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Book Of Boba Fett’s Temuera Morrison And Ming-Na Wen Break Down The Importance Of Boba’s Rebirth

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Book Of Boba Fett’s Temuera Morrison And Ming-Na Wen Break Down The Importance Of Boba’s Rebirth

Spoilers ahead for the first two episodes of The Book of Boba Fett on Disney+.

The Book of Boba Fett has its earliest roots all the way back in Star Wars: Episode VI – Return of the Jedi in 1983, but the show has quickly moved beyond the Sarlacc Pit in the sands of Tatooine to fill in some blanks for Boba himself. In the second episode of the series, viewers saw the iconic Star Wars character go on a vision quest of sorts after bonding with the Tuskens, and the stars spoke with CinemaBlend about the rebirth that resulted in the flashbacks. 

Stars Temuera Morrison and Ming-Na Wen, who previously played their roles as Boba Fett and Fennec Shand on The Mandalorian, weighed in on the twist for Boba and the rebirth he experienced after forming his unlikely friendship with the Tuskens. Morrison said:

I think that’s what it’s about. It was just revealing the real Boba, what he’s been through. We’re stripping away the layers, finding him at his vulnerable points. The influence of the Tuskens, they trained him to make him hard. They trained him to survive in these harsh conditions, taken into their tribe, becoming schooled in their arts and their martial arts. Having the sensei, the Tusken sensei, take me under her wing.

The training sequences with the Tuskens (and the sensei in particular) established why Boba could do what he could do with his staff in The Mandalorian Season 2, and were part of what have helped Boba Fett build his own new identity in the flashbacks. Temuera Morrison also shared that the woman who played that Tusken sensei was stunt performer Joanna Bennett, with whom he’d previously worked on Aquaman

But the fight sequences were only part of helping Boba rebuild himself after the events of Return of the Jedi on Tatooine. The Tuskens gave him the gift of a lizard that scurried into his face and guided him from inside his head in a fairly trippy sequence, which was unlike anything that had happened in a Star Wars movie or TV show before The Book of Boba Fett. Morrison continued: 

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I think this is what the series is about, revealing some of these stories and the background story. So we’ve been blessed that we didn’t see too much of Boba in those earlier episodes, so now it’s a blessing. Now we can discover his world, along with the fan. So I’m glad you enjoyed it. We went on a trip. The rebirthing, I think that’s what that was all about finding. Finding the branch.

By filling in the blanks of Boba Fett’s past between Return of the Jedi and where Star Wars picked up with him again in The Mandalorian, the newest show is building the world that he inhabits and revealing the kind of man he is after all of his ordeals. And as much as he’s facing a whole new set of ordeals now that he has taken over from Bib Fortuna, the show couldn’t fully move forward with his story without showing the rebirth. 

Ming-Na Wen’s Fennec Shand hasn’t appeared in the flashbacks, but the actress counts herself as a fan of the storyline as well. She shared her thoughts on Boba Fett’s journey with the Tuskens:  

What I loved when I watched it was really seeing Boba going from that solo alone bounty hunter, and then becoming part of the Tusken tribe and family. And, you know, nurturing that sort of humanity in him that I don’t think was there earlier on. As a Star Wars fan, it was remarkable. And it was so much fun to watch, that transformation.

The transformation journey took some big steps forward, after Boba Fett helped the Tuskens learn how to defend their territory and then went on his journey with the lizard in his head. He now has a weapon in the Tusken style thanks to the branch he brought back with him. The actors didn’t spoil what’s ahead with the storyline, but Temuera Morrison previewed that fans have a lot to excited about: 

And [it’s] certainly gonna get better. Better! Episode 1 had to do a lot of setting up, I guess, and a little bit of filling in the gaps. And then I felt Episode 2 really sort of went up a notch, I feel. But we’ll wait and see. But it was very exciting. Very exciting, wonderful place to work. Wonderful people. We had to work with very talented people. And we had a great time as well.

Boba Fett’s story is still unfolding, and having Fennec Shand at his right hand has already helped keep him alive while fighting to hold his position of power on Tatooine. There’s no shortage of people with a motive to want him killed, so he can use all the trusted allies he can get. With Fennec skilled enough that she can scoff at lesser assassins, their partnership seems likely to keep going strong. 

See what’s next for them with new episodes of The Book of Boba Fett releasing on Wednesdays on Disney+. The show is bringing together all corners of the galaxy far, far away, with elements from the films, The Mandalorian, and even The Clone Wars and The Bad Batch (which featured the voice talents of Ming-Na Wen as Fennec) as animated series. Based on the appearance of a certain character in Episode 2, it’s looking like some characters hailing from the pages of Star Wars comics might be on the way as well. 

Interviews

Quentin Tarantino Reveals His Pick For ‘The Greatest Movie Ever Made’

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Quentin Tarantino Reveals His Pick For ‘The Greatest Movie Ever Made’

It may not feel like it sometimes, but any upcoming movie has the chance to be named “the greatest movie ever made” by someone out there. However, that honor does have some specific caveats if you’re someone like filmmaker Quentin Tarantino. Not only has the Once Upon a Time in Hollywood director chosen a Steven Spielberg classic for that very distinction, Tarantino also explained just why that title is very specific. 

In an upcoming interview with our in-house podcast ReelBlend, Quentin Tarantino made his fourth appearance to talk about all things movies; the first since the big live show at the New Beverly Cinema. Promoting his new co-hosting gig on The Video Archives Podcast, Tarantino had yet another spirited discussion about cinema, which led to his pick of Steven Spielberg’s Jaws as  the greatest “movie” ever made. That distinction is important, as the Once Upon A Time…In Hollywood director made that perfectly clear through the following remarks: 

I think Jaws is the greatest movie ever made. Maybe not the greatest film. But it’s the greatest movie ever made. And then there are other movies that can get in its rarefied air. But as far as a movie, there’s no making it better than Jaws. There’s no ‘better’ than Jaws. It is the best movie ever made. And it shows how badly timed most movies made before Jaws were.

Leave it to Quentin Tarantino to separate his tastes in movies into those two separate, important camps: “movies” and “films.” In this case, the designation of a movie almost sounds like it’s shorthand for the blockbuster opuses that Steven Spielberg made a name for himself with. Which means that “films” are presumably more of the independent/art house titles that have higher pedigrees, and usually end up on the lists of best picture nominees every year.

Strangely enough, Jaws is one of six horror movies to have Best Picture nominations, so the line could blur just a bit in that respect. Putting aside the “movies” versus “films” debate, Quentin Tarantino isn’t using that separation to be a snob. Later on in the conversation, he explained how spectacles such as this are their own form of art, and how Steven Spielberg came to be someone who perfected it: 

What I meant by that, to one degree or another, is that Spielberg and a lot of his cohorts grew up seeing those kinds of movies in the theater. Henry Levin’s Journey to Center of the Earth, he’s gonna run to go and see that. Richard Fleischer’s Fantastic Voyage. He’s going to run and go see it. Gordon Douglas’s Them! He’s going to run and go see. Now… most of them weren’t directed that well. They were assignments given to journeyman directors who did their best with them. That was how we were used to seeing comic book — that kind of movie experience. As opposed to a Spielberg, who was like, ‘No, this is exactly the kind of movie he likes. This is exactly the kind of movies he was put on earth to make. And he’s going to make it, within an inch of his life, as effective as it possibly can be. And, you know, Michael Anderson, isn’t putting that kind of work in Logan’s Run.

Spielberg, and “cohorts” like George Lucas, Martin Scorsese, and Francis Ford Copolla all latched onto genres that were pulpier entertainments in their childhood, only to make them into something new. Through films like Jaws, Star Wars, Taxi Driver, and The Godfather, we saw a generation of directors taking movies they loved and reviving them through their own personal lenses. Which is exactly what Quentin Tarantino would do when he stepped onto the scene with Reservoir Dogs and Pulp Fiction; and it’s also why he’s such a staunch supporter of the cinematic experience. 

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If this conversation boils down to anything, it’s game recognizing game. Much as Steven Spielberg idolized the movies that helped make Jaws, Quentin Tarantino has reverence for the bearded director and his dedication to making the movies that sparked his love of cinema. Though considering the history his collaborator Samuel L. Jackson has had with sharks, you have to wonder if this has already sparked any sort of humorous conversations between the two?

You’ll be able to watch, and listen, to Quentin Tarantino’s latest appearance on ReelBlend, as it’s set to hit YouTube tomorrow. Meanwhile, Tarantino may not have his tenth and final film in the works just yet, but you can still enjoy the man’s gift for words in two very cool ways. 

Tarantino’s Video Archives podcast, which he co-hosts with friend and collaborator Roger Avery, is currently streaming wherever you find fine listening material. However, if you also want to read the man’s thoughts on ‘70s filmmaking in his upcoming book Cinema Speculation, which you can currently preorder on Amazon (opens in new tab); or any other fine bookseller.

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‘Prey’ Interviews With Amber Midthunder, Dan Trachtenberg And More!

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The stars of “Prey,” Amber Midthunder (“Naru”), Dakota Bevers (“Taabe”), Dane DiLiegro (“The Predator”), director Dan Trachtenberg and producer Jhane Myers discuss their new “Predator” movie in this interview with CinemaBlend at San Diego Comic-Con 2022. They discuss the “Prey” audition moment that landed Amber Midthunder her role and more!

You can stream “Prey” on Hulu on August 5.

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Interviews

‘Guardians of the Galaxy Vol. 3’ | Marvel Comic-Con Interviews with Chris Pratt, Karen Gillan & More

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‘Guardians of the Galaxy Vol. 3’ | Marvel Comic-Con Interviews with Chris Pratt, Karen Gillan & More

“Guardians of the Galaxy Vol. 3” stars Chris Pratt (Peter Quill / Star-Lord), Karen Gillan (Nebula), Will Poulter (Adam Warlock), Pom Klementieff (Mantis), Sean Gunn (Kraglin / On-Set Rocket), Chukwudi Iwuji (The High Evolutionary) and writer Director James Gunn discuss their upcoming Marvel film and conclusion of the “Guardians of the Galaxy” trilogy in this post-Hall H interview with CinemaBlend at San Diego Comic-Con 2022.

Video Chapters

  • 00:00 – Chris Pratt on Finding “Your Side”
  • 00:35 – Chris Pratt Teases What’s Ahead For Star-Lord and Gamora In GOTG 3
  • 01:24 – Karen Gillan LOVES ‘Avengers: Endgame’ Fan Reactions
  • 02:00 – Karen Gillan Weighs In On Nebula Unaliving Nebula in ‘Endgame’
  • 02:32 – James Gunn Teases a “Darker” ‘Guardians of the Galaxy’ Movie
  • 03:20 – Sean Gunn on Baby Rocket’s Difficult Backstory
  • 04:30 –  Pom Klementieff on Welcoming New Marvel Actors to the ‘Guardians’ Family
  • 05:15 – Pom Klementieff Teases A More Badass Mantis In ‘Guardians 3’
  • 05:35 – Will Poulter Teases Adam Warlock Origins in ‘GOTG 3’ 
  • 06:32 – Chukwudi Iwuji on The High Evolutionary and His Motivations
  • 07:20 – Chukwudi Iwugi Praises James Gunn’s Dialogue
  • 08:15 – Chris Pratt Recalls His Last Day of Filming the ‘Guardians of the Galaxy’ Trilogy
  • 08:55 – James Gunn Is Literally Always Writing and Rewriting Scripts
  • 09:49 – Will Poulter Wants to Play Adam Warlock Again “If Marvel Will Have Me”

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