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1883’s Isabel May Talks Bonding With Tim McGraw And Bringing Optimism To The Dutton Family

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1883’s Isabel May Talks Bonding With Tim McGraw And Bringing Optimism To The Dutton Family

Just because Yellowstone Season 4 already reached its deadly conclusion doesn’t mean fans have to say goodbye to the Dutton family just yet. 1883 is moving along strongly and swiftly on Paramount+, with Tim McGraw, Faith Hill and Isabel May leading the ancestral charge. (As well as li’l Audie Rick’s John Sr.) So far, fans have witnessed one of TV’s darkest and most fatality-filled journeys, with Sam Elliott’s Shea Brennan leading the Duttons and a plethora of others across the still-developing United States. Despite all the hardships and setbacks, though, May’s Elsa Dutton has stood out as a spark of optimistic light in a family that often oozes cynicism. 

Tim McGraw’s James Dutton is certainly guilty of such oozing, but it sounds like he doesn’t share that attitude when the cameras aren’t rolling. When Isabel May spoke with CinemaBlend about all things Season 1 — all non-spoilery things, anyway — I asked her about building the daddy-daughter bond with the country music icon, and she had nothing but kind words for him and his craft, saying:

Yeah, Tim takes this very seriously. He takes his character very seriously. He cares deeply about the story. I don’t know, I think there’s just a connection that we had right off the bat. It took very little to care deeply about him, and to feel this paternal kind of warmth emanating from him. He has three daughters, so he understands what it is like to have a child, especially a young woman as a kid. Yeah, it hasn’t taken much to fall in love with everyone in this cast. But Tim’s a pretty remarkable man, and I feel very lucky to be performing alongside him. He’s very special.

Raising three daughters, on top of being married to co-star Faith Hill, certainly does give Tim McGraw an advantage when it comes to portraying a loving and doting father in 1883, even if many of the lifestyle specifics couldn’t be more different. And it has to help that Isabel May seems filled to the brim with positivity, and harbors such love and appreciation for the superstar playing her fictional father. And while the look on James Dutton’s face is usually in the realm of “sneering and/or looking fed up with nonsense,” that’s not so much the case when Elsa is around. (Although it cycles back and forth whenever Ellis is also around Elsa, such is the life of a protective father.)

Which isn’t to say that Isabel May and Faith Hill aren’t just as close or anything, since the two actresses came across during another press interview as if they were actually mother and daughter. It’s a shame that the standalone world of 1883 isn’t one where unstoppable giggling is the norm, because May and Hill could likely fill a time slot with their mirth-filled kinship alone. 

Speaking of mirth and similarly sanguine vibes, Elsa Dutton may very well be the most positive-minded character in the Yellowstone universe thus far, approaching the treacherous trek with her head held high. (Tate Dutton would almost count, but he’s faced multiple traumas already in his young life, so I doubt his optimism keeps hold for another decade.) Those feelings will no doubt become partially tainted by some of the events that play out in 1883, but it’s all about living in the moment. And that plays into how Isabel May portrays Elsa, whose bright smiles run counter to the darkness surrounding her. When I asked her about bringing such hopeful energy to the Dutton family, here’s what she told me: 

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Yeah, I think it’s what makes the show special. You’re hearing her thoughts in the narration and the voiceovers, and it’s the backdrop to this really, really tragic, incredibly difficult life-altering journey that they’ve decided to go on. You know, we’ve been shooting in the actual locations and experiencing the train to the fullest extent. So she romanticizes everything, and I can understand why. It’s so almost tragically beautiful. We’re always looking at our phones; we’re looking down, not up. Seeing these incredible sunsets in Texas and these beautiful mountain peaks in Montana has been a really incredible experience. So having that incorporated into the story, I think, is a nice contrast to the terrible depictions of the realities of that experience.

Despite all the potentially nightmarish situations that the Duttons and the rest of the wagon train have experienced in 1883 so far, as well as all the hard-knocks drama to come, Elsa serves as the beacon of aspiration helping to keep the American Dream alive. And it’s fueled by, logically enough, the gorgeousness of an unexploited America. Which is exactly what John Dutton has attempted to maintain control of throughout Yellowstone’s four seasons thus far. Like grandmother, like grandson. 

Fans can tap into Elsa Dutton’s positivity every Sunday when new episodes of 1883 debut on Paramount+ streaming, and stay tuned to see how Rita Wilson’s upcoming appearance will compare to hubby Tom Hanks’ surprising cameo. And be sure to check out our 2022 TV premiere schedule to see all the new and returning shows popping up in the coming months.

Interviews

Quentin Tarantino Reveals His Pick For ‘The Greatest Movie Ever Made’

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Quentin Tarantino Reveals His Pick For ‘The Greatest Movie Ever Made’

It may not feel like it sometimes, but any upcoming movie has the chance to be named “the greatest movie ever made” by someone out there. However, that honor does have some specific caveats if you’re someone like filmmaker Quentin Tarantino. Not only has the Once Upon a Time in Hollywood director chosen a Steven Spielberg classic for that very distinction, Tarantino also explained just why that title is very specific. 

In an upcoming interview with our in-house podcast ReelBlend, Quentin Tarantino made his fourth appearance to talk about all things movies; the first since the big live show at the New Beverly Cinema. Promoting his new co-hosting gig on The Video Archives Podcast, Tarantino had yet another spirited discussion about cinema, which led to his pick of Steven Spielberg’s Jaws as  the greatest “movie” ever made. That distinction is important, as the Once Upon A Time…In Hollywood director made that perfectly clear through the following remarks: 

I think Jaws is the greatest movie ever made. Maybe not the greatest film. But it’s the greatest movie ever made. And then there are other movies that can get in its rarefied air. But as far as a movie, there’s no making it better than Jaws. There’s no ‘better’ than Jaws. It is the best movie ever made. And it shows how badly timed most movies made before Jaws were.

Leave it to Quentin Tarantino to separate his tastes in movies into those two separate, important camps: “movies” and “films.” In this case, the designation of a movie almost sounds like it’s shorthand for the blockbuster opuses that Steven Spielberg made a name for himself with. Which means that “films” are presumably more of the independent/art house titles that have higher pedigrees, and usually end up on the lists of best picture nominees every year.

Strangely enough, Jaws is one of six horror movies to have Best Picture nominations, so the line could blur just a bit in that respect. Putting aside the “movies” versus “films” debate, Quentin Tarantino isn’t using that separation to be a snob. Later on in the conversation, he explained how spectacles such as this are their own form of art, and how Steven Spielberg came to be someone who perfected it: 

What I meant by that, to one degree or another, is that Spielberg and a lot of his cohorts grew up seeing those kinds of movies in the theater. Henry Levin’s Journey to Center of the Earth, he’s gonna run to go and see that. Richard Fleischer’s Fantastic Voyage. He’s going to run and go see it. Gordon Douglas’s Them! He’s going to run and go see. Now… most of them weren’t directed that well. They were assignments given to journeyman directors who did their best with them. That was how we were used to seeing comic book — that kind of movie experience. As opposed to a Spielberg, who was like, ‘No, this is exactly the kind of movie he likes. This is exactly the kind of movies he was put on earth to make. And he’s going to make it, within an inch of his life, as effective as it possibly can be. And, you know, Michael Anderson, isn’t putting that kind of work in Logan’s Run.

Spielberg, and “cohorts” like George Lucas, Martin Scorsese, and Francis Ford Copolla all latched onto genres that were pulpier entertainments in their childhood, only to make them into something new. Through films like Jaws, Star Wars, Taxi Driver, and The Godfather, we saw a generation of directors taking movies they loved and reviving them through their own personal lenses. Which is exactly what Quentin Tarantino would do when he stepped onto the scene with Reservoir Dogs and Pulp Fiction; and it’s also why he’s such a staunch supporter of the cinematic experience. 

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If this conversation boils down to anything, it’s game recognizing game. Much as Steven Spielberg idolized the movies that helped make Jaws, Quentin Tarantino has reverence for the bearded director and his dedication to making the movies that sparked his love of cinema. Though considering the history his collaborator Samuel L. Jackson has had with sharks, you have to wonder if this has already sparked any sort of humorous conversations between the two?

You’ll be able to watch, and listen, to Quentin Tarantino’s latest appearance on ReelBlend, as it’s set to hit YouTube tomorrow. Meanwhile, Tarantino may not have his tenth and final film in the works just yet, but you can still enjoy the man’s gift for words in two very cool ways. 

Tarantino’s Video Archives podcast, which he co-hosts with friend and collaborator Roger Avery, is currently streaming wherever you find fine listening material. However, if you also want to read the man’s thoughts on ‘70s filmmaking in his upcoming book Cinema Speculation, which you can currently preorder on Amazon (opens in new tab); or any other fine bookseller.

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‘Prey’ Interviews With Amber Midthunder, Dan Trachtenberg And More!

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The stars of “Prey,” Amber Midthunder (“Naru”), Dakota Bevers (“Taabe”), Dane DiLiegro (“The Predator”), director Dan Trachtenberg and producer Jhane Myers discuss their new “Predator” movie in this interview with CinemaBlend at San Diego Comic-Con 2022. They discuss the “Prey” audition moment that landed Amber Midthunder her role and more!

You can stream “Prey” on Hulu on August 5.

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‘Guardians of the Galaxy Vol. 3’ | Marvel Comic-Con Interviews with Chris Pratt, Karen Gillan & More

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‘Guardians of the Galaxy Vol. 3’ | Marvel Comic-Con Interviews with Chris Pratt, Karen Gillan & More

“Guardians of the Galaxy Vol. 3” stars Chris Pratt (Peter Quill / Star-Lord), Karen Gillan (Nebula), Will Poulter (Adam Warlock), Pom Klementieff (Mantis), Sean Gunn (Kraglin / On-Set Rocket), Chukwudi Iwuji (The High Evolutionary) and writer Director James Gunn discuss their upcoming Marvel film and conclusion of the “Guardians of the Galaxy” trilogy in this post-Hall H interview with CinemaBlend at San Diego Comic-Con 2022.

Video Chapters

  • 00:00 – Chris Pratt on Finding “Your Side”
  • 00:35 – Chris Pratt Teases What’s Ahead For Star-Lord and Gamora In GOTG 3
  • 01:24 – Karen Gillan LOVES ‘Avengers: Endgame’ Fan Reactions
  • 02:00 – Karen Gillan Weighs In On Nebula Unaliving Nebula in ‘Endgame’
  • 02:32 – James Gunn Teases a “Darker” ‘Guardians of the Galaxy’ Movie
  • 03:20 – Sean Gunn on Baby Rocket’s Difficult Backstory
  • 04:30 –  Pom Klementieff on Welcoming New Marvel Actors to the ‘Guardians’ Family
  • 05:15 – Pom Klementieff Teases A More Badass Mantis In ‘Guardians 3’
  • 05:35 – Will Poulter Teases Adam Warlock Origins in ‘GOTG 3’ 
  • 06:32 – Chukwudi Iwuji on The High Evolutionary and His Motivations
  • 07:20 – Chukwudi Iwugi Praises James Gunn’s Dialogue
  • 08:15 – Chris Pratt Recalls His Last Day of Filming the ‘Guardians of the Galaxy’ Trilogy
  • 08:55 – James Gunn Is Literally Always Writing and Rewriting Scripts
  • 09:49 – Will Poulter Wants to Play Adam Warlock Again “If Marvel Will Have Me”

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