Oh, shit, it’s been so long and now it’s rude, even though I wasn’t trying to be rude’? And so I think that rather than texting him back or calling him back at this point, she was just like, ‘I gotta get home. I gotta get home. And I got to talk to him face to face.’

Stella missed a whole lot at Firehouse 51 during her absence, starting with the departure of Casey and snowballing from there with the open spot for an officer on Truck 81. Both Severide and Boden were trying to get through to her as she slowly but surely ran out of time to come back and claim the spot before Pelham got it, and she may have cost herself an ideal opportunity. 

Showrunner Derek Haas previously shared that there won’t be a time jump from the midseason finale to the January 5 return for Season 10, so fans will get to see Stella talking to Severide face to face after coming home again. Miranda Rae Mayo made it clear that Stella wasn’t ignoring Severide’s calls out of any kind of anger or hurt or forgetfulness about her fiancé, saying:

It’s not that it’s accidental as much as it is, like, procrastinating. You know what I’m saying? It’s not like he’s an afterthought. It’s like she just doesn’t know what exactly to say yet.

We’ve all been there when it comes to not answering texts as quickly as we should sometimes, right? It should be interesting to see what Severide thinks of her procrastination. The promo for the first Chicago Fire episode of Season 10 suggests that he has something far worse on his mind as a possible reason for her radio silence, but fans will have to wait to see the episode to get all the answers. Perhaps the situation is even more complicated than it seems!

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The very good news is that Stella is back for good for the rest of Season 10, so even if she continues her work with Girls on Fire, that work won’t require her to leave for more episodes at a time. Miranda Rae Mayo shared what she’s excited for fans to get to see for her storyline now that she’s back: 

Season 10, I’m very excited to see Stella’s journey in agreeing and saying ‘Yes, I do want to show up fully as a leader in my community,’ and trusting that she can. I just look forward to watching Stella let herself win. I think that she is a character who as a firefighter, as a woman, she has experienced so much resistance and so much adversity on her way up. Even in her previous relationship with her ex husband, everything was very challenging. It was a struggle, and even with Severide things have been hard. Their relationship has been so up and down, and back and forth. So I look forward to her just like letting it all be okay.

“Letting it all be okay” sounds like something that Chicago Fire’s longest-running major couple could use at this point, so hopefully the good ship Stellaride will keep on sailing despite the latest miscommunication. Seager was back in the mix in the midseason finale back in December, but Severide’s eye wasn’t wandering, and now Stella is back. 

See what Chicago Fire has in store for Stella Kidd now that she’s back in the Windy City and reunited with Severide with the midseason premiere on Wednesday, January 5 at 9 p.m. ET on NBC, between Chicago Med at 8 p.m. ET and Chicago P.D. at 10 p.m. ET in the 2022 winter and spring premiere schedule.

Interviews

Quentin Tarantino Reveals His Pick For ‘The Greatest Movie Ever Made’

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Quentin Tarantino Reveals His Pick For ‘The Greatest Movie Ever Made’

It may not feel like it sometimes, but any upcoming movie has the chance to be named “the greatest movie ever made” by someone out there. However, that honor does have some specific caveats if you’re someone like filmmaker Quentin Tarantino. Not only has the Once Upon a Time in Hollywood director chosen a Steven Spielberg classic for that very distinction, Tarantino also explained just why that title is very specific. 

In an upcoming interview with our in-house podcast ReelBlend, Quentin Tarantino made his fourth appearance to talk about all things movies; the first since the big live show at the New Beverly Cinema. Promoting his new co-hosting gig on The Video Archives Podcast, Tarantino had yet another spirited discussion about cinema, which led to his pick of Steven Spielberg’s Jaws as  the greatest “movie” ever made. That distinction is important, as the Once Upon A Time…In Hollywood director made that perfectly clear through the following remarks: 

I think Jaws is the greatest movie ever made. Maybe not the greatest film. But it’s the greatest movie ever made. And then there are other movies that can get in its rarefied air. But as far as a movie, there’s no making it better than Jaws. There’s no ‘better’ than Jaws. It is the best movie ever made. And it shows how badly timed most movies made before Jaws were.

Leave it to Quentin Tarantino to separate his tastes in movies into those two separate, important camps: “movies” and “films.” In this case, the designation of a movie almost sounds like it’s shorthand for the blockbuster opuses that Steven Spielberg made a name for himself with. Which means that “films” are presumably more of the independent/art house titles that have higher pedigrees, and usually end up on the lists of best picture nominees every year.

Strangely enough, Jaws is one of six horror movies to have Best Picture nominations, so the line could blur just a bit in that respect. Putting aside the “movies” versus “films” debate, Quentin Tarantino isn’t using that separation to be a snob. Later on in the conversation, he explained how spectacles such as this are their own form of art, and how Steven Spielberg came to be someone who perfected it: 

What I meant by that, to one degree or another, is that Spielberg and a lot of his cohorts grew up seeing those kinds of movies in the theater. Henry Levin’s Journey to Center of the Earth, he’s gonna run to go and see that. Richard Fleischer’s Fantastic Voyage. He’s going to run and go see it. Gordon Douglas’s Them! He’s going to run and go see. Now… most of them weren’t directed that well. They were assignments given to journeyman directors who did their best with them. That was how we were used to seeing comic book — that kind of movie experience. As opposed to a Spielberg, who was like, ‘No, this is exactly the kind of movie he likes. This is exactly the kind of movies he was put on earth to make. And he’s going to make it, within an inch of his life, as effective as it possibly can be. And, you know, Michael Anderson, isn’t putting that kind of work in Logan’s Run.

Spielberg, and “cohorts” like George Lucas, Martin Scorsese, and Francis Ford Copolla all latched onto genres that were pulpier entertainments in their childhood, only to make them into something new. Through films like Jaws, Star Wars, Taxi Driver, and The Godfather, we saw a generation of directors taking movies they loved and reviving them through their own personal lenses. Which is exactly what Quentin Tarantino would do when he stepped onto the scene with Reservoir Dogs and Pulp Fiction; and it’s also why he’s such a staunch supporter of the cinematic experience. 

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If this conversation boils down to anything, it’s game recognizing game. Much as Steven Spielberg idolized the movies that helped make Jaws, Quentin Tarantino has reverence for the bearded director and his dedication to making the movies that sparked his love of cinema. Though considering the history his collaborator Samuel L. Jackson has had with sharks, you have to wonder if this has already sparked any sort of humorous conversations between the two?

You’ll be able to watch, and listen, to Quentin Tarantino’s latest appearance on ReelBlend, as it’s set to hit YouTube tomorrow. Meanwhile, Tarantino may not have his tenth and final film in the works just yet, but you can still enjoy the man’s gift for words in two very cool ways. 

Tarantino’s Video Archives podcast, which he co-hosts with friend and collaborator Roger Avery, is currently streaming wherever you find fine listening material. However, if you also want to read the man’s thoughts on ‘70s filmmaking in his upcoming book Cinema Speculation, which you can currently preorder on Amazon (opens in new tab); or any other fine bookseller.

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‘Prey’ Interviews With Amber Midthunder, Dan Trachtenberg And More!

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The stars of “Prey,” Amber Midthunder (“Naru”), Dakota Bevers (“Taabe”), Dane DiLiegro (“The Predator”), director Dan Trachtenberg and producer Jhane Myers discuss their new “Predator” movie in this interview with CinemaBlend at San Diego Comic-Con 2022. They discuss the “Prey” audition moment that landed Amber Midthunder her role and more!

You can stream “Prey” on Hulu on August 5.

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‘Guardians of the Galaxy Vol. 3’ | Marvel Comic-Con Interviews with Chris Pratt, Karen Gillan & More

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‘Guardians of the Galaxy Vol. 3’ | Marvel Comic-Con Interviews with Chris Pratt, Karen Gillan & More

“Guardians of the Galaxy Vol. 3” stars Chris Pratt (Peter Quill / Star-Lord), Karen Gillan (Nebula), Will Poulter (Adam Warlock), Pom Klementieff (Mantis), Sean Gunn (Kraglin / On-Set Rocket), Chukwudi Iwuji (The High Evolutionary) and writer Director James Gunn discuss their upcoming Marvel film and conclusion of the “Guardians of the Galaxy” trilogy in this post-Hall H interview with CinemaBlend at San Diego Comic-Con 2022.

Video Chapters

  • 00:00 – Chris Pratt on Finding “Your Side”
  • 00:35 – Chris Pratt Teases What’s Ahead For Star-Lord and Gamora In GOTG 3
  • 01:24 – Karen Gillan LOVES ‘Avengers: Endgame’ Fan Reactions
  • 02:00 – Karen Gillan Weighs In On Nebula Unaliving Nebula in ‘Endgame’
  • 02:32 – James Gunn Teases a “Darker” ‘Guardians of the Galaxy’ Movie
  • 03:20 – Sean Gunn on Baby Rocket’s Difficult Backstory
  • 04:30 –  Pom Klementieff on Welcoming New Marvel Actors to the ‘Guardians’ Family
  • 05:15 – Pom Klementieff Teases A More Badass Mantis In ‘Guardians 3’
  • 05:35 – Will Poulter Teases Adam Warlock Origins in ‘GOTG 3’ 
  • 06:32 – Chukwudi Iwuji on The High Evolutionary and His Motivations
  • 07:20 – Chukwudi Iwugi Praises James Gunn’s Dialogue
  • 08:15 – Chris Pratt Recalls His Last Day of Filming the ‘Guardians of the Galaxy’ Trilogy
  • 08:55 – James Gunn Is Literally Always Writing and Rewriting Scripts
  • 09:49 – Will Poulter Wants to Play Adam Warlock Again “If Marvel Will Have Me”

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